Introduction Jiffy lube’s website states their mission saying “At Jiffy Lube®, we believe you deserve to be free from the anxiety of keeping your vehicle in top shape. Most importantly, we believe you deserve a service provider you can trust. It’s our mission to be your preventive maintenance providers for the long haul, dedicated to providing the best care for your vehicle while also working with you to stay up-to-date on routine vehicle maintenance so you can Leave Worry Behind.” However leaving my worries behind and trust were not two things I felt they provided that day. I went in for a routine maintenance; I knew what I needed to pay and exactly what I needed done. When greeted I was asked no questions besides what I would like done, …show more content…
It is not to be a shock that the frontstage where the actor and audience interacted did not go smooth. With both frontstage and backstage being very visible to the audience at all times throughout the service. The actual interaction with actors will be considered the frontstage and everything else that takes place without interaction will be considered backstage. Upon arrival the greeting was not as it should have been. When an audience member must approach an actor first there becomes an awkward first encounter. After that first encounter when the actor then continued to be distant by not asking questions or clarifying the service to be done the audience member began to worry. That is the end of the interaction at this setting because it now transitions to the waiting room where the next interaction takes place. Minutes go by slowly as there is no one to talk to, nothing to watch and no drinks or snacks. After what feels like forever an actor appeared on set. He goes through everything that had been done to the vehicle and how much it is going to cost. However none of the services besides the very basic oil change were asked. After arguing and insulting the audience member for a while an agreement on a price is reached. However that actor did not provide great service. As the audience member pays for a service that is much more expensive and has been treated as if they are not important at all, they start think negatively about the entire company. One bad actor can ruin a
It is a cool, misty night, and after a miserable day, you decide to treat yourself to a movie. You are at the movie theater; you open the double-doors swiftly and smell the delectable-popcorn lathered in butter. You approach the desk; the employee welcomes you with a slow-grin and asks “Can I help you?” You proceed to choose the latest horror movie, Silence of the Lambs….you give the next employee your ticket to validate it and be admitted into the theater; with a crooked smile the employee makes a vigorous rip and hands you back your ticket. Then the employee softly utters, “Enjoy your movie!” You head towards the right hall; as you walk down, you notice the lights begin to dim….You finally reach the theater; you get comfy in your seat; the lights darken and transform the theater
Lights, camera, action! The light switches on, and shines brightly in the center of the stage. Two people walk towards it, these are actors that were told to come out at this exact moment by the director. After days of intense rehearsals. The two young actors burst. “We are tired of working for you” the two participants yell towards the director. The director in a surprising manner walks up to the stage, stares down at the performers and laughs. “You are going nowhere; I have your contract and your pay, now back to your positions!” The performers stand and continue their roles with no opinion in the matter. The camera turns off, the shadows of the actors disappear. The common person stands up and is face to face with the director. The director
It follows a routinized and learned social script shaped by cultural norms. Waiting in line for something, boarding a bus and flashing a transit pass, and exchanging pleasantries about the weekend with colleagues are all examples of routinized and scripted front stage performances. The routines of our daily lives that take place outside of our homes like traveling to and from work, shopping, dining out or going to a cultural exhibit. The performances we put together with those around us follow familiar rules and expectations for what we do, what we talk about, and how we interact with each other in each setting” (n.d.) while the back region is “what we do when no one is looking. Being at home instead of out in public, or at work or school, is the clearest demarcation of the difference between front and backstage in social life. We are often more relaxed and comfortable when backstage, we let our guard down, and be what our uninhibited or true selves. Often when we are backstage we rehearse certain behaviors or interactions and otherwise prepare ourselves for upcoming front stage
Both Twyla and Roberta’s perception of another changes every time they interact with each other. The interaction is not quite what Twyla expects it to be the first time they meet, Roberta acts as if she does not really want to speak to Twyla. “There was this silence that came down right after I laughed. A silence it was her turn to fill up… I was dismissed
Throughout the semester, we have been introduced to many topics related to interpersonal communication. I have come to believe that these concepts have allowed me to better understand interactions that occur in our daily lives. My knowledge of these concepts was challenged when asked to relate these notions to a movie. During the time that I was watching the movie, My Big Fat Greek Wedding, I realized myself grasping onto what was going on and being able to relate certain scenes and situations to topics I had previously learned about. Interactions in My Big Fat Greek Wedding display concepts of conflict and politeness theory, which can be pointed out in a few specific scenes.
Prior to the beginning of the performance, the audience was reminded to turn off their cell phones. The audience was also expected to remain quiet and seated throughout the entirety of the play. During the performance, although the audience was never formally addressed, I felt as though I was a part of the drama that was unraveling. What I found interesting was that while watching Disgraced I had to constantly remind myself that it was a performance. That was not the case when I was watching Chicago. While viewing Chicago, I was in the comfort of my own home and was watching it on my laptop with the headphones plugged in. At no point during the film did I feel like the actors were addressing me, however the facial expressions of the screen actors were much more elaborate and vivid. Although there were differences between the stage and screen productions, Director Anderson was able to slightly blur the boundary between stage and screen. The use of longer takes that followed the movements of his actors allows for a stage presence in the
The experience was noticeably different from the moment I walked into the theatre. One was not expected to wear a suit and tie but most of the patrons were very well dressed and the staff was actually helpful and wanted to lend their helping hands. Once inside and in my seat I felt almost as if I was at a concert as the lights went black then slowly came to light as the performers that handled the music and sound came on stage playing
When it came to the dialogue of the production and the understanding of it the performers again did an excellent job. Their gestures and vocal elements all aided in the production’s success and were all fittingly used by the characters. For example, when Lala was talking on the phone with Peachy she casually twirled the phone cord in her hand, leaned against the banister and childishly flirted with Peachy.
In the Greek theater, the conventions are very different. Unique Greek performances, which were performed hundreds of years ago, were put on to please the god Dionysos. In these performances, artificial light was impossible and there were no footlights to illuminate the faces of the actors. Spectators had to have a great imagination to create a mood themselves. The actors had to project their voices even more, and they used numerous masks, to reveal different characters. Plays were done in an amphitheater, which was a circular type theater, so that projection was very loud, and the actors could be heard all around. The actors were less active and effected less emotionally but still with their costumes, masks and roles, they belonged to the characters rather than to the audience.
When it comes to rehearsals, no one has a bigger commitment than stage actors. For stage actors, rehearsals can last for several months to a year, in extreme cases. This gives an actor more time to develop his character, study his or her lines, and build great chemistry with their cast. As an actor, I realize the importance of building chemistry with your fellow actors within the production because once it’s time to perform; the audience can see the genuineness and the
Social greeting /business /dining etiquette-At a business or social meeting, shake hands with everyone present when arriving and leaving. A handshake may be quick with a light grip. Men may initiate handshakes with women it is not considered rude. When family and close friends greet one ...
Nevertheless, the question at hand is whether theatre will have a role in the society of the future, where cinema, digital television, and computers will continue to expand and grow. The answer to this question is yes. Heading into the 21st century, theatre will only be a fraction in a solid media industry. However, despite all the excitement technology brings with it, they will never replace theatre because it has something that can not be recreated or offered anywhere else. The cinema and its larger than life world appeals as an affordable alternative. Digital television provides digital interaction between the viewer and the producer. Theatre on the other hand, and its contents may take on a larger dimension, but we receive it directly in flesh and blood – one to one. The magical atmosphere between an actor and spectator who are constantly aware of each other and the theatre’s level of engagement is fundamentally more human and far more intimate.
Then audience members who were perfect strangers who were screaming loudest would turn to each other with knowing glances and smile because they were sharing the same excitement and connecting with one another over their love of this man’s music. There was no pushing or shoving to get closer to the stage – it wasn’t that kind of crowd. Instead, there was mutual respect for one another’s space within the confines of the too-small venue. Nobody wanted to be the person who ruined it for someone else. It was this respect that made the audience members’ connections with one another that much stronger – we were all here to listen to this wonderful man’s music and see his performance – and, of course, we were here to enjoy it.
There wasn’t any particular scene on stage that made me doubt the integrative work of the director since all the staging work such as lighting, design, costumes and performance were well coordinated and blended for a very good production. The lights were well positioned with well fitted costumes and a very ideal scene to match. There wasn’t much change of scenes in the play except for some movement of tables and chairs. There was an entrance and exit for the performers which made their movements uninterrupted. There was a loud sound of a bell when school was over while the lights were dimmed whenever there was a change of scene. The pace of the production was very smooth since one scene followed the other without delay and most likely because most of the performers wore the same costume; especially all eight students wore the same costume for the entire