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    Donatello

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    Donatello Donatello’s real name is Donato di Niccolo di Betto Bardi (1386-1466). Donatello was a master of sculpture in bronze and marble and was one of the greatest Italian Renaissance artists of his time. A lot is known about his life and career but little is known about his character and personality. He never married and seems to be a man of simple tastes. Patrons often found him hard to deal with and he demanded a lot of artistic freedom. The inscriptions and signatures on his works are

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    Donatello

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    Donatello was born in Florence, Italy in1386. The full name of Donatello is Donato di Niccolo di Belto Bardi (“Donatello” par 1, 2, 3). His dad was a wool comber (“Donatello” par 1, 2). There was not much information found on his mom. He had a first job and that in the workshop of Lerenzo Ghilberti, a gothic sculptor, between 1404 and 1407(“Donatello” par 1, 2, 3). After that job he worked at a Florence Cathedral in 1407. At the Cathedral he decorated tombs and pulpits and made portrait busts and

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    Donatellos David

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    Donatellos David Donatello was one of the most important and influential artists of the fifteenth century. As a master artist, he sculpted some of the most beautiful pieces of the Italian Renaissance. His innovations impacted many artists of his time, and set the standard for centuries of sculptors to follow. Donatello’s style is clearly defined and easily recognized in nearly all of his pieces. An exception is the bronze, David, dated 1425-1430. David strays from the traditional style of

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    Donatello the Sculptor

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    Donato di Niccaló di Betto Bardi, also known as Donatello, was an Italian Renaissance artists and sculptor born in 1386 in Florence, Italy. He is arguably one of the greatest master sculptors of the 15th century. His ability to immortalize human expression through his art put him in a league of his own. In Florence Donatello was taught the basics of sculpting and early on he was an apprentice to Lorenzo Ghiberti. Donatello creatively carved sculptures out of stone, wood and bronze; giving life to

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    Donatello

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    Donatello Donatello (1386-1466), was an Italian Renaissance sculptor, who is generally considered one of the greatest sculptors of all time and the founder of modern sculpture. Donatello was born in Florence, the son of a wool comber. When he was 17 years old, he assisted the noted sculptor Lorenzo Ghiberti in constructing and decorating the famous bronze doors of the baptistery of San Giovanni, Florence. Later, Donatello was also an associate of the noted architect Filippo Brunelleschi, with

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    Donato di Donatello

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    Donato di Donatello Donatello was one of the greatest sculptors of all time. His real name was Donato de Betto di Bardi. Donatello was born in Florence in 1386 and died at 1466. He grew up being called Donatello, which means “Little Donato.” There is very little known about Donatello’s family, except his father was Nicalo di Bardi a wool comber. There is no record of Donatello ever being married or having children. Donatello began his career as a goldsmith. At the age of twelve, he began working

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    Donatello was born in 1386, Florence, Italy, Donato di Niccolò di Betto Bardi, he was also better known as Donatello, was an Italian Renaissance sculptor from Florence. He studied classical sculpture and used this to develop a complete Renaissance style in sculpture, whose periods in Rome, Padua and Siena introduced to other parts of Italy a long and productive career. He worked with stone, bronze, wood, clay, stucco and wax, and had several assistants, with four perhaps being a typical number. Though

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    renaissance art

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    masters of art create art forms that are still references for many artists from the renaissance till today. Katherine Sanger writes in her article David Michelangelo vs Donatello’s, “The sculptures of David that were created by Michelangelo and Donatello are so different that the only thing I can find in common with them is their title. Donatello’s sculpture is bronze, stands only five feet tall, and appears to be a young, possibly teenage boy. Michelangelo’s is marble, approximately eighteen feet

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    david

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    include Donatello, Verrocchio, Michelangelo, and Bernini. Each of these artists chose to create David in their own special and different way. The first artist who chose to create a sculpture of David was Donatello. Donatello’s David was the first life size nude statue since the classical times. His creation found a median between Classicism and the realism by creating David as a very real person. He was created to look like an Italian peasant boy in the form of a classical nude figure. Donatello was

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    The Second Set of Doors at the Baptistery

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    The maintenance and completion of the Baptistery of San Giovanni, one of the oldest and most significant buildings in Florence, was entrusted to the Arte del Calimala Guild. This wool merchants’ guild was the oldest of Florentine guilds and was extremely powerful and wealthy. This wealth and power was due in large part to the fact that Florence was the fabric capitol of Italy. The Baptistery was dedicated to Florence’s patron saint John the Baptist. Consequently, the first set of doors created

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    Conquering David

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    man in a very different but still successful manner. Michelangelo, Donatello, and Verrocchio all had the same idea of the power that David represented though they all had an obviously different vision of how that power was displayed. Through youth, expression, and composition the artists all manage to capture the courage of David. In Donatello’s figure of David there is a youthful, adolescent, and barely developed young boy. Donatello manages to combine classicism with realism by presenting a real

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    Michelangelo Buonarroti

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    to study with Domenico Ghirlandago, who taught him about painting. He then went on to work with Donatello to learn about sculpture. Between the years of 1490-1492 Michelangelo lived in the house of Lorenzo de' Medici and was influenced by Neoplatonic thought. Some of Michelangelo's early painting showed the influence of Giotto and Masaccio. Also many of his early sculptures show the influence of Donatello (Columbia University Press) . Michelangelo's artistic career can be divided into two periods.

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    David

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    Goliath with stone and a sling. Donatello, Verrocchio, Michelangelo, and Bernini each designed a sculpture of David. However, the sculptures are drastically different from one another. Each one is unique in its own certain way. Donatello, whose David was the first life-size nude statue since Classical times, struck a balance between Classicism and the realism by presenting a very real image of an Italian peasant boy in the form of a Classical nude figure. Although Donatello was inspired by classical figures

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    St George Research

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    on the guidebook. What I found through research I have concluded that the Saint George sculpture was made in the 15 century and I believe that the Saint George sculpture that I saw at the McNay is a copy of the famous architect Donatello sculpture of Saint George, Donatello Sculpture was made in 1410-1415. The Saint George sculpture at the McNay was founded to be in Germany. I would say that based on what I have gather from the time in the 15 century is where the Germans started to convert to Christianity

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    Giotto Vs Cimabue

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    more feminine in nature. But we also have to include that Donatello's depiction of David was a young boy. While Do Both of the sculpture of David showed many differences from these two artists. As we verbalize about the material that was utilized, Donatello used Bronze while Michelangelo specialized in marble. The material was a consequential asset to this sculpture because it integrates to the style. And while Michaelangelo’s work was more Masculine, it made the sculpture not necessary to carry a

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    literature and music. Two figures that impacted this period in numerous ways were Johannes Gutenberg and Donatello. Donatello was an early renaissance Italian sculptor who lived in florence. Johannes Gutenberg was a printer and publisher who introduced printing to Europe. These two figures had effects on Science/Technology, effects on art, and effects on culture/society. Donatello and Johannes Gutenberg are two figures with opposing views that profoundly challenged and shaped political

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    During the Early Renaissance stage, which is considered to be the period of 1400-1479, one of the greatest Italian sculptors Donatello (1386-1466) was creating his monumental masterpieces. Humanism’s beliefs in the uniqueness of every single human being, as well as the man’s artistic genius and powerful intellect were reflected in one of the greatest works that Donatello left to his descendants, David (1430-1440). David in bronze cast has become the first free-standing nude statue since the antique

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    Impact Of Renaissance Art

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    pair of bronze doors for the Baptistery of Florence. Ghiberti brought more of Gothic/Christian side into the renaissance; his influence was seen as keeping a darker side of the world alive. He soon opened a workshop where now legendary sculptures Donatello and Michelozzo would study under

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    Donatello Essay

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    Universally known as Donatello, or for our contemporary movie going crowd he is also known as a Ninja Turtle who has intelligence, cool calculation, and a gift for inventing. Donatello was one the Renaissance masters that would become one of the most influential artists of 15th century Italy. Predating Michelangelo, Donatello was one of Florentine 's greatest sculptors with a very multifaceted outlook of his craft, and drive to invent and reinvent that would shoot him to the top of the charts to

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    Lorenzo Ghiberti

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    Brunelleschi and Jacopo dellla Quercia, as well as four other artists, to win the commision. He spent more than 20 years to make the doors, but during that time he trained students and also concentrated on other artwork. His students include Donatello and Paulo Uccello. Each door contains 14 quatrefoil-framed scenes from the lives of Christ, the Evangelists, and the church fathers. He also made another set of doors for the Baptistery. These bronze doors had 5 panels on each side, containing

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