National Curriculum And Dance Analysis

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The National Curriculum was first introduced in 1988. During the year of 1988 the Education Reform Act could’ve caused the departure of dance in schools. Fortunately, the dance, physical education (PE) and arts education departments challenged for, and successfully won, a place for dance on the curriculum. Dance currently stands as part of the physical education programme, being one of six activity areas within PE. The position of dance became a statutory entitlement at Key Stages (KS) 1-2, and optional to those in KS3 and KS4 (Jobbins, 1988:4). Dance is further offered as an examination subject at GCSE, A/S and A Level, providing different progression routes for students (Jasper, 2012:3).
With dance sitting in the programme of PE, three justifications …show more content…

The reason being is due to the uncertainty of whether it should sit within PE or as an arts subject in its own right. It is evident that dance is not considered nor allocated much priority or curriculum time. Children however can benefit from dance in numerous ways, with it having an increasing positive effect on their learning and understanding, improving communication skills, developing understanding of emotional expression and enabling them to have the ability to appreciate themselves whilst also relating to others (Newton, 2013:1). Dance being considered as a ‘Cinderella’ subject is something that I nor agree or disagree with due to the nature of the subject and people’s opinion of dance. Personally, Newton is correct in what he is saying, as in many schools it is unclear of where dance stands and is only touched on very lightly in the PE …show more content…

The new funding, Artsmark, is a fantastic opportunity to allow schools to develop dance in the curriculum. Artsmark is a flagship programme which recognises schools and educational organisations for their commitment to high-quality arts and cultural education. The programme has recognised that less curriculum time is spent on dance than any other art form in schools. Alice Young (Fort, 2013:1), head of the arts programmes at Trinity College London, delivering Artsmark on behalf of Arts Council England (ACE), encourages the funding greatly, opening doors to dance practitioners and organisations in helping schools develop their dance provision. Young says, ‘With this funding opportunity, dance organisations can play an increasing role in supporting this through sustained partnerships, staff training and increasing opportunities for the whole school community’, (Fort,

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