He had a first job and that in the workshop of Lerenzo Ghilberti, a gothic sculptor, between 1404 and 1407(“Donatello” par 1, 2, 3). After that job he worked at a Florence Cathedral in 1407. At the Cathedral he decorated tombs and pulpits and made portrait busts and monuments (“Donatello” par 1, 2). An inspiration for his work was by ancient visual examples (“Donatello” par 1). He achieved his full intensity in the beginning of the 15th century (“Donatello” par 1, 2, and 3).
Michelangelo went to Rome, where he was able to examine many newly unearthed classical statues and ruins. He soon produced his first large sculpture the over life size Bacchus in 1496-1498. One of the few works of pagan rather than Christian subject made by the master, it rivaled ancient statuary, the highest mark of admiration in Renaissance Rome. At about the samr time period Michelangelo did the marble Pietà in 1498. It was finished in 1500.
Donatello Donatello (1386-1466), was an Italian Renaissance sculptor, who is generally considered one of the greatest sculptors of all time and the founder of modern sculpture. Donatello was born in Florence, the son of a wool comber. When he was 17 years old, he assisted the noted sculptor Lorenzo Ghiberti in constructing and decorating the famous bronze doors of the baptistery of San Giovanni, Florence. Later, Donatello was also an associate of the noted architect Filippo Brunelleschi, with whom he reputedly visited Rome in order to study the monuments of antiquity. Donatello's career may be divided into three periods.
After Brunelleschi trained to be a sculptor and goldsmith, in 1398, he applied to make the bronze reliefs for the door of the Baptistery of Florence in 1401. Sometime around this time he picked up the nickname “Pippo” by his friends. He was competing against six sculptors, one of them being Lorenzo Ghiberti. Unfortunately, Filippo didn’t win; Lorenzo Ghiberti did. After he lost, Filippo decided to leave his sculpting and to focus on architecture, where he worked with gears, clocks, wheels, and weights and math.
The young hero of this story is also the basis of two of Donatello’s sculptures. In 1408 Donatello was commissioned by the operai of the cathedral of Florence to sculpt a statue of David. This was the first of the three versions of David Donatello created. The statue is a life-sized marble carving of David and is one of Donatello’s earliest known works. The statue depicts young David in triumph; with the head of his enemy, the giant Goliath, at his feet.
During his time working with Lorenzo, Donatello received his first payment in November 1406 for assisting Lorenzo in the sculpting of the statues of prophets for the north door of the Florence Baptistery. He executed the seated figure of St. John the Evangelist in 1409-1411, it was so big it took him two years to finish and until 1588 occupied a niche of the old cathedral facade but now resides in Museo dell'Opera del Duomo. A large step was taken forward from Gothic Mannerism in the search for naturalism rendering of human feelings. Donatello then worked on statues for churches, starting with the statue of St. Mark for the Guild Church of Orsanmichele in 1411-1413. Then a few years later in 1417 he completed the statue of St. George for the Confraternity of the Cuirass-makers.
Art and The Artist: A Renaissance Research Paper Was Filippo Brunelleschi a true Renaissance artist? Perhaps but one thing that Filippo is best known for is his work on the Cathedral of Santa de Fiore in Florence Italy. It all started in his earlier years when Filippo started his apprenticeship with goldsmithing. Filippo went to Arte Della Seta. Where he became a guild goldsmith.
There is no record of Donatello ever being married or having children. Donatello began his career as a goldsmith. At the age of twelve, he began working in the shop of the great architect Brunelleschi in 1399. Next, Donatello had the opportunity to work as an apprentice for the most famous sculptor of the time Lorenzo Ghiberte. He assisted Ghiberte in constructing and decorating the famous bronze doors for baptistery in Florence.
To understand the properties of the Florence Cathedral that fit the Early Modern style, I will begin with a description and its history. The cathedral's architectural style, although greatly influenced by French Gothic elements remained distinctively Florentine, especially the geometric patterns of red, green, and white marble on the building's exterior. Construction of the cathedral began in 1294 on the site of a Christian church founded in the 6th or 7th century and continued until 1436. Several celebrated Italian architects were involved in the project, including Giotto, Arnolfo di Cambio, Andrea Orcagna, and, most notably, Filippo Brunelleschi, who was responsible for designing and building the dome. The cathedral's exterior is ornamented with sculpture and mosaics by Italian artists Donatello, Nanni di Banco, and Domenico Ghirlandaio, among others.
The statue is carved from marble and stands at a towering 14 feet 3 inches. “The choice of David was supposed to reflect the power and determination of Republican Florence and was under constant attack from supporters of the usurped Medicis.” (Rubens, pg.1) Even though Michelangelo loved to sculpt it was not his only artistic talent. Another artistic talent of his was painting. Michelangelo’s largest and most famous paint was that on the ceiling of the Sistine Chapel. It took him 4 years to complete, from 1508 to 1512.