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women portrayal in movies
representation of genders in media
representation of genders in media
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Too many horror films provide scares and screams throughout their respective cinemas. Not many viewers follow what kind of model the films follow to appease their viewers. However, after reading film theorist Carol Clover’s novel, watching one of the films she associates in the novel “Halloween”, and also watching the movie “Nightmare on Elm Street” I say almost every “slasher” or horror film follows a model similar to Clover’s. The model is a female is featured as a primary character and that females tend to always overcome a situation at some point throughout the film. First off, in Carol Clover’s novel “Men Women and Chainsaws” the narrative is focusing on how women overcome their challenges throughout varies films. Clover focuses …show more content…
Throughout the cinema Michael continues to harm and stalk Laurie at points throughout Halloween. Drawing a few lines to Carol Clover’s model Michael is the male tormentor throughout the film with Laurie trying to become the “final girl.” I believe without a doubt Halloween followed the exact model Carol Clover laid out. Clover was spot on with how she related Halloween to her novel. The focal point of Clover’s theory is how do females come out in “slasher” films and defeat there opposer and become victorious. Halloween demonstrates that with with Laure constantly escaping Michael’s threats and pulls off surviving Halloween night without any major harm to herself. At that point Laure then became the “final girl” by surviving Halloween while some of her friends didn’t. The film virtually replicated Clover’s theory and really showed a new perspective to film …show more content…
Throughout Clover’s novel she never mentioned “A Nightmare on Elm Street” even though it is part of the same franchise as “Halloween”. However, I say the film followed Clover’s exact model. A link can be made from the film to Clover’s theory from a couple of standpoints. “A Nightmare on Elm Street” had a very Halloween like feel to it. Freddy Krueger acted as the male tormentor as he harmed Tina Gray and Nancy Thompson. The line here is that the base for the film “A Nightmare on Elm Street” is the same base that was used in “Halloween” as well as the base theory Carol Clover provides in her novel. In “A Nightmare on Elm Street” Tina and Nancy have a goal of becoming the “final girl(s)” because they have the same common goal of surviving Freddy Krueger’s attacks. Tina and Nancy’s stories sound exactly like Laurie’s in Halloween. The base is the same in that a male continued to attack female characters until the female(s) overcame the challenge to become the “final girl.” I really feel that most “slasher” films follow this
Clover, Carol J. Men, Women, and Chainsaws: Gender in the Modern Horror Film. Princeton: Princeton Publishing, 1992.
When she’s first introduced in the series, she’s already been through some serious trauma: The film begins with Sidney’s return to Woodsboro, the town where the original murders took place. Sidney meets up with her cousin Jill (Emma Roberts) and quickly finds out that a new wave of murders has begun with a striking similarity to the previous three films. With the help of her old friend and recently promoted sheriff (David Arquette) and his wife Gale (Courtney Cox) it seems as though Scream 4 is the passing of the torch between the old damaged characters and the new ones.
...ost slasher films, she is the sole survivor usually the one who resists peer pressure and it pays off. This type of film usually ends with the “final girl” killing the tormentor and ending his killing spree, unless it’s Jason who will continually come back from the grave. The violence in slasher movies is on a whole different level than thrillers, it is meant to be more gore and graphic. These are all significant characteristics of slasher films, of which Friday the 13th is categorized.
Japanese horror films are known for being incredibly spooky and leaving their audiences feeling unsettled. Perhaps it is the engaging plots or compelling acting, or maybe it is because these films are based on killers that many have already heard of. Films like Ju-On, Ringu, and A Slit-Mouthed Woman contain background information based on popular stories from long ago, which makes the films even more terrifying. While many horror films have no inspiration, Japanese horror films often draw influence from urban legends. Furthermore, these legends commonly focus on women as the central characters for the antagonist.
Despite the fact that the character of Phyllis as the “tough as nails” perpetual, intentional aggressor is a valid attempt to obliterate the image of women as the oppressed, one interpretation of this role is that she ultimately seems to misrepresent herself, and females in cinema, anyway. Janet Todd, author of Women and Film, states that, “Women do not exist in American film. Instead we find another creation, made by men, growing out of their ideological imperatives”(130). Though these “power girl”characters are strong examples of anything but submissive and sexual females,the...
There has been a large variety of horror films produced throughout the last fifty years. People are always going to be frightened and scared by different types of horror films. But, what type of horror film scares more people, and were men or women more frightened by these horror films? Each one of the horror films had its own agenda to frighten its audience using several different methods of horror. Some of these methods were more so directed at the female audience than the male audience. Most horror movies show the female as being vulnerable, because in real life females are defenseless against monsters.
Film scholars around the world agree that all genres of film are part of the “genre cycle”. This cycle contains four different stages that a specific genre goes through. These stages are: primitive, classic, revisionist, and parody. Each stage that the genre goes through brings something different to that genre’s meaning and what the audience expects. I believe that looking at the horror genre will be the most beneficial since it has clearly gone through each stage.
What are the main roles that female actresses typically portray in horror films? Maggie Freleng, an editor of VitaminW, a website that contributes toward the female empowerment movement, expresses her belief that women are cast in “poor and stereotypical representation of women in the horror genre.” Some roles that many women portray that are seen as stereotypical is the sexually promiscuous women and the saved virgin, evil demon seductress, the overly liberated woman, and the most common role the damsel in distress. The possible reason that women are cast with these roles is because of the belief that women are seen as too dimwitted, overemotional, uncoordinated, weak, and incompetent to survive in a situation much like those in horror films. Anne T. Donahue, an author of Women in Horror: The Revenge an article in The Guardian verifies the belief of the females portrayed as the damsel in distress stereotype with the statement, “We see them [women] waiting for a man to save them, we see them running, bloodied and terrified, we see them tied and cut up,
A girl runs frantically through the woods trying to escape an axe wielding villain. The defenseless victim suddenly trips and collapses to the ground. The villain laughs wickedly as he lifts the axe above his head. The girl releases a final scream as the weapon quickly ends her life, causing the audience to go silent as they watch the villain drag away the lifeless body. Death, blood, guts, suspense, screaming, and terror are all just a few things to expect when watching a modern day horror film. What is horror? Horror can be defined as an intense feeling of fear, shock, or disgust. (Wilson) The description of horror is not very pleasant, but for some reason horror films are extremely popular. Why is this so? People are addicted to the synthetic feeling of being terrified.
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
... is luckier, smarter, faster, or stronger than everyone else who is killed. The Final Girl is also picked out of the larger group of victim’s minutes into the film. Also, tying into the idea that the ones killed were either sexually active, drinking alcohol, doing drugs, or all three, the Final Girl does none of those things. As said before, however, Friday the 13th (2009) instead has a final boy (Clay). Though it is not a girl, the idea is still the same.
At a time when the stalker movie had been exploited to all ends and the image of mute, staggering, vicious killers had been etched into society’s consciousness to the point of exhaustion, a new kid entered the block. The year was 1984 and it was time for a new villain to enter into the horror genre. A villain that was agile, intelligent, almost inviolable yet viscous, and by all means deadly. A Nightmare on Elm Street introduced the distinctive presence of Fred Krueger to the horror industry and to the audience. Freddy Krueger took the center stage and with him a new era of horror films began. This horribly scarred man who wore a ragged slouch hat, dirty red-and-green striped sweater, and a glove outfitted with knives at the fingers reinvented the stalker genre like no other film had. Fred Krueger breathed new life into the dying horror genre of the early 1980’s.
The final girl is a unique character because she slowly overcomes her fears and by doing so she becomes empowered. Although the characters feel a sense of empowerment, most final girls die. In some sense, you may be thinking,“do horror films
The reading by Barbara Creed titled “Horror and the Monstrous-Feminine: An Imaginary Abjection”, is an in-depth examination on the role of women in horror films. Creed challenges the commanding patriarchal view, which frequently puts the woman in the position of the helpless victim. She argues that when the feminine is constructed as monstrous, it is frequently done in conjunction with its mothering role and function. Creed’s main thesis supports that the prototype of all cinematic definitions of monstrosity related to the feminine is linked to the woman’s reproductive body. Creed elects to use the term “monstrous feminine” instead of female monster, because for Creed it is the “femininity itself that is monstrous” (41). It has been unfairly
Would you rather be horrified beyond repair or thrilled to the point of no return? In horror, the main purpose is to invoke fear and dread into the audience in the most unrealistic way. Horror movies involve supernatural entities such as ghosts, vampires, teleportation, and being completely immortal. As thriller films are grounded in realism and involve more suspense, mystery, and a sense of panic. Though both genres will frighten the audience, it will happen in two different ways. Whether the horror thrills or the thriller horrifies, a scare is always incorporated.