Free Art History Essays and Papers

Studio Art Notebook (Instruction Manual) 2001-2002 General Instructions 1.     Separate sections in notebook or separate notebook for studio art 2.     Pencil and eraser every day 3.     Proper Clothes Labeling- Bottom right side of mounting paper in black marker unless otherwise instructed print Name____ Studio Art____ Period_____ Single Line- Lines that show shape and detail Outline- Lines that show the outside shape only Studio Art 9/20/01 “Similar Forms” 1.     Choose

Sexton 1 I. Phenomenological Description and Interpretation All five of the archetypal shapes are in my self-portrait. First of all, the outside appearance is that of a square of rectangle. I feel that people who do not know me do not perceive any of the characteristics that the other shapes represent. Stability is the only characteristic represented by the shapes that people perceive of me. Inside my stable world is a circle in the middle of the bottom of the box. Within the circle is a triangle

December 7, 2013 Topics in Western Art History Mikash Exam Paper The Dinner Party by Judy Chicago is an icon of feminist art that represents one thousand and thirty eight women in history. Nine hundred and ninety nine names are inscribed in the Heritage Floor on which the table rests while the other thirty-nine women are represented by place settings. It is an epic piece of work comprised of a triangular table divided by three wings, each wing being forty-eight feet long. This piece of artwork

The History of Art Art was the first written language and to study the history of art is to study the history of civilizations and humankind. The Paleolithic cave paintings in France, when viewed in the modern western perspective can only be speculated at as to the intent and/or purpose of the original artisans. Perhaps the paintings of animals were the focal point of a religious ceremony or ritual, surveyed before the hunt, to bring success or perhaps part of a celebration or documentation

Art History of central America Chavin de Huantar was located in Peru and developed around 900 B.C. late in the Initial Period. At an elevation of 3,150 m., Chavin de Huantar was situated at the bottom of Cordillera Blanca’s eastern slopes, approximately halfway between tropical forests and coastal plains. At the intersection of major routes, Chavin de Huantar was in the position to control the routes, increase their exchange with others, and receive goods that were not natural to their area. Chavin

Greek Empire (600 B.C 1 A.D) Doric Order- entasis- swelling of the columns -always used for largest temples -alternating triglyphs and metopes Ionic Order – scrolls -shafts are thinner - no triglyphs in frieze Corinthian Order –large temples -no triglyphs, just metopes. Archaic Period – 600-500 B.C -     stiff and rigid pose -     focused on anatomy -     archaic smile -     Kouros, Kore – male and female archaic sculptures. Classical Period -     depict distinct motion (Apollo belvedere)

who wish to become enriched. Professional educators throughout western civilization compose their contributions as to what is considered to be in the best interests of the students. However, some oversights have been made apparent. The history of Indigenous American Art has been ignored, for too long, at the expense of the students who happen to be the descendants of the first peoples of this continent. Furthermore these students also happen to be the majority within the Los Angeles Unified School District;

ART __-history, __-theory, __-world (Accounting for modern art with Dickie, Danto, and Weitz) Up until the twentieth century art theorists had consistently sought for a definition of art—a definition that would determine a set of necessary and sufficient conditions for something to be called art. But artists in the 20th century did not want to be defined, and they deliberately tried to create artworks that would not fit under some theorist’s umbrella. We saw the Beatniks with their free verse; we

In the American wing of the Allentown art museum is a small painting that hits really close to home. It is called the View on the Lehigh River above Mauch Chunk. This is a genre scene that shows a small homestead in the foreground of a landscape of the Lehigh River. It was painted in 1862. View on the Lehigh River shows what life may have been like living along the Lehigh during that time. Critics have said his work “looks as European as it does American” (Gstavus1). Down the hall in the European

The past history have a huge impact on the future. From the ancient art history until current years it is safe to say that the art changed drastically, it shows that people nowadays have different values, styles and priorities in life. The past teaches people about the future and helps to avoid mistakes. In the Paleolithic period, where folks were focusing on hunting and gathering, where everyday life was dynamic, meaning they were moving from one place to another in search of better resources (Upper

World War I virtually severed artistic relations between America and Europe. Cultural interchange and patronage was interrupted by problems of social and political urgency, though most artists tended to be antiwar. Visual propaganda was left to the commercial designers and illustrators, while American painters continued in their efforts to consolidate the issues detonated by the Armory show. Dominant tendency in American painting after World War I towards cubism and abstraction was called "Precisionism"

Women, Art and Gender: A History An old New Yorker cartoon depicts a group of prehistoric women painting images on the wall of a cave. One of the women suddenly pauses in her work and asks: “Does it strike anyone as weird that none of the great painters have ever been men?” (Heller, 1987) This, of course is a parody of the long-held assumption that all prehistoric art was created by men. Why should we assume this, when we don’t even know why this art was created, much less by whom? It is because

Feminist art history-A literature review This paper aims at exploring the works of some famous feminist art historians such as Linda Nochlin, Norma Broude, Griselda Pollock, and Rozsika Parker, who focused their literature on the issue of women and art history from the 19th century through the 20th century. Broude states that female feminist art history students are of the belief that they have to rewrite art (Broude & Garrard 1982, 183). However, Broude and Garrard challenges this assumption by

Art has always been a large part of my life. As a young girl, I always looked forward to receiving kits for watercoloring or a new set of colored pencils. I’d doodle on my papers in class to pass the time. I yearned for opportunities to express my creativity even doing so on poster board projects where I’d spend hours creating borders and framing my information with various colored papers. However, it was not until I began to take art courses at the high school did I recognize the value that creativity

Characteristics of Romanticism in the History of Art. To characterise Romanticism within the fine arts one must consider the historical background from which this movement manifested, as it plays such an influential role in the Romantic artist's development of subject matter and style. The movement itself began around the beginning of the 19th century, and is often dated 1775 – 1830 it is important to note that this was a period of change and revolution in human rights, and the main countries

The History of Art Deco Art Deco as an art mover has had a lot of influence in the history of arts and was under the influence of the past art movements and different cultures, the present lifestyle and the societies of the life changing World War I and II. In design Art Deco was glamorous and in style it was luxurious. Major influences were the styles of art and the French crafts of high standards, different cultures and avant-grade art. It wasn’t just a normal style that reflected adventure, entertainment

in Time Magazine coined the phrase "Optical Art". Op was recognized and popularized in the United States, and spread to Europe specifically France and Italy where it achieved critical acclaim (“Op art – Art Term”). It emerged in the 1960s as an abstract style of art that creates the illusion of movement through mathematical precision, contrast, color and abstract shapes (“Op Art”). Ops greatest success was in 1965, when the Museum of Modern Art exhibited the style in The Responsive Eye show

People are used to seeing the two subjects separate. They usually see it as math OR art, not mixed together. If you think of it as a combined subject it may confuse you, which is understandable. Mathematics has been involved in the making of art dating all of the way back to the Renaissance, but now our tools have evolved and are far more sophisticated than they were back in that time period.(Schattschneider 4.) Many of the artists used random objects or people as their main “character” of the painting/drawing

about where art and literature came from? Well, the invention of cave art started both art and literature. If you walk into one of the caves, you can read it like a book; it starts out from the beginning, and then continues to the end. Cave art is important to us because it created writing, it gave us art, and it gave us the Lascaux Cave. We know that art came before literature because scholars dated cave art farther back in time than the first writing. Humans started creating cave art for one main

Art may look inseparable from human nature. We are, indeed, the only specie to feel the need to express ourselves with more that common language. First traces of painting and sculptures appeared in the middle of paleolithic and it is still a hot topic today. However, with the constant evolution of society, a brand-new type of art, still quite unknown, impresses more people all around the world. It is called street art and consists in leaving our mark in and on the street. This phenomenon should be