In William Shakespeare’s play “King Lear’, there are several issues that answer the questions about our duty to our fathers and our kings, as well as, whether there are ever circumstances when we should disobey them in order to do our duty to them. Our duty to our fathers and our kings is not only to love and obey them, show them respect and honor them, but it is also to humble them, keep them honest when necessary, keep them safe and protect them. You cannot have the praise without the discipline of being a good father or a good king. To be praised and worshiped as many kings and sometimes fathers are by their children, can breed a sense of entitlement that can be damaging to their character.
King Lear had come so accustomed to his praise, that it is the sole thing he lived for, he needed it to survive, his treatment as a king was his Achilles heel in this play. He wanted to step down as king and divide his kingdom into 3 sections, giving them to his daughters to rule. Goneril and Regan were more than willing to accommodate his request to demonstrate their love for their father and king by professing their love to him in dramatic fashion combined with a good bit of exaggeration. While Cordelia on the other hand, found it a struggle to profess what she thought to be known by her father and king, she states, “Unhappy that I am, I cannot heave / My heart into my mouth. I love your majesty / According to my bond; nor more nor less (Scene 1.1, Lines 91-93).
Cordeila chooses to speak truthfully from her heart instead of stroking the king’s ego with flattery like Goneril and Regan. She says that she loves him “according to my bond”, meaning that she understands and accepts her duty to love him as a father and king. Cordelia’s...
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...oncerned for the honesty of mankind. There are several points throughout the play where characters offer their insight on the topic. “As flies to wanton boys are we to the gods; / They kill us for their sport,” (Scene 4.1, Lines 37-38) Gloucester makes this statement when he believes that social and moral goodness do not affect things like justice. While his son Edgar, believes the opposite, “the gods are just,” (Scene 5.3, line 170), insinuating that people who do wrong will eventually get what they deserve and that justice will prevail. In the end, we find that although the morally unjust die, the morally just will die alongside them. It is hard to tell which side of the moral ladder emerges as the victor in the end of this play, but there is no doubt that the deceptions served on both of these fathers were the beginning of the end for each of their families.
With Cordelia declared as banished, Lear states, “With my two daughters’ dowers digest the third...Only we shall retain The name and all th’ addition to a king. The sway, revenue, execution of the rest, Beloved sons, be yours” (Shakespeare 17). Lear’s fault here is that he believes that he can divide up his kingdom to his daughters and still retain the title as king; he wants to retire his position and responsibilities as a king but still remain respected and treated as one. His flaw in wanting to be superior leads to his downfall, as he is so blinded by his greed that he decides to divide up his kingdom to his two daughters who are as hungry for power as he is. They only want to strip him of his position and respect to gain more influence. Lear, not realizing the impact of such an impulsive decision, descends into madness when his daughters force him out of his home. After being locked out of his only shelter by his daughters, he states, “Filial ingratitude!...In such a night To shut me out?...O Regan, Goneril, Your old kind father whose frank heart gave all! O that way madness lies. Let me shun that; No more of that” (Shakespeare 137). Lear becomes fully aware of the consequences of his actions. He realizes how ungrateful his daughters are and how they have treated him unfairly even though he has given them everything; much to his dismay, he is left with
Thou shall honour thy father and thy mother, is not only one of ten powerful commandments but is also the foundation for King Lear's perception of himself and his overwhelming situation in Shakespeare's masterpiece King Lear. After a recent life-altering decision, Lear's seemingly stable and comfortable world has been thrown into upheaval through the disobedience and lies told by not only his two daughters but also by his servants! Thus, after being dishonoured by his family and attendants, Lear forms an accurate perception of his situation, that he is "a man / More sinned against than sinning" (Act III scene ii lines 60 - 61).
King Lear's hot temper and hasty decisions play a significant role in his fall from grace. His old age has caused him to behave impulsively, without any consideration for the consequences of his actions. When Lear asks his devoted daughter Cordelia to express her love for him, he becomes upset with her because she cannot put her feelings into words. He does not realize that she cares deeply for him and disowns her by saying, "Here I disclaim all my paternal care, propinquity and property of blood, and as a stranger to my heart and me hold thee from this for ever (1.1.120-123)." It is only later, when Cordelia has left him, that Lear realizes he had made a wrong decision. In another fit of rage, Lear ...
King Lear has been in a position of authority and superiority. This position shapes King Lear into a man full of pride. However, as King Lear’s age grows, his emotional needs also grows. It is the false pride of Lear that blinded him with his emotional needs. King Lear behaved rashly and irresponsibly at the start of the play. Deep within Lear, he realizes that it is time for him to retired from this position of honor. Despite this realization, Lear’s pride keeps him from letting go of his power. King Lear wants the title and treatment of a king, but he does not want the work and obligations of the position. Therefore, when he makes the choice of letting his daughters to govern the kingdom, it foreshadows the strapping away of his p...
The focus in this scene is to show that Lear has so much pride that it made him blind to Cordellia’s love and the reason to why he loved. His pride made him think that flattery is love thus he gave everything to Goneril and Regan. This was his biggest mistake, leaving him completely dependent upon his two hateful daughters. He kicked Cordellia out so there is no hope of him being helped now.
In Act 1, Lear has all this land that he needs to get rid of, and he chooses to divide it between his daughters. Cordelia is the youngest daughter, and she is very independent. Regan and Goneril are the older daughters, and they abuse their power in many ways. The daughters have to show their love for him in order to get land. Regan and Goneril suck up to him and tell him that they love him. In reality, they don’t love him at all. They just want more power. Cordelia is very straight forward with him. She tells him that she loves him but not as much as her sisters. Lear gets mad by her response, which shows that the daughters have enough power to make him feel whatever emotion they want. They can easily get under his skin, and strip him of his power. His power was at an all-time high, but over time it gets taken over.
In King Lear, Shakespeare portrays a society whose emphasis on social class results in a strict social hierarchy fueled by the unceasing desire to improve one’s social status. It is this desire for improved social status that led to the unintentional deterioration of the social hierarchy in King Lear. This desire becomes so great that Edmund, Goneril, Reagan and Cornwall were willing to act contrary to the authority of the social hierarchy for the betterment of their own position within it. As the plot unfolds, the actions of the aforementioned characters get progressively more desperate and destructive as they realize their lack of success in attaining their personal goals. The goals vary, however the selfish motivation does not. With Edmund, Goneril, Reagan and Cornwall as examples, Shakespeare portrays the social hierarchy as a self-defeating system because it fosters desires in its members that motivate them to act against the authority of the hierarchy to benefit themselves. A consideration of each characters actions in chronological order and the reasons behind such actions reveals a common theme among the goals for which morality is abandoned.
In King Lear, love is shown as important and strong. The filial love between Lear and his three daughters is the driving force of the play. Lear orders his daughters to tell him how much they love him to divide the land between the three of them. His eldest daughter, Goneril states: “Sir, I love you more
Communication is the key essential for one to fully understand and personify the thought of another. Without the key essentials themselves, a knowledge for wisdom and understanding would be lost, thus, causing a breakdown towards communication and emotional intelligence. Within the theatrical play, King Lear written by William Shakespeare himself, comes the story of the falling of an old English Elizabethan king, Lear, whose patriarch role was taken away; due to the act of his own pride. Other than the play’s main plot, King Lear too portrays the telling between the lost of communication and the consequences of its breakdown between people, parents and children. The lack of communication and understanding is shown throughout the entire play,
... to lower herself to her sisters standards as they exaggerated their love for their father in order to receive more land. In the end, Cordelia receives in just justice for trying to do the right thing throughout the play.
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...
Absolute in every child’s mind is the belief that they are right, despite all the evidence to the contrary. Until children grow up to raise children own their own, a parent’s disputation only inflates that desire to prove. Part and parcel to this, as one may find out through personal experience or by extension, cruelty towards parents is a reflection of a child’s own inadequacy (whether in large or small scale). In this sense, King Lear is a story of children with a desire to break past their hierarchal status. Whether it is the belief that a woman shall take a husband, and with that guard her inherited land, or what role bastards truly deserves in a society that preemptively condemns them. Cruelty at the hands of children accounts for almost
In Shakespeare's “King Lear”, the tragic hero is brought down, like all tragic heroes, by one fatal flaw; in this case it is pride, as well as foolishness. It is the King's arrogant demand for absolute love and, what's more, protestations of such from the daughter who truly loves him the most, that sets the stage for his downfall. Cordelia, can be seen as Lear’s one true love, and her love and loyalty go not only beyond that of her sisters but beyond words, thus enraging the proud King Lear whose response is: "Let pride, which she calls plainness, marry her". Here, Lear's pride is emphasized as he indulges in the common trend of despising in others what one is most embarrassed of oneself.
King Lear starts the play as being the aging king of Britain as well as the protagonist of the play. He meets all the requirements to be a tragic hero, except his consistency throughout the play and his propriety. The first big action made is when King Lear divides his kingdom and deprives Cordelia of her share. Lear vanished Cordelia from him kingdom because when he asked Cordelia, “What can you say to draw a third more opulent than your sisters? Speak” (1.1.85). Cordelia truthfully stated the love she had for her father, unlike Goneril and Regan who lied in order to satisfy the king. At this moment King Lear changed emotions instantly from being happy he was going to retire and give his land to his daughters, to absolutely furious causing the vanishing of the youngest daughter in which he actually cared for the most. Before Lear realizes it, Goneril and Regan are plotting against. Lear then practically begs his daughters to stay and they both said no he is not a king anymore therefore they do not have to listen to him. The emotions Lear presents in this play are all over the place. Lear is not inconsistently consistent because for a long
ii. 48-50). Death, violence, and loss are woven all throughout the language, and in doing so, the physicality of such matters dominate the metaphorical world of the play. Perhaps the most tragic event in the play, the death of Cordelia allows the fullest expression of the tragedy’s address to personal morality. Like the other two daughters, Cordelia is an extension of Lear. Thus her death is an aspect of his own, allowing Lear to experience death and speak to the wrongness of it all. “No, no, no life! Why should a dog, a horse, a rat, have life, and thou no breath at all? (Shakespeare V. ii. 306-308).” Both unnatural and inevitable, the unjust death of Cordelia embodies our sense that death is wrong and outrageous. Most of us are not kings, but it may be true that in each of us is a King Lear who is unwilling to give our kingdom, our sense of privilege, our rights we think we have earned. We expect to cling on to our existence, and pretend death does not exist. As we continue to explore the psychology behind death, we find, as we so often do, that Shakespeare has been there before