Analysis Of Rue Transnonain

The art piece, Rue Transnonain, is a historical lithograph that was published in a newspaper on April 15, 1834. During this time period in France, where this piece was created, there was a surge of political and social revolution. The lithograph was created to represent the massacre of innocent people that happened in Paris, France. “[The French National Guard responded] to gunshots from top-floor windows at number 12, Rue Transnonain, troops stormed the building and opened fire, killing and wounding residents” (“Rue Transnonain”). The subject of this artwork is the innocent people that were killed by the military. The most prominent element of art in this piece is line. Daumier used lines in order to depict all of the shapes, with an example

The most emphasized part of this image is the man lying on top of the child and leaning against the bed, part of the body being directly in the center and seems to take up the most space, this is where the eye tends to linger. The negative space is made interesting by including a turned over chair, and rumpled sheets on a bed and other homely objects, which indicates that this is set in a home. The contrast that is shown in this artwork is through the use of value since Daumier used implied light, the brighter and darker areas create a contrast against each other. While this piece is not symmetrically balanced, it is balanced asymmetrically. It is asymmetrically balanced through a man and most of a bed being placed in the center, on the right is a small child, the upper torso of an older looking man, a chair next to him, and the rest of the bed; on the left of the man is most of what seems to be a woman, and other less detailed furniture. There is a sense of repetition through the positive shapes of the people lying on the floor, this is also shown through the use of line that creates the entire lithograph. This provides a sense of cohesiveness and unity throughout the