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Importance of cultural diversity
Importance of multiculturalism in education
Importance of multiculturalism in education
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Today’s television is lacking in both quality and quantity when it comes to characters that are minorities. There is a distinct deficiency these characters, and an even bigger lack of dynamic characters that are minorities. In television today we rarely see people of color, people of different sexualities, and people of different genders being portrayed with accuracy. It is time for American television and the media in general to start diversifying their casts, and to stop only trying to appeal to such a narrow demographic. The media needs to stop feeding consumers generalized, stereotyped characters and start giving them the diverse, fleshed out characters they deserve. One of the biggest problems we face today in the media is the lack of characters represented by minorities. According to Vadim Rizov, a reporter for The Dissolve,” Across 100 top-grossing films of 2012, only 10.8 percent of speaking characters are …show more content…
One of these shows is a popular kids television show on Cartoon Network, Steven Universe. Steven Universe initially aired on Cartoon Network in 2013 and is a show about a young boy growing up with his three alien “mothers”. Along with writing many important characters as people of color, the show also equally represents and praises many different body types. The show even has representation of many different sexualities. One of the main characters, Garnet, is in a lesbian relationship and another, Pearl, was in love with Stevens mother. This is a big step in television considering how diverse the characters are, especially for a children’s show. One drawback to this show, however, is its small audience. Although this show is hitting and teaching many people, its audience is still small. Once the audience of this show expands, it will effect a greater variety of people and have a greater impact on the world
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
Andre, Judith. “Stereotypes: Conceptual and Normative Considerations.” Multicultural Film: An Anthology. Spring/Summer 2014. Eds. Kathryn Karrh Cashin and Lauren Martilli. Boston, MA: Pearson, 2013.
"Race and Ethnicity in Entertainment." Issues & Controversies On File: n. pag. Issues & Controversies.
Since this winter, I can't watch television or movies anymore without critiquing how women and minorities are portrayed. One unexpected thing that I have picked up from taking this class is a sense of wariness when I counter any piece of written material. I have learned to be suspicious, if not directly critical of any particular part of the media as I experience it; I have been inspired to read and be influenced by some prolific female thinkers. It's all coming together for me, what I want to do; I just have to figure out how.
In Shohat and Stam’s article, Unthinking Eurocentrism: Multiculturalism and the media (2013), they discuss the issue of racism within the media and entertainment industry, such as Hollywood films. More importantly, Shohat and Stam’s discuss the assertion of racial politics in casting within the Hollywood films industry. The interesting idea to their argument is that they suggest that for a film to become financially successful, the casting of the protagonist must consist of a white star as they are seen to be ethnically universal (Shohat & Stam, 190). They further suggest that the ethnic minority have been limited to designated roles which ultimately perpetuate their ethnic stereotype (Shohat & Stam, 190). They concern this issue by critically analysing and contrasting western Hollywood films against other ethnic films.
The extensive mass of corporation executives encourage diversity in their policies. Though this may be true Latinos are still missing behind the camera as well. From the 2010 to 2013 time span, Latinos made up not one of the ranked top television show creators (“Latino Media Gap”, pg.3). Though, Latinos were ranked in the top 1.1% of producers, 2% of writers, and 4.1% of directors (“Latino Media Gap”, pg.3). In the top ten movie rankings, Latinos only made up for 2.3% of directors, 2.2% of producers, and 6% of writers (“Latino Media Gap”, pg.3). While absolutely no Latinos presently serve as studio managers, network presidents, or CEOs. Even in the top 53 television, radio, and studio media administrators, only one is Latina (“Latino Media Gap”, pg.3).
In the new millennium, the concepts of racial diversity in multiculturalism have become part of the fabric of American discourse. Consequently, the television industry faces an increased pressure from advocacy groups to better reflect the nation’s demographic reality. Many observers of American popular culture believe that multicultural television fare presented when children are most likely to be viewing this critical to advancing acceptance of racial and ethnic diversity in the United States. (Wilson, Gutierrez & Chao) Being a show designed for younger audiences, Everybody Hates Chris is able to address racial stereotypes to young audiences and possibly impact the way younge...
The majority of today’s films starring Asian actors and actresses often contain numerous stereotypes. They cater to the biased views that most non-Asians have of Asian ethnicity and culture. What they do not know they make up for in ignorance and ridicule in one of today’s top forms of mass media. By using a widespread style of media in today’s pop culture, more and more people are being displayed the fabricated stereotypes of Asians.
At the end of the NPR article they discuss the problem between keeping television shows diverse, “without amplifying the problems of stereotyping and prejudice” (Feld). Television shows feel that in order to a successful show with diversity, the people need to be cast-typed or take on every stereotype that is associated with that particular race or gender. The Erigha article discusses how, “many of actors were type-casted, or put in racialized roles, that fit their ethnicity” and some of these people do not necessarily fit that type, “they used Asian Actors as an example, many of the actors that were born in America, were asked to speak in a Chinese accent.”
Before the 1970s, most programs had characters who were Caucasian. Having white characters on television soon became the “standard”. However, when minorities did seldom appear, they were presented as stereotypes. For example, roles such as servants would usually be played by African American actors and warriors would be played by Native American actors. The critics debated that the unfair treatment of minorities in America was the explanation for why there were not any minorities presented on screen. The concerns of minorities in America were ignored for years. In Phillip Brian
also demands attention. In whitewashed, American media — a heavily eurocentric portrayal of various peoples and group — there is a distinct deficient number of roles that cast Asian-Americans. Out of the few roles that portray Asians, even fewer characters who are not heavily accented and stereotyped to the point of dehumanization make it onto the big screen: the reduction of a character to traits derived from stereotypes prevails (Hampton).
Ethnicity and appearance has become a tremendous problem in the media due to the fact that they try to use it as a power to control creativity of abstaining the truth in media. According to journalist Nishijima, A, she refers to the Oscars and explains that it is very absurd how the media is slowly progression in lacking diversity. This was recognized when watching the Oscars and seeing that based off predominantly white nominees. Nishijima quotes “Boone Isaacs decl...
With the lack of representation that we have in today’s media, it takes away the voice that smaller groups have to express themselves in a safe environment. The act of being a member of a less represented, or even misrepresented, minority and being able to speak out can help normalize the group to the general public. According to Natalie Dulka, a freshman at Concordia University, ”Diversity in media can be a way for less understood and underrepresented groups,
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...