Steven Soderbergh's Ethical Relativism

1154 Words3 Pages
bulb-icon

Recommended: Case study on ethical relativism

being literalized; you're creating the images based on what you're reading, so you're never "wrong” (Schilling). This reveals his part of his worldview focused on ethical relativism. Because he sees that what he thinks is that as he reads he is “never wrong.” In addition, it shows that he can read and decide for himself how to interpret things, sometimes this takes away from absolute truth and allows room for the idea of ethical relativism. The area that would reveal final culmination of his worldview is also through the interview with Schilling, in which he explains his view on the world as pessimist or optimist; When I hear people talk about 2025, I'm like, this could all turn into Mad Max a lot sooner than that! I was talking to Dr. Larry …show more content…

In the beginning of his life he was able to make the big break through hard work and dedication. In addition, he took the time to learn from his early experiences, which led to his success later on in the film industry. Even though Soderbergh did not graduate with a college degree, he was able to take classes he needed to, just to get his foot in the door. Secondly, the worldview that Steven Soderbergh holds, allows him to relate to a large crowd in culture. This relation allowed him to move to the top of the film industry within 10 years and win and Oscar. Also through staying faithful to his work within hard times and the good times, pushed him to be one of the greatest directors. Not only was Soderbergh’s life and worldviews influential in moving him to the top bracket of directors, but also his films that he produced and directed. His ability to get behind the camera and be with the actors as a cinematographer, and then direct the film at the same time allowed him to make films that surprised all audiences and critics. Finally, Soderbergh was able to allow his worldview to influence his films, which led to him having a greater impact on his audience. This was shown through his film “Ocean’s Eleven” and many other films. Overall, these different aspects have earned Soderbergh the title of world renowned

Show More
Related

  • Cultural Relativism: An Impediment to Critical Morality

    1079 Words  | 3 Pages

    Cultural Relativism is a moral theory which states that due to the vastly differing cultural norms held by people across the globe, morality cannot be judged objectively, and must instead be judged subjectively through the lense of an individuals own cultural norms. Because it is obvious that there are many different beliefs that are held by people around the world, cultural relativism can easily be seen as answer to the question of how to accurately and fairly judge the cultural morality of others, by not doing so at all. However Cultural Relativism is a lazy way to avoid the difficult task of evaluating one’s own values and weighing them against the values of other cultures. Many Cultural Relativist might abstain from making moral judgments about other cultures based on an assumed lack of understanding of other cultures, but I would argue that they do no favors to the cultures of others by assuming them to be so firmly ‘other’ that they would be unable to comprehend their moral decisions. Cultural Relativism as a moral theory fails to allow for critical thoughts on the nature of morality and encourages the stagnation

    Read More

  • Spike Lee Kevin Smith and Alfred Hitchcock as Film Auteurs

    2016 Words  | 5 Pages

    ...t have an ultimate goal to express something they care about on film. They must not only express this in their script, but carry through on it by directing, producing and pulling together many other aspects of the film by themselves. Three filmmakers that fit this description to a “t” are Kevin Smith, Spike Lee and Alfred Hitchcock. These three men all went out with the same goal: To express their views of life in extraordinary films. They all went above and beyond their call of duty and are now ranked among the top filmmakers of history, the rank of film auteurs.

    Read More

  • The Standover Man Sparknotes

    917 Words  | 2 Pages

    “ The horizon was the color of milk. Cold and fresh. Poured out among the bodies” (Zusak 175). The device is used in the evidence of the quote by using descriptives words that create a mental image. The text gives the reader that opportunity to use their senses when reading the story. “Somehow, between the sadness and loss, Max Vandenburg, who was now a teenager with hard hands, blackened eyes, and a sore tooth, was also a little disappointed” (Zusak 188). This quote demonstrates how the author uses descriptive words to create a mental image which gives the text more of an appeal to the reader's sense such as vision. “She could see his face now, in the tired light. His mouth was open and his skin was the color of eggshells. Whisker coated his jaw and chin, and his ears were hard and flat. He had a small but misshapen nose” (Zusak 201). The quotes allows the reader to visualize what the characters facial features looked like through the use of descriptive words. Imagery helps bring the story to life and to make the text more exciting. The reader's senses can be used to determine the observations that the author is making about its characters. The literary device changes the text by letting the reader interact with the text by using their observation skills. The author is using imagery by creating images that engages the reader to know exactly what's going on in the story which allows them to

    Read More

  • Elia Kazan vs. The House Un-American Activities Committee

    2308 Words  | 5 Pages

    This point is illustrated by the heated controversy surrounding the director’s Lifetime Achievement Award, which was presented to him at the 1999 Academy Awards. Kazan’s importance to the world of cinema is undisputed, but Hollywood remains divided by a single political affair that took place over half a century ago. The Academy Award was therefore protested by some and supported by others. But should Elia Kazan still be regarded with such contempt by his peers and contemporary members of the Hollywood community? Should his legacy be based on this one transgression, rather than his long history of cinematic achievement? And has Kazan already put the entire subject to rest in On the Waterfront, perhaps the best work of his entire career? I hope to answer these questions in an essay that will discuss the t...

    Read More

  • Use of Diction and Imagery in Richard Wright’s Black Boy

    786 Words  | 2 Pages

    ...mple of imagery is when Richard’s friends run up to him with his article in their hands and a baffled look on their faces. This shows that Richard is a very talented writer for his age and that Richard is a very ambitious person because his school never taught him to write the way he does. This also shows that Richard took it upon himself to become a talented author and wants to be a writer when he grows up.

    Read More

  • The Case Against Moral Relativism

    278 Words  | 1 Pages

    "Who's to judge who's right or wrong?" In the case against moral relativism Pojman provides an analysis of Relativism. His analysis includes an interpretation of Relativism that states the following ideas: Actions vary from society to society, individuals behavior depends on the society they belong to, and there are no standards of living that apply to all human kind. An example that demonstrates these ideas is people around the world eat beef (cows) and in India, cows are not to be eaten. From Pojman second analysis an example can be how the Japanese take of their shoes all the time before entering the house. In Mexico it is rare that people take off their shoes. They might find it wired or not normal. In his third analysis he gives that sense moral relativism and cultural relativism are tied together, that their can be no

    Read More

  • Ethical Relativism By Louis Pojman

    1071 Words  | 3 Pages

    Many seem to have falling prey to the seduction of ethical relativism, because it plays in to their ethnocentric egoistic moral belief. Individuals such as Pojman are able to critically evaluate this moral principle and not fall victim like his or hers lay counter parts. We will attempt to analyze the theory of ethical relativism, by check the validity of this ethical theory, and evaluate its ethical concepts. With these procedures we will find if it is competent as an ethical principle to adhere by. Then evaluate Louis Pojman critique on ethical relativism and analyze does he successfully refute relativism position. We will also analyze objectivism; the ethical theory which Pojman erects in the place of ethical relativism.

    Read More

  • Casablanca

    506 Words  | 2 Pages

    Throughout history, the film industry has seen many directing styles and techniques. The early part of the 20th century saw a factory style of film production, but as the years went by, director's began to employ new and untried techniques in their pictures. One such technique which these director's implemented was a new approach to the use of the camera and camera angles. "Casablanca," an Academy Award winning film of 1942 saw director Michael Curtiz manipulate the camera in ways others had not. He uses the close-up, point-of- view, and creative shot motivation methods in his film starring Humphrey Bogart and Ingrid Bergman, to create an American cinema classic.

    Read More

  • Lone Survivor Essay

    1310 Words  | 3 Pages

    What I noted most about Ebert’s own reviews published on the site was that when a movie was truly worthy of a perfect rating, he wasn’t afraid to praise it, unlike many other critics are. The few reviews I picked out to use in comparison, shared one similar feature. Ebert described the sentiments the films were able to deliver via the discussion of how well the cast members were able to portray them. I tried to do the same, picking apart the emotion that the most influential actors were able to bring to life. 3.

    Read More

  • nolan

    918 Words  | 2 Pages

    Christopher Nolan source and aspect of filmmaking makes him uniqueful as a director. From the structure, characters, and the shooting of the film, Nolan defines what it means to stand out as a director and writer of films.

    Read More

  • Thesis Statement On Moral Relativism

    1003 Words  | 3 Pages

    Moral relativism is the concept that people’s moral judgement can only goes as far a one person’s standpoint in a matter. Also, one person’s view on a particular subject carries no extra weight than another person. What I hope to prove in my thesis statement are inner judgements, moral disagreements, and science are what defend and define moral relativism.

    Read More

  • Ethical Relativism Anita Ho Summary

    675 Words  | 2 Pages

    Critical Reflection 6 At the beginning of Anita Ho’s article she gives examples of ethical relativism. Ethical relativism means nobody should have the right to determine if what someone does is moral or immoral. Nobody has the right to tell others what they believe is right or wrong. People have their own customs, and nobody should be able to tell them they are not doing something correctly.

    Read More

  • Moral Relativism

    1958 Words  | 4 Pages

    Moral relativism, as Harman describes, denies “that there are universal basic moral demands, and says different people are subject to different basic moral demands depending on the social customs, practices, conventions, and principles that they accept” (Harman, p. 85). Many suppose that moral feelings derive from sympathy and concern for others, but Harman rather believes that morality derives from agreement among people of varying powers and resources provides a more plausible explanation (Harman, p. 12).The survival of these values and morals is based on Darwin’s natural selection survival of the fittest theory. Many philosophers have argued for and against what moral relativism would do for the world. In this essay, we will discuss exactly what moral relativism entails, the consequences of taking it seriously, and finally the benefits if the theory were implemented.

    Read More

  • Ethical Relativism and Cultural Relativism

    714 Words  | 2 Pages

    In explaining Cultural Relativism, it is useful to compare and contrast it with Ethical Relativism. Cultural Relativism is a theory about morality focused on the concept that matters of custom and ethics are not universal in nature but rather are culture specific. Each culture evolves its own unique moral code, separate and apart from any other. Ethical Relativism is also a theory of morality with a view of ethics similarly engaged in understanding how morality comes to be culturally defined. However, the formulation is quite different in that from a wide range of human habits, individual opinions drive the culture toward distinguishing normal “good” habits from abnormal “bad” habits. The takeaway is that both theories share the guiding principle that morality is bounded by culture or society.

    Read More

  • Ethics in the Modern World

    1524 Words  | 4 Pages

    Ethics is a system of moral principles and a branch of philosophy which defines what is acceptable for both individuals and society. It is a philosophy that covers a whole range of things that have an importance in everyday situations. Ethics are vital in everyones lives, it includes human values, and how to have a good life, our rights and responsibilities, moral decisions what is right and wrong, good and bad. Moral principles affect how people make decisions and lead their lives (BBC, 2013). There are many different beliefs about were ethics come from. These consist of; God and Religion, human conscience, the example of good human beings and a huge desire for the best for people in each unique situation, and political power (BBC, 2013).

    Read More

More about Steven Soderbergh's Ethical Relativism

Open Document