Halloween Movie Analysis Essay

Halloween is rife with psychological scares that affect its audience greatly. “Symbolism, dreamlike imagery, emotional rather than rational logic” are present in Psychoanalytic criticism. Siskel and Ebert talked about how the movie makes you feel as if you are the protagonist, scared for your life and feeling every bit of suspense (Siskel and Ebert). The movie is purely fueled by emotional responses to what is happening to the characters and focuses itself purely on how the audience will respond. In the clip shown, the main protagonist talks about how she killed the killer but he is shown alive. The movie is not concerned with the logic; otherwise, the killer would have at least been slowed down by the injuries he sustained. Siskel and Ebert laud the movie on its set up of scenes, score, character development, and use of lighting to make the audience feel the terror the characters undergo.

“A New Historicist article… teases out the many contributing causes that brought about disparate social elements in that way” (Mays, 2352). The movie shows the build-up to the battle of 300 Spartan soldiers against the armies of Persia, albeit in artistic and stylized manner. It covers the tensions and political drama that led to the clashing of men, as well as showing the historical context in which it took place. “..New Historicism doubts the accessibility of the past, insisting that all we have is discourse” (Mays, 2351). 300 doesn’t concern itself with trying to trying to access the past, but puts on an artistic representation of what happened that can be discussed in a modern