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Art deco history of art & design
Art deco history of art & design
Art deco history of art & design
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The History of Art Deco Art Deco as an art mover has had a lot of influence in the history of arts and was under the influence of the past art movements and different cultures, the present lifestyle and the societies of the life changing World War I and II. In design Art Deco was glamorous and in style it was luxurious. Major influences were the styles of art and the French crafts of high standards, different cultures and avant-grade art. It wasn’t just a normal style that reflected adventure, entertainment and leisure but a highly enjoyed taste by all classes of people with different minds after Second World War. It handed down its concepts of design and traditional and modern visual styles to younger generations while at the same time its styles influencing many present-day designers (Hillier & Escritt, 2004). Characteristics of Art Deco are not easily defined because the term Art Deco describes a lot of styles ranging from ancient arts and French’s decorative arts to the modern arts. It can be described as the artifacts’ body including inspired works by the past cultures and Avant-grade arts but not copied from high style traditions and history. All these started at the first appearance of Art Deco at World’s Fair Paris in 1925 and has greatly influenced and inspired Art Deco (Arwas, et al., 1996). This term Art Deco is derived from the French word “Internationale des Arts Décoratifs et Industriels Modernes” Origin of Art Deco Paris is the home of Western World cultures and many famous designers and artist even after the end of world war II United States of America even tried to take over the control and leadership of vital art areas France was still determined to keep the records of the past arts as well as the leadership. ... ... middle of paper ... ...joyed by the society of today. It is undeniable that it is still satisfying the present day designers. Reference List Arwas, V., Newell, S., Museum, S. & Gallery, A., 1996. The art of glass. 8th ed. Paris: Andreas Papadakis Publisher. Cooper, S. T., Hall, A. R. & Cooper, F. E., 2005. Los Angeles Art Deco. 2nd ed. Paris: Arcadia Publishing. Craig, R. M., 2000. Atlanta Architecture. 6th ed. Atlanta: Pelican Publishing. Hillier, B. & Escritt, S., 2004. Art deco style. 3rd ed. Paris: Phaidon. Linn, D., 2010. Design Art Deco Quilts. 5th ed. Berlin: C&T Publishing Inc. Peter, S., 1996. The History of American Art Education. 7th ed. New York: Greenwood Publishing Group. Pile, J. F., 2005. A History of Interior Design. 4th ed. Toronto: Laurence King Publishing. Thomas, J. W., Cooper, S. t. & Launi, C. J., 2006. Long Beach Art Deco. 12th ed. California: Arcadia Publishing.
DeWitte, Debra J. et al. Gateways To Art. New York City, NY: Thames & Hudson, 2012. Print.
William H. Pierson, Jr., American Buildings and Their Architects: Technology and the Picturesque, (Doubleday & Company, Inc.), 167.
University of Virginia, VA: National Art Education Association, 1992. Print. Gilbert, Jonathan P and Rachel Mills. Michelin Green Guide California.7 ed.
It is the new decade after the end of world war two and modernism is a well-established practice. Its pioneers and spearheads are prevalent figures looming over the new architects and designers who are trying to make their mark in the shadows of such historically influential people. With new technologies and materials emerging from the world wars the next era of modernism had started to evolved, bringing with it philosophies and ideas which seemed far removed from those of the pioneers of modernism “What emerged in the late 1940s and 1950s was an expanding synthesis of questions utterly removed from the confident statements of the pioneers.”(Spade 1971,10) Two significant buildings were designed in the 50's, both of them for educational institutes and to house students of architecture, there were both designed in completely different styles and methods. The first is Ludwig Mies van der Rohes' Crown Hall, finished in 1956 and designed as a part of a campus master plan for the Illinois Institute of technology in Chicago. Mies' design for Crown Hall is one of his most realised expressio...
For the United States the Twenties was a time to flourish and enjoy the common wealth, but unlike everything else, architecture was in a creative slump. many artists were having difficulty in depicting a "style" for the new era. Many new technological advances were occuring through the steel industry and the discovery of glass. The architects of this period wanted to incorporate those advances in their designs, thus bringing forth an experimental period. With architects from different backgrounds and cultures working to produce a masterpiece the International Style was created.
From poster design, typography, production processes, and advertising, Art Deco was a combination of various styles that helped advance the way design was seen by the public. The style’s inspiration primarily developed through the analyzation of Modern, Neo-Classic, and Abstract concepts. A.M. Cassandre was known as one of the major contributors to the style, and helped develop an exaggeration of scale and form beyond previous comparison. His works during this time were typically presented in a multitude of travel posters, including his poster for the train Express Nord in 1927 (figure 1), as well as his poster for the ocean liner L’Atlantique in 1931 (figure
(Image taken from Tranchtenberg, Marvin, Isabelle Hyman. Architecture: From Prehistory to Postmodernity. Second Edition. Prentice Hall, Inc. New Jersey: 2002.)
James F. O'Gorman, Dennis E. McGrath. ABC of Architecture. Philadelphia: University of Pennsylvania Press, 1998. Document. October 2013.
The Art Deco movement had its beginnings in Paris, at the 1925 Exposition Internationale des Arts Decoratifs which was a showcase for new inspiration and was initially meant to advertise the authority of the French in the creation and manufacturing of luxury goods. With a small, yet faithful following from the early 20th century, Art Deco evolved from nationalism, Art Nouveau, Cubism, Futurism, Neo-Classism, and modernism, and flourished after World War 1, achieving global popularity between the two world wars, primarily in the jazz age of the roaring 20's and 30's. As a result of a civilization ravaged by war and the deprivation and poverty that follows war, intertwined with the hopefulness of the machine age and the new women's liberation
Heinz, Thomas A., Frank Lloyd Wright: Architectural Monographs No 18, St. Martin's Press, New York, 1992.
DeWitte, Debra J. Gateways To Art. (2012). New York: New York. Thames & Hudson . 244. Print.
Rewald, John. The History of Impressionism. 4th. New York, New York: The Museum of Modern Art, 1973.
Art Deco and Bauhaus are two of the most influential art styles that influenced modern America today. From the avant-garde decorations and design that is still present in Los Angeles, to the flat roof design and simplicity of houses and shops that can be seen almost anywhere, these two designs are still present in our communities. The two movements do have some comparative similarities, but are also very different in design and concept. One should now be able to distinguish the similarities and differences between Art Deco and
I have chosen question 2 for my essay. I plan to discuss the history and appearance of the Art Deco style. In my essay, I will discuss the work of Adolphe Mouron Cassandre. The artworks I have chosen to analyse are ‘Normandie’ poster, 1935 (Fig. 1) and ‘Dubonnet’, 1932 (Fig. 2). I will discuss why his graphic design should most definitely be considered as Art Deco. I will compare Cassandre with another famous Art Deco designer, Paul Colin.
One of the key ideas of the modern era was to forge the designs of the future on the corpses of the past, disregarding everything from the last era and moving forward with new ideals and styles. Refining and discarding they shaped, molded and constricted the ideas of design until reaching the pinnacle of minimalism. Creating design with pure aesthetics and reducing an object down to its core fundamental elements. Using the ideas of “less is more” or even “using less for more”, the designs ended up simple and elegant with a focus not in quantit...