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History of the peloponnesian war influence
Gender and sexuality in ancient Greece
History of the peloponnesian war influence
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In this paper I will be looking at Greek culture during the Peloponnesian war, focusing on the Lysistrata -- an old style comedic play written by Aristophanes in 411 BC which deals with the topics surrounding the Peloponnesian War. This play was written shortly after the Sicilian Expedition in which the Greeks were beaten miserably by the Sicilians. Alcibiades had lead them into battle, believing that Sicily would bring wealth and territory for Athens (Peruzzi, 11/20/2015, Slides 7&13).
It isn’t hard to see why some Athenians had negative feelings about the war after being beaten by a country whose army was significantly smaller and less funded than their own (Peruzzi, 11/20/2015, Slide 27). From this play, we learn about Aristophanes’ perspective
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In passage six, Lysistrata was waiting, showing that men in Athens saw women as being lazy or unable to arrive on time. While waiting, passage two shows Lysistrata ranting over if she had called an orgy, the women would not have been late– implying that the men of Athens believed women to be obsessed with sex. This idea is further shown in passage three when the ladies at the meeting all immediately withdraw their support for Lysistrata’s plan when she explains that they won’t be allowed to have sex. Kleonike also makes a comment in passage four about glamor being a woman’s only talent when she spoke privately with Lysistrata which shows the view that the only thing that a woman is good for is to sit around the house, look beautiful, and that they were only concerned with pretty …show more content…
From Lysistrata, we learn more about women were viewed in Athens. Athenian men thought they were lazy, obsessed with sex and only concerned with pretty things. We also see how lowly Athenian men viewed women in how self-deprecating they are throughout the play. We learn about how Athenians viewed people from other cities as well. Athenians saw themselves as the pinnacle of what a city should be. They believed they were the most “cultured” and most advanced city in Greece. They also believed Spartans to be backwards and uncultured, we see evidence of this in how Lampito is portrayed. We also learn that during the early fourth century, the Athenians were looking forward to the end of the war and were tired of fighting through how quickly the seemingly unresolvable conflicts are solved when the men are denied
In her essay on, “Athenian Women,” Sarah Ruden points out that Aristophanes in Lysistrata portray women as supportive of Athenian institutions and eager to save them. But she cautions, “To do this now they must flout law, religion, and every notion of public decency – and this is definitely no reflection on women’s attitudes, but mere satirical farce and fantasy” (Ruden 107). An important element of “satirical farce” in this spirit would be a heavy use of repetition to make people laugh at the weakness being satirized. One example would not be enough, and the audience might not be amused by less than three or four examples. So in important episodes that fill out the action of the play, we have 4 examples of women beating guards,
The French Revolution, the American Civil War, the constant civil conflicts in certain parts of Africa in recent history and even today; these are all historical clashes of countrymen. They all also contain stories of immense atrocities. The violence, bloodshed, and ruthlessness that were seen throughout these events were appalling. They were made perhaps even more so by the fact that theses horrors were inflicted upon one another by countrymen, brothers and sisters, fathers and mothers. The civil war or stasis at Corcyra during the Peloponnesian War was no different. This paper will detail the events surrounding the conflict and attempt to give scope to it as a mirror into the rest of the conflict.
nature, and women's legal rights. & nbsp; Albeit in Lysistrata the women were shown as revolutionaries rising up against the men, women in classical Greece were never like that. Aristophanes created the play as a comedy, showing how the world might be in the times of the Peloponnesian war if women tried to do something. It was the women's job to stay home and tend to the house, and never leave, unlike they did in the play. women were shown as revolutionaries rising up against the men, women in classical Greece was never like that. & nbsp; The activities of women in Classical Athens were confined to "bearing children, spinning and weaving, and managing the domestic arrangements. No wandering in the beautiful streets of them. " The suppression of women went so far as to divide the house into separate areas for males and females. While the women stayed home, the men were usually out fighting, and when they weren't. fighting, they were entertaining their friends and having sexual favors.
In a modern day production of Lysistrata, a director’s role would involve the overseeing of the whole play making course and ensuring that all the cast members realize the vision of the production. This role covers all the steps of production from the interpretation of the script to the final performance. This means that the director has a say over a range of disciplines and has to have artistic vision. Lysistrata was produced in 411 B.C., at a time when Athens and Sparta had just concluded a two-decade long war and the general population was in despair. Comedies such as these were used then to communicate instructions to the people (mbc.edu). This essay will focus on the scene where Lysistrata has gathered all the women to convinces the to withhold sex from their husbands until they sign a peace treaty.
The book written by Thucydides, History of the Peloponnesian War, contains two controversial debates between distinguished speakers of Athens. The two corresponding sides produce convincing arguments which can be taken as if produced as an honest opinion or out of self-interest. The two debates must be analyzed separately in order to conclude which one and which side was speaking out of honest opinion or self-interest, as well as which speakers are similar to each other in their approach to the situation.
Thucydides, Dent, J. M., & Dutton, E. P. (1910). The Peloponnesian War. London & New
The causes of the Peloponnesian War proved to be too great between the tension-filled stubborn Greek city-states of Athens and Sparta. As Thucydides says in Karl Walling’s article, “Never had so many human beings been exiled, or so much human blood been shed” (4). The three phases of the war, which again, are the Archidamian war, the Sicilian Expedition and the Decelean war, show the events that followed the causes of the war, while also showing the forthcoming detrimental effects that eventually consumed both Athens and eventually Sparta effectively reshaping Greece.
There isn’t enough literature from this time period from the lower and middle classes of society, and the view of women we have comes from writings of the upper class males. As much of an enigma that the women of Athens were, it is clear that “women were for the most part legal nonentities,” (O’Neal 117) that were denied any association and participation in the intellectual life of their city. The women were not involved in getting an education, and never learned to read or write. O’Neal writes, “The principal spokesmen of fifth century Athens, Pericles and Thucydides, disdained Athenian women.” (O’Neal 117) Based on their writing, and on surmountable evidence, it can be assumed that women had only two roles in Athens - a wife, or a mother. A girl was ideally married at 14 or 15 years of age, and there was necessity that the bride was a virgin, otherwise she was shamed and sold into
Aristrophanes. "Lysistrata." The Norton Anthology of World Masterpieces. Maynard, Mack. New York: W.W. Norton & Company, Inc., 1997. 466-469.
Aristophane’s Lysistrata is a flawed classic filled with the power struggle between man vs. woman. It is entirely focused and written from the male perspective, in which male-privilege dominated and disregarded the women’s outlook entirely. This “classic” is full of misogynistic perspectives, and should be disregarded as a great piece in Athenian literature.
“Lysistrata” is a tale which is centered around an Athenian woman named Lysistrata and her comrades who have taken control of the Acropolis in Athens. Lysistrata explains to the old men how the women have seized the Acropolis to keep men from using the money to make war and to keep dishonest officials from stealing the money. The opening scene of “Lysistrata” enacts the stereotypical and traditional characterization of women in Greece and also distances Lysistrata from this overused expression, housewife character. The audience is met with a woman, Lysistrata, who is furious with the other women from her country because they have not come to discuss war with her. The basic premise of the play is, Lysistrata coming up with a plan to put an end to the Peloponnesian War which is currently being fought by the men. After rounding up the women, she encourages them to withhold sex until the men agree to stop fighting. The women are difficult to convince, although eventually they agree to the plan. Lysistrata also tells the women if they are beaten, they may give in, since sex which results from violence will not please the men. Finally, all the women join Lysistrata in taking an oath to withhold sex from their mates. As a result of the women refraining from pleasing their husbands until they stop fighting the war, the play revolves around a battle of the sexes. The battle between the women and men is the literal conflict of the play. The war being fought between the men is a figurative used to lure the reader to the actual conflict of the play which is the battle between men and women.
War has been around for the past couple of centuries now. A question that comes out of many people’s mouths’ is, “Is war the answer?” Centuries ago people may have agreed, however for nowadays maybe not so much. In the BC time era, men were trained to fight with their bodies as their weapons and to take no mercy when it comes to the enemy. If one were to dishonor their kind or betray them, the consequences would be a painful death. The following information portrayed in this essay is to discuss the causes of the Peloponnesian War, who won the war and why they conquered a nice victory.
While Simon Hornblower acknowledges the limitations of the alliance, he is perhaps the strongest proponent of the importance of Persia’s financial support. He recognizes that Sparta’s victory at Notion in 407 was as much the result of poor Athenian leadership as Persian money, and that this financial backing did not prevent the disastrous loss at Arginusai the following year. Despite these statements, Hornblower is adamant that “The Peloponnesian War had been won because of Persian money.” P.F. Rhodes continues this reasoning in A History of the Classical Greek World, 478-323. He contends that Persia’s assistance helped Sparta effectively combat Athens at sea, and allowed them to remain engaged until Athens could no longer continue. These theories all center around the question of why Sparta won the war. However, if we flip our perspective and examine why Athens lost the war, Persia’s money becomes considerably less significant. It is to this examination that we now turn our
Walcot, P. “Greek Attitudes towards Women: The Mythological Evidence.” Greece & Rome 2nd ser. 31.1 (Apr., 1984): 37-47. Cambridge University Press on Behalf of The Classical Association Article Stable. Web.
Aristophanes stereotypes women as bickering, self-centered, unintelligent people in the beginning. They are sex driven and selfish. Lysistrata is upset that the women are late for the very important meeting "Here I've called a meeting to discuss a very important matter, and they're all still fast asleep" (180). Calonice sums up what women are thought to do all day, and also what they represent to their households; "The women! What could they ever do that was any use? Sitting at home putting flowers in their hair, putting on cosmetics and saffron gowns and Cimberian see-through shifts, with slippers on our feet?" (181). It is in fact these very frivolous ideas that are used to bring peace to the two cities. Throughout the play Aristophanes begins to knock down ...