Book III in Wang Shifu's The Story of the Western Wing

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Book III in Wang Shifu's The Story of the Western Wing

One of China’s most popular love comedies, The Story of the Western Wing (Xixiang Ji) by Wang Shifu (1250-1300) dramatizes a scholar-and-beauty romance. Zhang Sheng, a promising student, and Cui Yingying, a beautiful maiden, meet in a temple, fall in love at first sight and after a series of thwarted attempts, they end up happily marrying each other, after the student has passed the civil exam as the top one, of course. Among the five books of The Story of the Western Wing, Book III stands out in the very middle of the whole play with interesting characteristics in terms of both theatrical features and thematic complexity. First of all, while dan and sheng share most of the arias in the other four books, the “small dan” Hongniang takes all the singing parts in this book and by doing so emerges as the major character as the play goes on. Moreover, due to her liminal status as a housemaid, that is, her relative freedom of entering different private spaces as well as tabooed topics, Hongniang’s domination of the stage adds much more complexity to the scholar-beauty love story. Second, Book III is depleted of spectacular scenes, which are considered fundamental to the Chinese theater (so-called “total theater”) and do appear in the other books, such as the ceremony scene in Book I and the roaring bandits in Book II. Instead, what we have here is the three core characters, namely Hongniang, Zhang Sheng and Yingying getting on and off the stage, conjuring, insinuating and conspiring without fully accomplishing any goal yet significantly complicating their interrelationships and respective desires. Hence, instead of appealing to the audience with spectacular staging, Book...

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...ng wants her mistress to know his bachelor status while Hongniang indicates more interest than anger in her long criticism of his inappropriate inquiry about Yingying’s activities: “Why meddle in something that doesn’t concern you? If it were only me, well, I could forgive that” (133). Then, in Act iii, Book II, Hongniang expresses her admiration for Zhang in a more explicit way: “On account of his exterior appearance/ And because of his inner talents,/ I, who have always had a hard heart, / Am smitten as I see him” (169).

[5] Hongniang does seem more eager than Yingying to meet Zhang Sheng in some cases. In Act iii, that Zhang Sheng mistakes her for Yingying and hugs her is also implicative of Hongniang’s acting as the double of Yingying. Yet these cases may also serve to construct dramatic contrasts between the maid and the mistress and to amuse the audience.

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