King Lear, by William Shakespeare, is a tragic tale of filial conflict, personal transformation, and loss. The story revolves around the King who foolishly alienates his only truly devoted daughter and realizes too late the true nature of his other two daughters. A major subplot involves the illegitimate son of Gloucester, Edmund, who plans to discredit his brother Edgar and betray their father. With these and other major characters in the play, Shakespeare clearly asserts that human nature is either entirely good, or entirely evil. Some characters experience a transformative phase, where, by some trial or ordeal, their nature is profoundly changed. We shall examine Shakespeare's stand on human nature in King Lear by looking at specific characters in the play, Cordelia who is wholly good, Edmund who is wholly evil, and Lear whose nature is transformed by the realization of his folly and his descent into madness.
There is an aspect of action and punishment within the plot of King Lear. Characters who look for external control may attribute their punishment to the work of Divine Justice. The tragic fates of the “just” characters in King Lear show that fatal power comes from human choice, not Divine Justice.
William Shakespeare’s infamous Tragedy of King Lear is as much about political authority as family dynamic. Although regarded as one of the most emotionally difficult, and portrays a world lacking of love, in which humanity is detached from any spiritual, higher being, there is still glimmers of goodness that can be discovered. While other discussions of King Lear focus on the bleakness and despair of the environment as well as the characters, especially Lear, it is arguable that this play is not an exemplification of a work lacking in morals, but of the reenchantment of charity, especially forgiveness as a pushback against the violence. Through this reading, a considerable amount of credit is given to Cordelia, and the powerful emotional impact she provides.
Although King Lear is an estimable monarch, as revealed by the devotion of men such as Kent, he has serious character flaws. His power as king has encouraged him to be proud and impulsive, and his oldest daughters Regan and Goneril reflect that "The best and soundest of his time hath been but rash..." and that "he hath ever but slenderly known himself" (1.1.297-298, 295-296). When Lear decides to divide his kingdom between his three daughters, Cordelia, Goneril, and Regan in order to have less responsibility in his old age, he creates a situation in which his eldest daughters gain authority over him and mistreat him. Lear is unable to cope with his loss of power and descends into madness. While the circumstances in which Lear finds himself are instrumental in the unfolding of this tragedy, it is ultimately not the circumstances themselves, but King Lear's rash reactions to them that lead to his downfall. In this downfall, Lear is forced to come to terms with himself as a mortal man.
Throughout Shakespeare's story of King Lear, readers might see a similarity between King Lear and Gloucester. Initially, you feel as if King Lear and Gloucester are, in a sense, bad people for abandoning the individuals that care about them the most. King Lear banishes his daughter Cordelia because she doesn’t express her love for Lear the way he wants her to and he also banishes Kent for standing up for Cordelia in saying that she truly loves Lear the most. Gloucester banishes his son Edgar because he is manipulated by his illegitimate son Edmund into thinking that Edgar is trying to murder him so that he can take his throne. In the beginning, I feel as if King Lear is insecure and has poor judgment while Gloucester is easily influenced and very naive. Towards the end of the play, my opinions on both Lear and Gloucester changed. I began to feel sympathy towards them once they started going through traumatic events. Towards the end of the play, King Lear becomes a humble and caring individual while Gloucester later proves how he is capable of great bravery. In the end, it seems as though both Lear and Gloucester die from the guilt and sorrow that comes from the traumatic events that they experience. One might suggest that they both die from a broken heart.
The similar theme of justice throughout Inferno and King Lear both depict the eventual consequence of ones actions throughout their existence. Often causing more harm than good, the actions in which they preform tends to damage them more than the action itself. In William Shakespeare King Lear, King Lear decides to disown Cordelia, the youngest of three daughters from owning any part of his kingdom due to the fact that Lear wanted to see which daughter loved him more in which Cordelia replied, “Unhappy that I am, I cannot heave, My heart into my mouth: I love your majesty, According to my bond; nor more nor less.” (Shakespeare 9) Although C...
When one contemplates the essence of being a king, one imagines that a king would never want for anything and that his later years would be carefree. In reading King Lear, one sees a seamier side of life for a particular king. Lear draws the audience’s attention to this in Act 3 when he cries out pitifully, “I am a man / More sinned against than sinning.” Although Lear undoubtedly made a huge mistake when he divided his kingdom and banished two people who were very dear to him. However, the sins his two ungrateful daughters committed against him far outweighed the wrongs he had done to others.
It is noteworthy that none of the truly evil characters in the drama have yet taken a conscious initiative. Up to this point everything centers around the interaction of Lear, Cordelia and Kent and all the terrible sufferings which follow have their source in this encounter. To rightly comprehend King Lear, we must see the true significance of the court and the direct relationship between it and the tragedy that follows. We must discover the source of the great intensity and direction which finds expression in the action of the drama, and carries it to its inexorable conclusion.
Through Lear, Shakespeare expertly portrays the inevitability of human suffering. The “little nothings,” seemingly insignificant choices that Lear makes over the course of the play, inevitably evolve into unstoppable forces that change Lear’s life for the worse. He falls for Goneril’s and Regan’s flattery and his pride turns him away from Cordelia’s unembellished affection. He is constantly advised by Kent and the Fool to avoid such choices, but his stubborn hubris prevents him from seeing the wisdom hidden in the Fool’s words: “Prithee, tell him, so much the rent of his land comes to: he will not believe a fool” (Shakespeare 21). This leads to Lear’s eventual “unburdening,” as foreshadowed in Act I. This unburdening is exacerbated by his failure to recognize and learn from his initial mistakes until it is too late. Lear’s lack of recognition is, in part, explained by his belief in a predestined life controlled completely by the gods: “It is the stars, the stars above us govern our conditions” (Shakespeare 101). The elder characters in King Lear pin their various sufferings on the will of...
In Shakespeare's “King Lear”, the tragic hero is brought down, like all tragic heroes, by one fatal flaw; in this case it is pride, as well as foolishness. It is the King's arrogant demand for absolute love and, what's more, protestations of such from the daughter who truly loves him the most, that sets the stage for his downfall. Cordelia, can be seen as Lear’s one true love, and her love and loyalty go not only beyond that of her sisters but beyond words, thus enraging the proud King Lear whose response is: "Let pride, which she calls plainness, marry her". Here, Lear's pride is emphasized as he indulges in the common trend of despising in others what one is most embarrassed of oneself.