Destruction Babies Essay

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Tetsuya Mariko's "Destruction Babies" gives a whole new meaning to street fighting Winner of the Best New Director prize at the Locarno Film Festival, and one of the greatest recent Japanese films, alongside "Hime-Anole", "Destruction Babies" is a combination of Miike's "Izo", Tsukamoto's "Tokyo Fist" and Toyoda's "Pornostar". The film starts in Mitsuhama, a small port in the west of Ehime prefecture were two brothers are living, abandoned by their parents. The younger is named Shota and seems like a regular high-school boy and the second is Taira, a delinquent who is introduced through a fight with the local gang, he against half a dozen that is. Almost immediately after the fight, and a little before the mikoshi (portable shrine) festival, Taira lives and embarks on a trip of blind violence through the streets of a city, where he picks fights with anyone that comes across his way, including a local gang who run a club. Taira wanders tirelessly in the streets, being beaten but …show more content…

The first one is a sharp comment regarding Japan's youth, as portrayed through Yuya, an adolescent who seems lost in the world of social media, aimlessly roaming in pachinko parlors, looking for any kind of excitement. Furthermore, his transformation during his "trip" with Taira is quite shocking to watch, as he gradually becomes even worse than his "mentor" is. The second one regards the Nada Kenka Matsuri, a festival dedicated to the God of fighting, where 3 mikoshi fight and try to break down one another in front of the god. This message becomes evident in the end of the film, abstractly explaining Taira's actions. However, Mariko also presents violence as a disease that seems to transmit to everyone associated with it, both perpetrators and victims, and thus, portraying it as a trait that can transform any man into an

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