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Gender roles in Literature
Media Violence: Does media violence cause violent behavior? Essay
Gender roles in Literature
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Masculinity in Kayti Raet’s Novel: Niko Ninety percent of assault victims are women (Tough Guise: Violence, Media & the Crisis in Masculinity). Masculine characteristics are evident, and the key to survival, for most, if not all heroes within literature and contemporary media. Masculinity is often times ascribed to male characters in the form of hegemonic masculinity and the women act primarily as the victim or damsel in distress. The history of subordination towards women has sparked themes regarding this inequality in literature. Raet tackles this theme in her novel Niko, which follows the protagonist, Niko, on her violent tirade in search for her lost brother, slaying Slithers with her masculine prowess along the way. After analyzing Niko’s masculine characteristics and the choices she makes, I argue that Niko carries these traits in order to revitalize the theme of hegemonic masculinity and gender roles in literature, as well as to emphasize on the idea that women can be equally as strong as men. These traits are often over-dramatized, creating the opposite effect for the intended course …show more content…
Employing these new roles for women can impact our culture’s views and even how future adaptations attempt to tackle the complex issue of gender and machismo. Niko clearly presents the extreme characteristics of hegemonic masculinity based on the in-text evidence provided. Currently, this issue of masculinity and the disparity of women, and men, is at an all time high in our culture, especially considering that only ten percent of assault victims are men (Tough Guise). The question then becomes: is the presentation of masculine men, or women, the
In the article “Two Ways a Woman Can Get Hurt,” by Jean Killbourne, she discusses the culture of male superiority over females. With the rise of feminism and exposure to media being at an all-time high, the two topics seem to be overlapping more and more. Daily, society is flooded with sexist, violent, and inappropriate ads and messages that usually degrade women and praise men. This is an issue which only recently gained traction while the “feminist” movement increased in popularity. Women are wrongly objectified for the sake of tradition and a male-driven agenda. This thought has been held on for far too long.
The movie, Tough Guise: Violence, Media and the Crisis in Masculinity produced by Jackson Katz and Jeremy Earp, deconstructs the concepts that create the social constructs of masculinity. Masculinity, a set of behaviors, roles, and attributes correlating to men, is earned, not given (Conley 190). Starting from television shows to children’s toys, the idea of masculinity has infiltrated their minds starting at a young age. Moreover, the concept of masculinity has physical attributes, such as muscles, a deep voice, and be able to protect themselves. Masculinity, for boys of any races, socioeconomic classes, or ethnicity, has grown up with the same stereotypical image of what a man should entail. Since many media outlets show that a form of masculinity
Whatever we see in movies, television, video games, or any other source of entertainment, there will always be a male figure who symbolizes masculinity to the fullest extent. All that masculinity represents empowerment is what seems to appeal to men nowadays. In Michael Kimmel’s Guyland: The Perilous World Where Boys Become Men, the novel presents the irresistible desires that men seek in order to receive the approval of other men. An approval where men gain access to the concept of Guyland, where young men become masculine in order to fit in socially and to feel empowered. However, achieving absolute masculinity leans toward the use of violence that is presented in the media, presenting a message where violence is used for the purpose of getting what one desires.
In the current era of progressive feminism, a hotly debated topic has been what constitutes a strong woman, whether fictional or real. One side of the discussion argues that women must be shown as equal to men and therefore display manly or ‘macho’ traits. On the other hand, some women contend that, instead of filling the mold of what society deems strong (which often happen to be traditionally male traits), women should instead break that mold and redefine strength. In Elizabeth Alsop’s article, “Why TV Needs ‘Weak’ Female Characters,” she describes how female characters in some specific television shows today prove that other traits, particularly vulnerability, are just as important to display as strength. Alsop discusses how television shows
In the Macho Paradox Katz explores the issue of violence against women, but emphasizes the importance of men taking this issue personally and understanding its relevance for themselves and the women in their lives. Katz creates a personal connection to violence against women for the male audience of his book by emphasizing the statistical likelihood of them each knowing a survivor of violence. Katz uses the idea of knowing a survivor to make the issue of violence both personally relatable and relevant for men, with the intention of using this relatability as a catalyst for action and as a means of creating pathways for men to understand their importance as allies in the fight against gendered violence.
For centuries, the ideal masculinity has been seen as the provider, the macho man, the cowboy and the emotional rock, but new representations of manliness in the media have been challenging this idea (Watson 2015, p. 270). Within these new depictions, there lies a hierarchy where one form of masculinity is more accepted than the rest (Kluch 2015). Macho masculinity has been seen as being dominant in the hierarchy for generations, however, in recent years, there have been an influx of new representations of masculinity that disrupt traditional hierarchal ideas. The masculinity of the twenty first century includes emotions, sensitivity, discipline, and intelligence. These new aspects of the hierarchy have been introduced by movies such as Brokeback Mountain, 22 Jump Street, The
The documentary demonstrates the connection between violence and social standards of masculinity by showing how masculinity is portrayed in the media. The media, as stated in the documentary,
Men that carry out the “machismo way of life” feel that they have to constantly prove their manhood to the world. This is generally achieved by behaving in an aggressive manner among other men, also females are looked upon as objects and the more women you seduce, the manlier you are. This type of behavior is given praise by other men and by society in general, thus encouraging men to keep on behaving in this macho manner. Another way in which men carry out this macho life style is by a...
and their daily lives. This presentation of masculinity can alter how men respect women in the
This paper will detail the toxic effects that were caused by the hypermasculine attitude our culture has created. It will prove that glorification of masculinity encourages abuse, violence, and gender roles. What do most people think when they hear the phrase “be a man”? They probably think to toughen up and suppress their emotions, because everyone knows men don’t cry. In our society, traditional masculinity is characterized by violence, danger, promiscuity, and a lack of emotions. This is seen as the ultimate standard all men must aspire to. This infatuation with standard masculine ideals has instilled people with a mindset of male superiority. Society’s glorification of masculinity is toxic because it encourages
Moglen, Helene. The Trauma of Gender: A Feminist Theory of the English Novel. Los Angeles, CA: U of California P, 2001.
Every culture has different social expectations for men and women. Most of the time traditional norms or stereotypical gender roles are created by society. What they observe seem to be true and convince others to believe it; as a result, the “script” come from stereotypical gender roles about masculine and feminine nature: Hamilton McCubbin and Barbara Blum Dahl states clearly, “men should be brave, strong, ambitious, and aggressive, while keeping the...
When people are born they are taught at an early age to be either feminine or masculine. Society has instilled in an individual’s brain that they have to live by these certain gender stereotypes. Society has made stereotypes that resulted in the world thinking women come second to men in every aspect of life. Women have been taught to be feeble to men and depend on them for social and economic happiness; meanwhile men have been taught to be “macho” and to take care of their households (Well, Kolk & Arrindell, 2005). For the individuals who dare to be different and choose to form their own identity, whether that is a man or woman are out casted and secluded from their community (Beller, Brattebø, Lavik, Reigstad & Bender, 2015). These particular stereotypes that society has mounted onto people have been a massive burden for men and especially women because they are the ones who have been negatively taught to be the inferior individual, unlike the men who are stereotyped as the superior
The representation of violence exacted upon women in cinema is inextricable from being projected upon all women. To provide a scene that objectifies the female is to reduce the feminine form to its non-dual state, e.g., a sexual object providing a vessel for male gratification (hubris and sexual) rather then being defined by its duality of sentient and physical forms. Those who construct scenes of violence against women are bound to a moral responsibility to subjectify the woman’s perspective, thus reestablishing the female as a victim rather then an object and rendering the act of violence intelligible (deplorable, open to interpretation).
Throughout history men and women have been put into the rigidly defined roles of feminism and masculism. This box that society has created has push back the true people and presented us with the societal image of what men and women should be. This is gender stereotyping. Through these stereotypes a feminist movement and a masculine movement have arisen to try to break those stereotypes.