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What Are The Differences Between Greek And Modern Theatre
Greek theatre related to todays theatre
Greek theatre related to todays theatre
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Ancient Greek Theater
Imagine this following scene: You are sitting in a dark, fairly crowded large room. There are hundreds of other people, in hundreds of other seats surrounding you. In front of you, there is a large stage, with people acting out a play. Lights, music, and different sound effects set the mood of the play for you to understand more clearly what is going on. With these certain conventions, viewer can get a real grasp of a story in which several actors are trying to portray. However, it hasn’t always been this easy to enjoy a play in a theater. Theatre and plays go back as far as “b.c.” times.
In the Greek theater, the conventions are very different. Unique Greek performances, which were performed hundreds of years ago, were put on to please the god Dionysos. In these performances, artificial light was impossible and there were no footlights to illuminate the faces of the actors. Spectators had to have a great imagination to create a mood themselves. The actors had to project their voices even more, and they used numerous masks, to reveal different characters. Plays were done in an amphitheater, which was a circular type theater, so that projection was very loud, and the actors could be heard all around. The actors were less active and effected less emotionally but still with their costumes, masks and roles, they belonged to the characters rather than to the audience.
Today, we are accustomed to a sharp division between the dark world of the auditorium and the over bright world of the characters. On the contrary, the Greeks were familiar with audience, chorus, and characters, all united under a dazzling sun
(Webster 2). For the most part, the Greek dramatist had to rely far more on word...
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... lack of scenery, no lighting, and characters that look 3 and half inches tall, to something so much more amazing. However, perhaps the ancient theater involved more acting and more imagination. The benefits of both ancient and present day theaters are endless. But it’s all in the eye of the beholder, as many plays have to be, in order to be appreciated to the highest degree.
Bibliography:
Bibliography
Aylen, Leo. The Greek Theater. New Jersey: Associated University Press, Inc., 1985.
Butler, James H. The Theater and Drama of Greece and Rome. San Francisco:
Chandler publishing Company, 1972.
Green, Richard, Handley Eric. Images of the Greek Theatre. Austin: University of
Texas Press, 1995.
Webster, T.B.L. Greek Theatre Production. Great Britain, Barnes and Noble Inc., 1970.
The Construction of an Ancient Theatre. 14 Apr. 2001.
To realize the vision of the play, the script, set-up, costumes, stagecraft, sound design, and acting have to communicate a unified message with which the audience will relate. The script will be tailored to ensure that the audience can understand the play as it proceeds. This is in terms of the language and terms used. Though the language will not be modern, it will be English that can be understood by the audience. This will be English of antique England as it will give the play a feeling of ancient times. The scriptwriter will carry out research on the level of understanding the local people will have of ancient English so as to ascertain that the script matches this level. Although many plays of that era were sung and accompanied by dance, this play will be acted out with spoken word rather than songs. This is because speaking will ensure the audience hears the conversations as they go on and that they understand. This is ...
Difference between Greek and Modern Theatres Theatre today as in ancient Greek times is a popular form of entertainment. The adage is a slam. Today’s theatres share many similarities with the Greek. predecessors, however they are also very different. There are in fact many differences for example; layout, special effects, seating.
As an Ancient Greek, one could expect to spend a fair amount of time in theatres for social and religious reasons. Thus, the design and construction of auditoriums was vital to the comfort and experience of viewers.
The plays that I enjoyed began with a clear introduction and ended in an appropriate place. The plays had an introduction that caught the eyes of the audience along with an interesting story line. Throughout the plays A Hopeless Dream, The Devils Are Here, and Four Stalls the audience was on bored with what was happening. The script was very organized. It was as if I was watching a movie, these performances had no mistakes, it was nearly perfect. In theses plays they began with an introduction that explained what was going on to the audience. The cast made me feel as though I was with them. They were not every dramatic. It seemed like they acted the way they would have if these situations actually happened to them. They did a great job of performing the content without making it seem like this was all made up. Once these plays were finished I wanted more, I wanted to know what was going to happen, especially in the play A Hopeless Dream. The lights went out at an appropriate time, but it made my friends and I want to see what would happen next, it was like a “to be continued” episode of The Vampire Diaries. I had the same feeling with the play The Devils Are Here. It was humorous and it caught my full attention, but once the lights went out I wanted the actors to continue acting because of how phenomenal the play
The theater of Dionysus stands at the foot of the acropolis and its date originates back to the 6th Century, B.C.. Its originally wood seats rise in tiers above one another against the slope of the acropolis, creating a natural setting for the plays (D'ooge, 231). The Greek Theater was built to house a drama which, during the festivals of Dionysus, had evolved from the long tradition of choral hymns which were presented each year. As Greek culture changed and flourished, entertainment transformed from being a series of choral chanting and dancing to placing an emphasis on the actor. As the actors' importance grew, there became a need for a stage from which they could be seen by each of the fourteen thousand spectators the theater housed. The chorus was still a very active part of the entertainment and they resided in the orchestra (Norwich, 64). The orchestra was the oldest part of the Greek theater and thus, when the actor was given
Actors were expected to memorize hundreds of lines at a time. While one play could be performing, actors would be practicing lines for their next show. Play writers also began to make roles for the actors in the theatrical pieces. The theaters that actors performed in were roofless so that the sun could be used as lighting. Theatrical shows were held in the afternoon because it provided the best amount of light for the show. When the people gathered into the theater, the different classes of people were separated by where they could afford to sit and watch the show. The lower classmen were situated on the bare earth where it was dirty and smelly because it was never cleaned. The owners’ of the theaters found it less expensive if they did not keep high maintenance of their establishments. Higher classmen sat under a roof and for a penny more, they could buy cushions for their seats.
"Different Types of Greek Drama and their importance." PBS. Public Broadcasting Station, n.d. Web. 23 Nov. 2014.
Like any journey, it is necessary to begin with a single step – the evolution of lighting in theatre began with the resources available to the ancient Roman and Greek societies; sunlight and candles. As such, performances and events were held at the height of the day, so as to allow the most natural light to fill the stage. While this method successfully brought the stage to life and made the actors and scenery visible, it did little to create dynamics, establish mood, or manipulate the audience’s perspective and emotion. Rather than a creative tool, lighting was viewed as a solution to a problem – a product born out of necessity. Innovative uses of light were limited to grand demonstrations that often became the centerpieces of Greek and Roman theatre. For example, large burned houses graced center stage, but any other indications of lighting were strictly two-dimensional, painted on the backdrop. While this forced the audience to focus their energy and attention on the players and the action, it also limited their experience – without lighting t...
Technically, an outstanding aspect of this production were the meticulously detailed masks used by the ensemble during various scenes throughout the show. These tropes of traditional Greek theatre payed homage to the play’s origin while still creating a visually appealing aspect to the contemporary scenes.
...al realities for us, figured in the very architecture of the building. It was this sense of the rightness of the space, the congruity of these words and actions with this physical world, that was perhaps the most valuable lesson of our time in the Globe. I had had my doubts about the Globe ever since I saw the initial, unsatisfactory Two Gentlemen of Verona in the prologue season of 1996; the stage was too big, the atmosphere to artificial, the actors unable to cope with the physical demands of the building. Yet striding onto that stage, feeling the embrace of those galleries, hearing the ringing clarity with which the wooden O gave us back Shakespeare's words (or some of them, in the case of Q1)--this experience convinced me of the value of the Globe, not only as a theatre but as a testing ground for our ideas about what Shakespearean performance was, and can be.
In answering this question, I will look at the question in two ways. Firstly, I will look at the role of the chorus objectively, examining the basic role of the chorus in the play, and looking at the role of the Chorus as Sophocles would have intended the role of the Chorus to be understood. However, I will then look at how I think the Greek audience would have perceived the role of the Chorus and then how the role of the Chorus is perceived today by a 20th century and examine the key differences in the two different sets of perceptions. Finally, I will look at the importance of the role of the Chorus to a 20th century audience and a Greek audience respectively.
The survival of theatre lies in the very nature of humankind: its inner voyeuristic drive. The desire to watch other people dealing with their conflicts and fates challenges as well as reinforces values and the morality of society. The theatre provides an exciting opportunity to watch stories and situations as if they were real life, showing us the truth of our nature.
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
For thousands of years, people have been arguing that theatre is a dying art form. Many people think theatre is all just cheesy singing and dancing or just boring old Shakespeare, but there is much more to theatre than those two extremes. Theatre is important to our society because it teaches us more about real life than recorded media. Theatre has been around for thousands of years and began as a religious ceremony that evolved into an art form that teaches about the true essence of life. Theatre can incorporate profound, and provocative, observations of the human condition that can transcend time; lessons found in Greek plays can still be relevant to the modern world. People argue that the very essence of theatre is being snuffed out by modern
Over the 200 years from Thespis’ first accomplishments to the death of Sophocles, Greek Theater thrived. However, all good things eventually come to an end. The golden age was ending as Athenian culture was overrun in 404 BC by the Spartans. Theater, of course, evolved over time and is now a school subject, hobby and profession. Today, it wouldn’t hurt to look back over some historically recorded plays and appreciate what the ancient Greeks created for us.