Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them.
Black Nationalism is chiefly a US political and social movement that was prominent in the 1960’s. The movement sought to acquire economic power and political self-determination, as well as to infuse a sense of community among African Americans. As an alternative to being assimilated by a predominately white nation, black nationalists sought to maintain and promote their separate identity as a people of African ancestry. Hip-hop culture has been a global phenomenon for more than twenty years. When introduced into the American culture, the black culture felt that hip-hop had originated from the African American community.
She analyzes the use and meaning of sampling. Rap music uses sampling not to steal and mask a previously used beat or sound or lyric but instead to pay homage to its origins and the traditions that came before the artist using the sample. She states, “Rap music has dramatically changed the intended use of sampling technology, it has remained critically linked to black poetic traditions and the oral forms that underwrite them” (93). This kind of relationship between rap and technology is another way to acknowledge black history and attempts to educate the popular public of the origins of the samples and the traditions of black rap
Rap music has become a phenomenon that people of all races can relate to the style of music. The 1970s and 1980s was a pivotal time in hip hop history this period of time laid the ground work for modern hip hop and culture today. “In the early '70s, when I was about 13 or 14 and disco was monopolizing the mainstream airwaves, the rap movement was just being born” (The hip hop network). Early hip hop artist started making their way from the underground. Each artist made themselves stand out because their ability to relate to others.
These characteristics have evolved into influential aspects that have shaped the culture and identity of the hip hop generation. As these characteristics evolve, so does the entire hip hop academia; during the mid 2000’s, many professionals and scholars within the field had deemed Hip Hop studies to be a field that “encompasses sociology, anthropology, communication studies, religious studies, cultural studies, critical race theory, missiological studies, and psychology in a multidisciplinary area of study” (The Hip in Hip Hop 9). Overall, as the hip hop culture progressed over the decades, so did the academic field in which society emphasized as an influential and important aspect of the
This is evidenced by music therapists who use hip hop so that their clients can express themselves. In fact, hip hop was intended to be a positive culture by its founder Afrika Bambaataa. He saw that “music and the not-yet-named hip-hop had the potential to pull kids from the self-hatred and destructive behavior that is all-too-common response to poverty and racism” (Hagedorn 95). Born as Kevin Donovan, Afrika Bambaataa was a part of the Black Spades—a gang that either battle... ... middle of paper ... ... serves approximately 70 youth per year through our Hip Hop Therapy TAG’s. Program Outcomes include: an increase in self-esteem, increase in connectedness, and increase in positive coping skills and decrease in stigma towards mental health” (BRL).
Hip hop culture has the potential to help the youth follow their dreams and become better people. It just needs to go back to its roots and bring those morals back up again. Hip hop culture has been around since the 1970s. Multiple sources all come down to the South Bronx in New York City, as the origin of hip hop culture. The culture began to take its shape within the African American, Afro-Caribbean, and Latino communities.
This book is appealing to a person who want to know how hip hop has changed in the past decade and it points out many different attitudes toward hip hop in the Unites States. “The Hip Hop Wars What We Talk About - And Why It Matters” by Tricia Rose explores what hip hop has done to society in recent years and what people think it has caused. Though it has become one of the most commercially successful genres in mainstream music Tricia Rose explains that the topics in hip hop music have narrowed. Commercial hip hop mainly consist of black gangstas, thugs, pimps, and hoes. In the book she looks into the different points of views of people who think whether hip hop invokes violence or if it reflects life in a black ghetto and if it slows down advancement for African Americans in US.
Black culture in our society has come to the point where it is allied with pop culture. The most popular music genres, slang terms, to dance forms it all comes from black culture. Hip hop emerged from black culture, becoming the soul of it that is seen in the media. Hip hop helped the black community by creating new ways of expressing themselves, from breakdance, graffiti, rap and other music, to slang. This culture was rooted in their tradition and created from something new.
The Effects of Hip hop Music on Today’s Youth Does hip-hop music effect today’s youth in a positive or negative way? The effects of hip-hop music has been disputable following the time when its rise into the social standard in the late twentieth century, but Hip- hop music is not just one sided but can be both positive and negative on today’s youth. What is hip-hop? Assuming that you address hip-hop fans, the term alludes to more than simply a musical type - it incorporates an entire society, including dance structures, graffiti symbolization, and fashion (Selke INT). Hip-hop music is portrayed by an entertainer rapping over a track that regularly comprises of loops or specimens of other music woven together (Selke INT).