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Marketing James Patterson
James Patterson is a popular crime fiction author with a unique business strategy: he produces approximately 3 times more books annually than comparable authors and employs unconventional advertising tactics. Patterson’s unique writing style and use of co-authors to write more books has proven to be successful, generating annual book sales of $120 million. Using his advertising background, Patterson has turned his name as an author into a well-known brand.
Patterson built his empire by finding a successful method and using it consistently. Each of his books is written in his signature style – short chapters, minimally descriptive text, and suspenseful endings – and Patterson relies on designated readers to critique his works-in-progress to ensure that optimal books are produced. As a result, readers trust that Patterson’s books will meet their expectations.
There are many channels through which books are distributed. For best-seller fiction, the top three channels are mass merchandisers and price clubs, large-chain bookstores, and book clubs, selling 34%, 25%, and 20% of unit sales, respectively. The increasing popularity of book clubs has attracted the interest of Patterson and his publisher. Authors receive lower royalty payments though book club purchases than other channels. However, book clubs also expose new readers to an author in a way that other channels do not.
Patterson realizes that the best way to advertise a book and generate interest from new readers is to create buzz marketing – if information starts in several groups, it will spread farther through word-of-mouth than if the information starts in a single group. Patterson would like to create this type of buzz...
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.... Therefore, Patterson could target his marketing strategy towards science fiction readers and consider an alternate way of reaching romance novel readers. Patterson could also use this information to determine which specific fiction genre is most popular and consider writing a cross-over novel within that particular genre.
With James Patterson’s advertising background, he has focused on and employed more successful marketing strategies than most authors. Taking into consideration his crime fiction-focused fan base and their buying habits, as well as the growth of book sales though book clubs, Patterson’s next step should be to combine his tried-and-true writing style with inventive new marketing strategies, such as reaching new readers through book club partnerships, to create buzz marketing and expand the group of consumers that choose to purchase his books.
Almost twenty years later, contemplating the contemporary American publishing scene, I feel a Bealean rage coming on (and with it a vague longing for one of his fits).While three percent of the American population in 1976 would have been a little over six million readers, recent surveys suggest that the consistent buyers of books in this country now total no more than half that number, and may even be as few as one million.[1]
Critics view the books by Pullman and Ransom as examples of literary excellence. In order to evaluate this opinion it is necessary to discuss what aspects critics consider contribute to a good book and how these books illustrate them. The American Library Associate (ALA) uses the term ‘edubrow’ (Kidd, (2009) p158) to mean the middle ground of literature with an educational emphasis. This emphasis is at the centre of the criteria for a good book by increasing the experiences of the reader through varied language, dynamic themes, rounded characterisation with comprehensive plots. The critics favour works that involve the reader in a non-passive manner to gain insights into universal aspects of human existence like love, identity, revenge, sexuality and betrayal.
Green drags the reader right into the text from the very beginning, and very skilfully keeps the reader engaged to the end of the introduction. With varied techniques to convey his message, Green is able to summarize the novel and grab attention in the few opening pages.
...lomon, 2008). Warner Bros (the firm that invested in Madonna’s career) benefited from Madonna’s power to capture the market. Madonna’s unique persona helped her establish high customer loyalty. Warner Bros received an unexpected sale increase during Madonna’s first tour when the initially planned small concert has to add new seats and move to a larger arena because her concert tickets were sold-out within the first hour (Cengage, 2003). The success in selling Madonna’s books and albums are resulted from people’s perceived quality of racy and erotic contents in her work. Madonna puts both her career and personal life on the spotlight to create maximum customer awareness. Although there are some negative associations with her name, Madonna’s ability to reinvent herself to fit the public’s desire has kept her one of the most influential American icons in the world.
Updike, John. “A&P.” Literature Craft and Voice. Ed. Nicholas Delbanco and Alan Cheuse. 2nd ed. New York: McGraw, 2013. 141-145. Print.
David Howarth's writing style is unique. He allows the story to develop on its own. The story flows and the events do not seem forced. The story reads like a historical novel and is easy to follow. Howarth presents his information fully and does not leave anything for the reader to question. The reader does not become confused or lost because of the way that the author reveals his information in the book.
In a world dominated by technology, reading novels has become dull. Instead of immersing into books, we choose to listen to Justin Bieber’s new songs and to scroll through Instagram posts. We have come to completely neglect the simple pleasures of flipping through pages and getting to finally finish a story. Sherman Alexie and Stephan King’s essays attempt to revive this interest in books that has long been lost. They remind us of the important role that reading plays in our daily lives. “The Joy of Reading and Writing: Superman and Me,” for instance, demonstrates how being literate saved the narrator from the oppressive nature of society. The author explains that even though he was capable of reading complex books at an astonishingly young
Whether or not we know it, we as people are very picky, and opinionative. In everyday life as humans, we pick and choose things based on preferred criteria. Based on the features of the world around us we have become biased on the things, that do, and do not meet our criteria. Being the opinionative people we are, we set criterion for even the literature we read. Just as the world around us, books have unique characteristics that we either enjoy or could care less for. In the following paragraphs I will evaluate the stories “Blowing up on the spot” and “Virgo” and will compare them to what I feel they need. I will provide my own set of criteria for the short stories “Blowing up on the spot” and “Virgo” stating my likes and dislikes for the two stories and explain why I felt
By following these demands, an author sparks interest in his/her work. “Make them wait” is a significant factor used by the author of the novels “The Catcher in the Rye & “Lord of the flies”. In this essay I will explain how making the reader wait created interest in these two novels.
and Other Greats : Lessons from the All-star Writer's Workshop. New York: McGraw-Hill, 2006. Print.
Conway, Chris. “A Sports Marketing Success Story.” Sports Networker. Sports Networker, 2012. Web. 6 December 2013.
“Make them laugh, make them cry, make them wait.” These are three demands for the writing of fiction. By following these demands, an author sparks interest in his/her work. “Make them wait” is a signifigant in creating the interest in the novels The Catcher in the Rye and Lord of the Flies. This essay will explain how making the reader wait creates interest in the two novels stated earlier.
Schilb, John, and John Clifford. Sonny Blues. Making Literature Matter: An Antology for Readers and Writers. 5th ed. Boston: Bedford/St. Martin's, 2009. 337-60. Print.
In the history of written literature, it is difficult not to notice the authors who expand their reader's style and manner of reading. Some write in an unusual syntax which forces the reader to utilize new methods of looking at a language; others employ lengthy allusions which oblige the reader to study the same works the author drew from in order to more fully comprehend the text. Some authors use ingenious and complicated plots which warrant several readings to be understood. But few authors have used all these and still more devices to demand more of the reader. James Joyce, writer of Ulysses and Finnegans Wake, uses extraordinarily inventive and intricate plot construction, creative and often thought-provoking word constructions, allusions to works both celebrated and recondite, and complex issues and theories when challenging his readers to expand their method of reading.
Armstrong G. & Kotler P. (2007) Marketing: An Introduction 8E Upper Saddle River, NJ Pearson Prentice Hall Publishers