Since people feared pharaohs, they respected them. For instance, the passage in Document 5 states that wokers built large pyramids to serve their pharaohs inside tombs. The text states, "Pharaohs were burried with their possessions." In addition, some people (Sumerians Akkadians) practiced polytheism, the worship of gods. Based on the document, "They believed that keeping the gods happy was the key to their own happiness and prosperity. On the other hand, if the gods were angry, they might bring suffering and disaster." In additon, previously stated, Egypt and Mesopotamia develoved into successful civilizations by effectively using the resources that surrounded them to solve problems and live happily. The text states, "Sumerians built huge temples called ziggurats. They believed these temples linked Earth with the heavens and linked people with the gods." This shows that they use dtheir resources to build ziggurats for their own goods so that the gods can give them happiness and prosperity instead of bringing them suffering and disaster. Therefore, Egyptians' religion and beliefs would help develop Egypt and Mesopotamia into successful
Church architecture could be researched in depth, but the purpose here is to express some similarities between the ancient centers of worship and modern day facilities. One such example could be the prevalent grand expanse. Perhaps this attribute is to accommodate for the large amount of worshippers, which does not seem to fluctuate in accordance with history.
The History of Art
When we think of history we don’t often think of art. We don’t realize how the history of art can help us learn more about the people, the cultures, and the belief systems of those who lived hundreds and thousands of years before us. Art has developed, influenced, and contributed starting from the great Stone Age to the present day. Art gives an insight into the changes and evolution that man and culture have gone through to become what is today.
- [3] ARNOLD, D, Building in Egypt, Pharaoic Stone Masonry, Oxford:Oxford University Press, 1991, pp. 159-160.
Again the purpose of this temple is unknown and the site know longer exists (Wilkinson 2000:141). The thing we get from this is he was really trying to build a great area in the desert. I do not think he was aware that it would be abandoned after he died.
The exhibition Degas: Form, Movement and the Antique at the Tampa Museum of art consist of 47 pieces from the French impressionist’s Edgar Degas life. The exhibition focuses on Degas fascination with motion, and shape and his influences from Greek and Roman art. It consists of oil paintings, charcoal and pastel drawings, and bronze replicas of his works. Most of the pieces are inspired by horses, ballerinas and everyday women. He traditionally used line, color and texture in his paintings to convey the poise and grace of the figures. He also used asymmetry, imbalance and dramatic angles to give the dancers a more naturalistic feeling. In his sculptures he typically used shape and space to simulate movement, and used form to capture the rhythm and beauty of dance. Much of his work is expressive, he utilities bright dramatic colors and quick gestural brush strokes in his artwork to convey the elegance and spontaneity of movement.
World War I virtually severed artistic relations between America and Europe. Cultural interchange and patronage was interrupted by problems of social and political urgency, though most artists tended to be antiwar. Visual propaganda was left to the commercial designers and illustrators, while American painters continued in their efforts to consolidate the issues detonated by the Armory show.
Nusrat Kayser
March 18, 2014
Art History Essay
Topic 13
History plays a very important role in the development of art and architecture. Over time people, events, and religion, have contributed to the evolution of art.
The history of Art has continuously changed over time, and will continue to do so as long as humanity continues to evolve and time continues to go on. The author of Art History, Marilyn Stokstad, eases the reader into this mindset very early on. She explains that slight changes in the economy, climate, what is expected socially or cultural differences can shift the way Art is viewed and created forever. Early African Art and Gothic Art, both of which Stokstad clearly and concisely summarizes within two enthralling chapters, are both two unique genres, so different from one another that it seems nearly impossible to relate the two at a first glance. The way they structured architecture and artwork are vastly different, and are from incredibly different times yet somehow it is still incredibly to link the two together - whether it be through similar aspects of art or their subtle differences, these two styles are connected in more ways than one.
The works of Lorrain and Poussin, View of the Campo Vaccino and Landscape with Saint John on Patmos respectively, both have the same subject matter but they differ in the meaning and how the works are presented. Both of these artists are from the same time period and have visited Rome many times. They have studied the ruins and culture of the ancient Romans and Greeks with their pagan religion and formulated their own opinions and views on the matter. Both of these artists had very different views of the Romans, as is present in the drawings that communicated different messages to us, the viewers but there were also some similarities in the works like the way the paintings are arranged forming shapes that show significance.