Civil War Propaganda Analysis

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Historians have something of a long-standing love affair with the any scrap of historical evidence tangentially relevant to the American Civil War. For many academics and military enthusiasts, the Civil War is fascinating because it was the first major conflict fought between two industrialized factions. While the drastic overhauls made to military ordinance and tactics are obvious to all, one notable change in the war effort brought about by industrialization goes somewhat unnoticed: the adoption of mass-produced propaganda images. While historians can point to earlier efforts to stir up partisan passions and demonize perceived opponents, as with Thomas Paine’s wildly popular revolutionary pamphlet Common Sense, propaganda as we know only …show more content…

The Creators and Distributors of 19th Century Political Art
To begin analyzing propaganda, a firm understanding of what the term means must be established. Simply put, propaganda is information that is distributed to influence a target audience and advance an agenda, whatever it may be. Additionally, the term brings along with it a certain lack of objectivity, implying that the information contained is at best exaggerated for emotional affect and at worst outright lies packaged as the truth. Even propaganda that relies solely on factual information placed within its proper context still largely relies on emotional and rhetorical shortcuts to get its message …show more content…

Unlike the modern top-down state disinformation model pioneered by the likes of Joseph Goebbels and Mao Zedong, the propaganda of the Civil War was rarely the work of the United States or Confederate governments. For the most part, propaganda existed on the local or regional level, commissioned by private organizations or clients. Pre-war, most messaging on the issue of slavery was produced by explicitly abolitionist or pro-slavery organizations, as neither the federal government nor the nation’s newspapers sought to lose the support and respect of a wide swath of their own countrymen. During the war itself, recruitment efforts were largely delegated to local commanders and organizers, and private magazines and printers took the role of public agitators. Given that most of the country’s industrial capabilities lay in the North, the majority of surviving images from the war period itself are unambiguously pro-United States, as the Confederacy lacked both the great factories required to mass-produce photographs and artwork and the kind of broadly available newspapers and magazines available in the

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