Casablanca

506 Words2 Pages

CASABLANCA

Throughout history, the film industry has seen many directing styles and techniques. The early part of the 20th century saw a factory style of film production, but as the years went by, director's began to employ new and untried techniques in their pictures. One such technique which these director's implemented was a new approach to the use of the camera and camera angles. "Casablanca," an Academy Award winning film of 1942 saw director Michael Curtiz manipulate the camera in ways others had not. He uses the close-up, point-of- view, and creative shot motivation methods in his film starring Humphrey Bogart and Ingrid Bergman, to create an American cinema classic.
The first camera technique Curtiz uses to help narrate the film is the close-up shot. The close-up can effectively convey the story to the viewer without the use of excessive dialogue. In this instance, the viewer is introduced to the main character, Rick, through the use of the close-up. The first scene in "Rick's Cafe," shows people gambling and making illegal deals to leave Casablanca. An employee of the cafe brings a check to a man seated at a chess table to sign. The signature reads, "OK. Rick." By using this shot, the director makes clear to the reader, without any dialogue, that the man signing the check is Rick. This technique, however, is just the first of many used by Curtiz.
The point-of-view shot, also used by Curtiz was intended to place the audience directly ...

Show More
Related

  • The Significance of Lighting, Blocking and Panning in Kane’s Declaration of Principles

    898 Words  | 2 Pages

    Mise-en-scène, cinematography and editing are used in all forms of cinema. Within the “Declaration of Principles” scene of Citizen Kane, lighting, blocking and panning are three of the main sub aspects that work in unison to consistently demonstrate important aspects of the film. Welles uses these attributes to portray to the audience how this younger Kane is an important newspaper owner, with an even more important document. He creates a scene that has a heavy emphasis on panning to continuously preserve a frame that centers Kane while also lighting the document so viewers can constantly see the important plot and characters of the movie.

    Read More

  • Nosferatu directed by F.W. Murnau

    962 Words  | 2 Pages

    consider to be more modern film techniques. Montage plays a key role in this film, as

    Read More

  • The 1942 Movie Casablanca: Humphrey Bogart

    907 Words  | 2 Pages

    The 1942 movie, “Casablanca” portrays a World War II era enclave where refugees fled Nazi Europe and used this unoccupied city as a safe haven while pursuing their dreams of coming to America. The main character is Rick Blaine, played by Humphrey Bogart, who owns a nightclub and casino in unoccupied Morocco during the Nazi era. Blaine, whose sole purpose appears to be money, illuminates a sense of arrogance and self righteousness as he assists in retrieving the necessary immigration documents for those who are willing to pay the price for their freedom. Hidden deep within his memory are the reflections of a women that he once loved, Ilsa Lund, played by Ingrid Bergman. The third leading role was that of Paul Henreid who played the Ilsa’s husband in the movie. Victor Laszlo, a Jewish activist who was on the run from the German Regime was once believed to be dead after being captured and placed in a concentration camp, during which time his wife (Ilsa) fled to Paris and ultimately had an affair with Rick Blaine.

    Read More

  • Little Caesar: Gangster Life in New York City

    2304 Words  | 5 Pages

    Jacobs, Lewis. “Refinements in Technique.” The Rise of the American Film. New York: Teachers College Press, 1974. 433-452. Print.

    Read More

  • Film Contributions of the Sixties

    1654 Words  | 4 Pages

    Beginning roughly with the release of Stanley Kubrick’s Dr. Strangelove: Or How I Stopped Worrying and Loved the Bomb in 1964, and continuing for about the next decade, the “Sixties” era of filmmaking made many lasting impressions on the motion picture industry. Although editing and pacing styles varied greatly from Martin Scorcesse’s hyperactive pace, to Kubrick’s slow methodical pace, there were many uniform contributions made by some of the era’s seminal directors. In particular, the “Sixties” saw the return of the auteur, as people like Francis Ford Coppola and Stanley Kubrick wrote and directed their own screenplays, while Woody Allen wrote, directed and starred in his own films. Kubrick, Coppola and Allen each experimented with characterization, narrative and editing techniques. By examining the major works of these important directors, their contributions become more apparent.

    Read More

  • Dirty Dancing: Not Just a Love Story

    874 Words  | 2 Pages

    Phillips, W. (2002). Thinking about film . In Film an introduction (pp. 403-438). Boston : Bedford/St.Martin's .

    Read More

  • Analysis Of Casablanca

    1119 Words  | 3 Pages

    This is shown in one scene as Strasser and his men sing Die Wacht am Rhine in the café. Rick gives permission for Victor to sing La Marseillaise which shows a changing attitude from his previous disinterest in the situation at hand. This is again shown in a later scene in the film where Rick fixes a round of roulette to help a young Bulgarian couple obtain visas from Renault in a way which would not corrupt their marriage. Adopting the roles of shapeshifter and ‘false enemy’, Renault closes the café at the order of Strasser. Rick’s ‘Road of Trials’ began with the fall of France and Isla’s abandonment. However, in obtaining the visas and a married Isla returning into his life, Rick’s moral compass is tested, and his ‘Road of Trials’ continue within the film. Rick’s allies and enemies (real and false) meet. The allies, Victor and Isla, go to ‘false enemy’ and shapeshifter Renault’s office where they encounter the ‘real enemy’ Strasser. Strasser states that the venture of escaping Casablanca is impossible for Victor and he will not allow him to do so alive. Afterwards, Victor and Isla learn of Rick’s possession of the letters which prompts Victor to request them from him. Being confronted with his past ‘Road of Trials’ and his ‘Inmost Cave’, Rick recluses and refuses to sell the letters up saying, “ask your wife” when questioned as to why not. Rick is then forced to come to terms with his inner pain and himself as Isla holds him at gunpoint, making him to listen to her explanations. As conversation with Isla continues, Rick’s acceptance of the truth is brought forwards and a new intimacy with Isla is created through this ‘Meeting with The Goddess’. By allowing himself to approach his ‘Inmost Cave’ and deal with his inner demons, Rick begins the true turning point of his journey as the hero in the special world, his ‘Ultimate Boon’. Using his experience from the journey thus far,

    Read More

  • What Makes Casablanca a Classic Movie?

    1130 Words  | 3 Pages

    ...t it is clearly obvious what is about to happen using an establishing shot. Casablanca also uses camera angle specifically portraying Captain Renault and Strasser as less powerful people in the office scene. Editing allows for smooth transitions between shots and allows for us as viewers to experience the scene like we are seeing through the characters eyes. Lighting provides us a mood of the scene, specifically when Rick first sees Ilsa for the first time since Paris. The Music plays a role in how we as audiences should feel while watching the movie. And without production design movies would not flow correctly. Every setting is specifically chosen to depict the location where the scene takes place. Casablanca is a quintessential film because it ties up all the formal elements of classical Hollywood. Without this movie Hollywood may be a completely different place.

    Read More

  • Outlaw Heroes in Literature

    790 Words  | 2 Pages

    Robert B. Ray categorizes Casablanca as "the most typical" American film. Ray uses Casablanca as a tutor text for what he calls the formal paradigm of Classical Hollywood as well as the thematic paradigm that addresses the conflict between isolationism and communitarian participation. The film is typical in its appropriation of an official hero Laszlo, who stands for the civilizing values of home and community, and an outlaw hero Rick, who stands for individu...

    Read More

  • The Influence Of New Hollywood Cinema

    1150 Words  | 3 Pages

    It is no doubt that Martin Scorsese has heavily influenced the emulating of American film making from European influences. He is a prime example of a ‘New Hollywood Cinema’ director, not only from his ethnicity and background, but from his sheer interest in this form

    Read More

  • Analysis Of Man With A Movie Camera

    1249 Words  | 3 Pages

    However, in stark contrast to The General, other films were being made around the world that did not follow a simple Hollywood structure, but rather were more experimental with what a movie could be. Man With a Movie Camera (1929), a very ahead of its time, utilized a completely different style of filmmaking that resonated strongly with the ideals of the Soviet Union. Thus, Man With a Movie Camera sought out to make the everyday people of the Soviet Union the stars of the film. This idea was completely revolutionary as well, and almost by necessity, introduced a new style of editing to fit the story—or rather the documentation—that director Dziga Vertov was trying to tell.

    Read More

  • History Of Wes Anderson

    1614 Words  | 4 Pages

    With many different genres and types of filmmaking, it can result in a large variety of stories and conflicts. Nevertheless, film has always brought people together as a society. If there is one thing everyone can notice about films is the achievement in style and directing. The three directors talked about in this paper are the most successful at delivering a breathtaking style and direction to their films. Baz Luhrmann, Wes Anderson, and Martin Scorsese have produced and directed films over decades and each film as impacted not only the United States but worldwide. With the unmistakable trademarks that each director has, it is very easy to feel sucked into the world in which they are shaping around you and the story. Because of these three directors, the film world and industry has been revolutionized for many centuries to come.

    Read More

  • Cinematic Techniques in Strictly Ballroom

    1000 Words  | 2 Pages

    Film techniques are used extremely effectively in Strictly Ballroom by the director Baz Luhrman. Costume and makeup, camera angles and lighting and also character behaviours were used to influence the portrayal and development of all of the main characters. Without these film techniques, Strictly Ballroom could not have been made into a film as entertaining as it is and the characters personalities and development would not have been portrayed.

    Read More

  • The Silent Films: The Golden Age Of The Film

    2269 Words  | 5 Pages

    The 1920’s and 1930’s was considered the golden age for movie production. In the 1920’s the production code started censoring the film makers. This stated that any movie written had to pass a certain criteria examples included: if containing sex, violence, and killing. Early silent movies were often accompanied by live piano or organ music. Films were black and white. According to A Short Stories of the Movies, D.W Griffith, never had the intention to make movies, accidentally writing and reporting for a Louisville newspaper led him to become a movie producer, and writer. He is known as the inventor of Hollywood for using close-up shots, which tightly frames an object; today is known as “zooming”. He also used cross-cutting, in order to make

    Read More

  • David Wark Griffith And The Film Industry

    2267 Words  | 5 Pages

    But even though Griffith was no longer making films, he had done his part. He had successfully expanded the audience for cinema, introduced the feature film to America, and created one of the first blockbusters ever. The techniques he used to make his films so great such as the wide shot, close up, and quick cut are still key components of modern films. It is Griffith's legacy that makes him " “single most important individual in the development of film as an art” (Drew).

    Read More

More about Casablanca

Open Document