Nathan Irvin Huggins: Culture And Identity Crisis In The Harlem Renaissance

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During and after World War One , the Great Migration caused many African Americans to move from rural areas of the country to the northern states. Many people flocked to Harlem, New York in hopes that they too would become a part of the culture phenomenon taking place. This culture boom became known as The Harlem Renaissance. The Harlem Renaissance was an influential movement that “kindled a new black culture identity “(History.com). With the turning of the age it seemed the perfect opportunity for Afro- Americans to create a new identity.
In Harlem Renaissance by Nathan Irvin Huggins, the author doesn’t answer just one general question, but instead questions the culture and identity crisis that enveloped this movement. He successfully brings …show more content…

In fact, it is clear to the reader that Huggins makes a concerted effort to bring light to both ethnicities’ perspectives. Huggins even argues that their culture is one and the same, “such a seamless web that it is impossible to calibrate the Negro within it or to ravel him from it” (Huggins, 309). Huggins argument is really brought to life through his use of historical evidence found in influential poetry from the time period. When analyzing why African Americans were having an identity crisis he looked to a common place that African American looked to. Africa was a common identifier among the black community for obvious reasons and was where Authors and Artists looked for inspiration. African American artists adopted the simple black silhouette and angular art found in original African pieces. Authors looked to Africa in their poetry. In The Negro Speaks of Rivers by Langston Hughes, the names of rivers in Africa such as the Euphrates, the Congo and the Nile were all used and then the scene switches to the Mississippi river found in America showing that blacks have “seen”, or experienced both. Huggins looks deeply into Countee Cullen’s Heritage discussing “what is Africa to me?” a common identifier that united black artistry in the Harlem Renaissance, “Africa? A book one thumbs listlessly, till slumber comes” (Countee). The black community craved to be a separate society from white Americans so they were forced to go back to the past to find their heritage, before America and white oppression. Huggins finds an amazing variety of evidence within literature of this time period, exposing the raw feelings and emotion behind this intellectual movement. The connections he makes within these pieces of poetry are accurate and strong, supporting his initial thesis

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