Motivation In Wag The Dog

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The representation of political motivation and action in Barry Levinson’s film ‘Wag The Dog’ allows the responder diverse and provocative insights into both the events of the film and the political worlds they reveal. Through the presentation of a ‘behind the scenes’ perspective on a political campaign, Levinson reveals the complete fabrication of a truth, constructed for public consumption and motivated by the desire for political power. The constant link between the political forces in the film, represented by Conrad Bean and the forces of the media, represented by Hollywood producer Stanley Motss comments on the role of the media in the manipulation and construction of reality and the production element behind it. On the other hand, the …show more content…

The motivation behind Schumann being both to maintain the public’s distraction from the President’s indiscretions and to inspire blind patriotism. Schumann’s construction is undertaken as absurdly as the Albanian girl scene, again using a sentimental plea to encourage emotional investment with the words “courage, mom”. Although Levinson challenges the morality of political motivation to a greater extent as it is revealed that William Schumann is in fact an imprisoned sex offender. Regardless of this revelation, Schumann goes on to be worshipped as an American hero, a direct comparison to the President, who’s alleged sexual assault of a child is the entire purpose behind the fake war distraction. Levinson presents the presidency as morally bankrupt. This undermines the politcal force of an institution that is supposed to be regarded with the highest honour and forces the responder to question the extent the government will go to remain in power. This by extension challenges the integrity of the democratic system in its …show more content…

However in this case, media is being used as a vehicle for divergence rather than mere acquiescence. The campaign poster depicts two children in a classroom setting, one holding a ‘Kinder Surprise’ chocolate and the other holding an assault weapon and reads “One child is holding something that’s been banned in America to protect them. Guess which one.”. The visuals of the poster achieve an immediately disturbing impact from the juxtaposition of a young girl in a classroom setting paired with a gun almost her size, making the gun appear much more severe than in its usual context. Additionally, the size of the chocolate egg, fitting right into the boys palm in comparison to the magnitude of the gun emphasises how the chocolate feels natural whereas the weapon seems even more foreign. The classroom setting also has a particular resonance for an American audience, due to a high incidence of school

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