Diana and Actaeon is part of Titian’s “poesie” and contributes to a set of history paintings that portray subjects in an imaginative way. Rather than simply copy nature or provide a story, Titian delivers a representation filled with expression, filled with allusion. Though small details and items often possess symbolic connotations, Titian seems to include various degrees of detail to develop a foreshadowing effect (the stag head, the hunting scene, the various reflective surfaces, etc). He even forms an explicit connection between Diana and the Goddess Fortuna to suggest Actaeon’s unavoidable fate (Tanner 535-550). Titian also characterizes Diana by exploiting her relationship to the moon as a means towards representing her duality. And through
Through precise characterization and the inclusion of foreshadowing devices, Titian builds his own interpretation: a representation with expression and passion. However, how does Titian establish his overall aura? Through the use of color, Titian continues to deliver narrative detail: “the great swathe of drapery in carmine red, pulled hastily off the line by an ambitious nymph… draws the eye across from the vermillion lining of his buskins to the deeper red of Diana's discarded dress, reminding us that his bloody hide will soon be strung up [too]…” (Paintings in Depth: Diana and Actaeon). His color choice and composition pulls the eye around the painting in the manner he desires- leaving the viewer in a state of alarm yet simultaneous interest. For red communicates blood/violence yet also passion. “The mood in [Titian’s later work] is more fiery, the colours deeper and more closely interrelated and the execution more summary” (Gould). The color only further summarizes the intensity and duality of the narrative –intrigue exists alongside terror. The crimson red clashes against the bright blue sky. Titian harnesses color to further his thematic
... the Durer landscapes seen in Giulio Campagnola’s Saturn. Campbell’s analysis of poesia is a strong illustration of the examination of works in the field of Art History. Art historians obviously study the physical marks and meanings of a piece of work, but also need to critically analyze the influences and historical context of the time period to get a stronger understanding of the artist and his intentions. As a good art historian, Campbell has taken apart the elements of different images and tied in extrinsic factors, like contemporary events and works, to create a bigger picture.
The Diary of Anne Frank is about Anne Frank’s life in the Secret Annex hiding from the Nazi’s. The diary shows how the members of the Secret Annex help each other keep hope in spite of dark times.
Do you find yourself finding similarities between characters when reading books? Many authors have the same writing style. Consequently, characters of different books or plays may have similar characteristics and may be very similar. Comparing Zeena From, Ethan Frome’s wife, from the novel Ethan Frome written by Edith Wharton, and Elizabeth Proctor, John Proctor’s wife, from the play The Crucible by Arthur Miller relate through their characteristics and relationships which demonstrates how the two stories are alike.
...Plessis, Eric H. du. “Deliberate Chaos: Poe’s Use of Colors in ‘The Masque of the Red Death’.” Poe Studies/Dark Romanticism 34.1-2 (June-December 2001): p40-42. Literature Resource Center. Web. 8 April 2012.
“I Want to be useful or bring enjoyment to all people even those who I’ve never met, I want to go on living even after my death!” (from a Diary of a Young Girl by Anne Frank). This quote has a lot of meaning because she wanted to be remembered and I am now writing and telling about her eighty one years later. Anne Frank is a hero because she was a spirited young Jewish girl that had to go into hiding at the age of thirteen.
The painting depicts two figures, the one of a woman and of a man. The dominating central figure is the one of the woman. We see her profile as she looks to the left. Her hands are crossed in a graceful manner. She has blonde hair and her figure is lit by what seems to be natur...
“When you're young you don't know anything, but you have lot of energy to express yourself. So you make a lot of mistakes and you stumble, but you also get a lot of truth from within.” Said Gilbert Hernandez. This idea shows when one is young it is necessary for that person to express their emotions to deal with any complications they might encounter. In the play, “Diary of Anne Frank" Anne is a teenager dealing with the challenges of the Holocaust. Due to this her family goes into hiding. Throughout their experience conflicts start to come up between Anne and the other residents. When facing these conflicts she turns to her father, a sixteen year old boy named Peter, and her diary. It is in this play that the author uses Anne Frank’s relationship with her father, Peter, and her diary to demonstrate the theme of expressing feelings can help cope one with societal challenges beyond someone’s control.
The Birth of Venus is a beautiful Renaissance canvas masterpiece created by Sandro Botticello. The picture illustrates the birth of Venus in a very mystical way. Venus has emerged from sea on a shell which is being driven to shore by flying wind-gods. She is surrounded by beautiful roses which are painted in a truly remarkable color. As she is about to step to land, one of the Hours hands her a purple cloak. The back drop includes the sea and a forest. The overall effect of this painting are almost overwhelming, color and beauty meet the eye in every angle.
Cleopatra's family were the rulers of Egypt for more than 100 years before she was born around 69 B.C. The stories and myths surrounding Cleopatra's life inspired people to write a number of books, movies and plays, including Antony and Cleopatra by Shakespeare. Cleopatra has become one of the most well known ancient Egyptians.
images in this painting, all of which have the power to symbolize to us, the viewer, of the painter’s
Weak Structure and Powerful Drama in My Antonia Much of the earliest criticism of My Antonia focuses on the apparent failure of the narrative. Many critics take the title of the story and its introduction at face value. When the story says it is to be about Antonia, it must be about her! Therefore, many critics see the stunningly crafted pieces of "variation from a theme" -- the stories of Peter & Pavel (the Russians and their wolves) and the sections of the novel dealing with the hired girls Lena Lingard and others-- as divergences which weaken the overall structure of the novel. In other words, these stories distract us from the real story, that of ntonia and her relationship with Jim.
This splendid representation of two people is curious and uncertain. On the left is Ritta Redd, who sits tentatively behind the more predominant Jackie Curtis. Redd's blondie twists and also toned shirt work to casing his honest boyish face. One unmistakable hand lays delicately on the right knee. Turning out from the base of worn pants are Redd's timidly situated feet. While the left foot gracelessly pigeon-toes internal, the left is pushed in and back by Curtis' forceful leg. The outcome is a cumbersome position that further relates Redd's meekness. On the other hand, Curtis is both intense and solid. Notwithstanding being physically bigger, the body is the middle and center purpose of the work of art. Wig-like red hair is further overstated by thick red lipstick and substantial blue eye shadow. While
From the exhibition of "Stories That We Tell: Art and Identity", I choose Lorna Simpson's work which is the multi-pieces photo-text installation Details (1996). Details consists twenty-one photogravures, and from the introduction of the work, all the photogravures come from the artist's collection of family photos that she has tightly cropped to focus on gestures and hands, while she gives the ambiguous text to create a fragmentary and open-ended narrative. While considering about the Struken's and Cartwight's idea of the myth, I think Details(1996) works with the concepts of the idea that "myth allows the connotative meaning of a particular thing or image to appear as denotative (that is literal, or natural). (30)
Color is used to draw attention to important characters and objects in the painting. The red of Mary’s shirt emphasizes her place as the main figure. A bright, yellow cloud floating above the room symbolizes the joy of the angelic figures. De Zurbaran uses warm colors in the foreground. The room, used as the background for the scene, is painted in dark colors utilizing different hues of gray and brown.
Rossetti shows us the woman being painted as many different things. Although she is just a painting, the woman symbolizes how the artist views women in real life: as objects. Irony is used when the woman is painted as “a queen”(5). She is put on a pedestal in a position of power, yet she is only described as being “in [an] opal or ruby dress”(5), cementing her role as an ornament. The ruby symbolizes passion and perhaps promiscuity. Opal is a white stone that reflects many colors. White symbolizes purity; while the different colors reflected symbolize how her meaning can change, and how the artist controls her identity and can make her fit any persona he desires. The woman is also depicted as a “nameless girl”(6), indicating her identity is not important to the artist. It also shows that he does not personally know the women he’s painting, but only their looks, affirming that he bases their value off of their appearances. Lastly, the artist portrays a woman as “a saint [and] an angel”(7) and compares her to the “moon”(11), an allusion to Artemis, the goddess of virginity. In this painting, she is established as a pure virgin, which was a requirement of the time period Rossetti lived in. However, because it is one of the fantasies the artist creates, and the poem antagonizes him, this line also expresses the idea that a woman’s purity should not define her. He makes the innocent virgin and the licentious queen the only ways women can be viewed. Yet, they are the same to him. Lacking depth, their physical description is the only thing giving them any meaning. Rossetti describing the portraits conveys the idea that no matter the position in society; or what their actual personalities are like, women are just blank canvases for men to project their fantasies onto. Uninterested in a real person, the artist worships the idea of a