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Asian stereotypes in american chinese
Struggles that immigrants face in the U.S. ESSAY
Hip hop's influence on american society
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In its current state, the perceptions of Asian Americans in mainstream media show little progress over their perceptions of the past. From the derogatory remarks made about the Chinese when they first migrated from China in the 1820s to the offensive, yet subtle, comments made about the Asian minorities in the United States even to this day, there is a blatant correlation to why these thoughts are still present in this society. Although these have been issues that have lasted for as long as the first migrations from these foreigners began, one person cannot deny that there are certain perspectives that invoke the beliefs of certain stereotypes on others who do not share the same background, either socially or ethnically. More specifically, the typical label that most Filipino-Americans endure today is the idea that they are more likely suited to listen to rap, hip-hop, or R&B than any other music genre, simply because that is what is thought to encompass that group of people. Another idea that is attributed to this specific community is that most of these people, more often than not, are going to be able to perform publicly, whether by singing a cappella or dancing a well-choreographed routine or free styling in more contemporary means. It is from these mentalities that constitute a majority of the preconceived notions set forth upon this group of people, but without any logical or reasonable backing, how can it be that these ideals can perpetuate as being true? As a youth of this community, it is hard to distinguish whether these perceptions come from the “innate” personal attraction towards this type of music and performing arts or rather that these adolescents are somehow persuaded by the media to believe that this is som... ... middle of paper ... ...is, they also allow this with the power of media to group them together with other associated minorities, even though that is something that is not be desired. Works Cited Devitt, Rachel. "Lost in Translation: Filipino Diaspora(s), Postcolonial Hip Hop, and the Problems of Keeping It Real for the "Contentless" Black Eyed Peas." Asian Music 39.1 (2008): 108-34. JSTOR. Web. 4 Mar. 2010. . "Filipino Hip-Hop." AllExperts. Web. 03 Mar. 2010. . Roces, Mina. "Filipino Identity in Fiction, 1945-1972." Filipino Identity in Fiction, 1945-1972 28.2 (1994): 279-315. JSTOR. Web. 6 Mar. 2010. . "Why Are Filipinos Obsessed With Rap, Hip Hop - Discussion Forum." AsiaFinest. Web. 05 Mar. 2010. .
Hip-hop culture has been a global phenomenon for more than twenty years. When introduced into the American culture, the black culture felt that hip-hop had originated from the African American community. The black community was being denied their cultural rights by the supremacy of the white people, but hip-hop gave the community the encouragement to show their black pride and televise the struggles they were facing in the world. The failure and declining of the movements, the influential, rebellious, and powerful music is what reshaped Black Nationalism, unity and to signify the struggle. The African Americans who suffered from social and political problems found that they similar relations to the political movements, which allowed the blacks to be able to voice their opinions and to acknowledge their culture openly.
Hip-hop is a massive cultural movement originating in New York City in the 1970’s. According to Oxford English Dictionary, the four components of hip-hop are rapping, DJing, breakdancing, and graffiti writing. This culture is commonly associated with African-Americans and Latinos because they were the ones who pioneered this movement in the 70’s. If one were look back at some of the early hip-hop innovators, such as The Sugarhill Gang, Grand Master Flash and the Furious Five, and the much-loved Run DMC, one similarity that they all shared was their African ancestry. Because of this, hip-hop was identified as a purely African-American art form for a short while. However, as time progressed, by the 1980’s hip-hop was embraced more by the mainstream. As a result, musicians from other different races were trying their hand at hip-hop. Presently, it would not be accurate to say that hip-hop is an art form for black people by black people. However, as of today there is still no place for an Asian rapper in the archives of hip-hop history let alone in modern American mainstream media. Asian men are commonly emasculated in America by stereotypes. Hien Dang, a published Vietnamese writer, said in an article featured in the International Examiner that racial generalizations include, but are not limited to: Asians being very short, good at math, nerdy, bad at driving, and lame with women. Lastly, the most damning stereotype for Asian men is that they all have small penises. With an image like this, it’s no wonder why Asian men aren’t often accepted in the mainstream media unless they’re fighting dozens of men unarmed in movies like Jackie Chan or Jet Li. Asian rappers are currently overlooked in hip-hop primarily because of these stereotypes...
Contrary to many assumptions, modern youth is not protected enough from harmful music, even though ther...
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Hip-hop music and the culture embodied within it has become a global and hybrid phenomena. The latter has been both adopted and arrogated by many different cultures, ethnicities, races, and nationalities all over the globe. Globalization plays a notable role in the significant growth presence of hip-hop in major cities around Africa in the past two to three decades, by gaining access to information through the Internet and television (Charry 2012, p. 170). Specifically speaking, Nigeria has become the hub of the television and entertainment industry in Africa gaining a large following, influence, and adoption of hip-hop music but specifically the rap genre. Nigeria is among the very few nations that have successfully incorporated hip-hop culture amidst the youth but also creating their own form of authentic Nigerian hip-hop called Naija hip-hop (Oikelome 2013, p. 85). More so, this form of hip-hop has created an outlet for the youth to listen to something new with a global edge...
American media uses humorous stereotyping and the exaggeration of cultural values of Chinese and Japanese Americans to enhance the viewer ratings of their television shows. This stereotyping translates from viewers to the general public the perception that Chinese and Japanese people dominate within the academic and business arenas. Because of the media, this stereotype continues to exist throughout history. Most of these stereotypes that are seen in media are based on comedy shows. Shows such as Fresh Off the Boat and King of the Hill nurture this stereotype. A song called Nobody’s Asian is another example of this stereotypical tool. All of these use humor to stereotype the Chinese and Japanese culture. By using this stereotypical humor, producers create interest and increase viewer popularity for their shows. The perceived stereotyping breeds the same perception of these two cultures into American society and, consequently; the same humorous image is infused into societal perceptions of Chinese and Japanese Americans in common American living scenarios such as schools and professional environments.
Hip hop is a subculture and global movement that started in the South Bronx, New York City during the late 1970s. In a post-civil rights era, where deindustrialization dominated, where racism and discrimination still existed, hip hop gave discriminated youths a chance to voice their opinions, and address their struggles in America. It created jobs for African-Americans and has forever transformed America’s politics and culture. Since then, it has only spread worldwide. The culture of hip hop has made its way to other countries such as Germany, South Korea, Australia, Africa, etc., becoming a global phenomenon. The issue, however, is that hip hop is often misunderstood, and seen only as the stereotypes society and mainstream hip hop perpetuates.
Beginning in the streets of New York City, hip hop music has crossed cultural boundaries and has changed the face of music worldwide. Internationally, hip-hop is the world's most popular youth culture. From countries like England, Brazil, Tokyo, India and South Africa, the impact of hip hop music on the local cu...
Through the progression of the last several decades, Hip Hop has transformed into a culture and artistic phenomenon that has impacted youth culture throughout society. Hip Hop and the academia surrounding the culture reflects the social, cultural, political, and historic truths of the hip hop generation, speaking to these young individuals in a dialect that they understand. The studies of the hip hop culture influence society to understand the perspectives that are not necessarily considered to be traditional within a standard curriculum.
To add to the lifestyle of hip-hop, many people bring a sense of disapproval towards the movement till this day. We are all impacted by it an...
Nelson, Havelock and Michael Gonzales. A Guide to Rap Music and Hip-Hop Culture. New York, New York: Harmony, 1991.
Music has been part of many different cultures throughout each decade, existing as a way of communicating through rhythm and instruments. Artists have been continually admired and recognized as they appeal to the youth of each changing generation. Unfortunately, the messages that are being sent, both consciously and unconsciously, are not always steering teenagers in the right direction. The music industry often focuses on what sells rather than what is morally correct, which negatively impacts impressionable audiences. Sadly, listeners are more concerned with the idea of “fitting in” to the point where they begin to abandon their morals in order to achieve the acceptance they so greatly desire. Music, a dominant aspect
Zialcita, Fernando N. Authentic Though Not Exotic: Essays on Filipino Identity. Quezon City, Philippines: Anteneo De Manila UP, 2005. 8-9, 25. Print.
When studying ethnic identities in today’s society, we often times only focus upon a few ethnic groups. These groups typically happen to be people who are identified as having white, black, Native American, and Hispanic descent. Other groups, who we do not typically learn much about, seem to be somewhat invisible because we do not shine the light on their own stories of both struggle and achievement. The fact that we overlook these other groups of people can sometimes become an issue. We cannot expect everyone to try to find commonalities and break the barriers that separate different ethnicities if we do not understand the histories behind each individual. One of these seemingly invisible minorities is the Filipino-American. Because
Not only is hip-hop a way of expressing ones feelings or views, but it is a part of the urban culture and can be used as a communication tool. Slang originally came from hip-hop music and has become a very popular use in today’s society, especially the urban parts. Hip-hop is a standout amongst the most compelling musical sorts on the globe. There are rappers everywhere that know what amount of an impact their music can have. Some entertainers attempt to utilize that force of impact to do great (Ruiz INT).