Power Rangers: Non-American Culture Analysis

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While Williams (2003) emphasizes how media audiences in different regions decode media texts based on myths, they may give different feedback to the same media texts, which can lead to new cultural forms due to distinct interpretations. Rantanen (2004) argues that the power of media tends to alter audience interest and behaviour. Therefore, local cultures may be gradually wiped out due to a reduced interaction on the part of local audiences. With the development of globalization, local media products are beginning feel the impact of Western media products. In order to reduce this impact, some governments take measures mainly in relation to two aspects. One is that some governments impose a restriction on the import of cultural products. For …show more content…

Sometimes non-American cultures may penetrate the US. In the late 1980s, some US commentators pointed out that Japanese companies such as Sony took over American film studios and that this may result in the nipponization of American film (Hollows, 2015).Power Rangers, an American live action superhero television series, is adapted from a Japanese series. The popular series is copyrighted by SABAN entertainment of Toei Tokyo, which earned more than $6 billion through merchandising of the media franchise up to the end of 2001(Forbes, 2001).Power Rangers is still acclaimed in international markets and a new film was released in 2017.SABAN entertainment localizes Power Rangers episodes in order to appeal to American values and cultures (LA Times, 1993). It is easy to attract audiences’ interests due to familiar contexts. Despite the similarities within Asian cultures, Power Ranger is also localized according to country. In South Korea, for instance, the central character is played by a member of K-pop idol rather than an actor. K-pop idols, who make an important contribution to the global interest in the Korean Wave, are distinct from traditional singers due to their huge fan bases and their possibly limited singing capacity. Following the trend in South Korea, where pop idols act in media products like movies and television series, is the mode of localization. This leads to a new cultural form …show more content…

New cultural forms will be born in this mixture of cultures. This impacts upon all media products, such as music and film. Different cultures are not mutually exclusive according to this model. Globalization provides more opportunities for different cultures to contact and mix with each other. A new term – glocalization – has been created to describe this process (Lule, 2012). This means that when foreign cultures flow into new locations, they combine elements and features of local cultures with their existing forms and so produce new cultural forms. According to Lule (2012), local cultures remain active and distinctive during this interaction. They do not decline and perish due to the impact of Western culture. In this process, the media has two essential roles. First, the media is the site of cultural globalization. For example, local media corporations produce local versions of international media products. Second, is the agent. In 1970s, Cuban youths were attracted by black popular music when they heard it on Miami radio and television programmes. After learning rap, the new music of the hip-hop generation, they created their own national Cuban hip-pop music. American culture is considered to have made a crucial contribution to media globalization which has led to cultural

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