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Analysis of emily dickinsons writings
Imagery in Dickinson's poetry
Emily dickinson’s style
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How can it be that Emily Dickinson can create two poems focusing on appearance, but make each have a different type of appearance? The idea of what is visible to our eyes is described in both of these poems, “A Wounded Deer Leaps Highest” and “To Fight Aloud Is Very Brave”, both by Emily Dickinson. One poem is easier to imagine and the use of imagery enables us to visualize it quite nicely, whereas he second poem, has a much deeper meaning to it, that we cannot visualize simply. Both of these poems are similar and have many differences.
"The wounded dear leaps highest" speaks of how damaged, wounded things appear more joyful. Trials can often appear to be blessings. "The cheek...hectic stings!" probably refers to someone who's been slapped, but cheeks are usually red with excitement, love or some positive emotion. This is one example of many in the poem of when pain appears good. In the last stanza Dickinson expresses that no one will rush to a hurt person's aid because pain often appears good. On the other hand, in the poem, “To fight aloud is very brave”, Dickinson talks about the unsung heroes. It is very noble to do things so that everyone can see, but it is even more so to do good when nobody's watching. This is similar to the Bible passage where Jesus speaks of two offerings- one large one made for attention and one small one given in secret. The secret one, he says, is more worthy. That is the same kind of message as "to fight aloud is very brave." Both poems focus on the deceptiveness of outward appearance. It can seem like someone is happy when they are really in pain and it can seem like someone is very noble when really the noblest acts
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Emily Dickinson has a way of interpreting emotions into two types of appearances to grab the reader’s
He also made us experience the awe and misery of the mother by describing her “trembling steps” when she went to read. the letter, her “sickly white face and dull in the head”. In addition to her state after her son’s death, she was “presently drest in. black”, “her meals untouched”, “fitfully sleeping often waking” and “sleeping”. her “deep longing.to be with her dead son”. Dickinson uses imaginative and figurative language.
Emily Dickinson was one of the greatest woman poets. She left us with numerous works that show us her secluded world. Like other major artists of nineteenth-century American introspection such as Emerson, Thoreau, and Melville, Dickinson makes poetic use of her vacillations between doubt and faith. The style of her first efforts was fairly conventional, but after years of practice she began to give room for experiments. Often written in the meter of hymns, her poems dealt not only with issues of death, faith and immortality, but with nature, domesticity, and the power and limits of language.
She is almost explaining the feeling as someone would explain a headache that builds and builds until finally it becomes so intense that one could hardly bare the pain. The word `beating,' as it is written and emphasized with dashes, might remind the reader of a pounding headache. Then the poem seems to turn away from that intensity as the intense feeling of pain begins to fade away:
Emily Dickinson was a polarizing author whose love live has intrigued readers for many years. Her catalog consists of many poems and stories but the one thing included in the majority of them is love. It is documented that she was never married but yet love is a major theme in a vast amount of her poetry. Was there a person that she truly loved but never had the chance to pursue? To better understand Emily Dickinson, one must look at her personal life, her poems, and her diction.
In conclusion, it can be stated the examples of Emily Dickinson's work discussed in this essay show the poetess to be highly skilled in the use of humor and irony. The use of these two tools in her poems is to stress a point or idea the poetess is trying to express, rather than being an end in themselves. These two tools allow her to present serious critiques of her society and the place she feels she has been allocated into by masking her concerns in a light-hearted, irreverent tone.
Emily Dickinson is one of the great visionary poets of nineteenth century America. In her lifetime, she composed more poems than most modern Americans will even read in their lifetimes. Dickinson is still praised today, and she continues to be taught in schools, read for pleasure, and studied for research and criticism. Since she stayed inside her house for most of her life, and many of her poems were not discovered until after her death, Dickinson was uninvolved in the publication process of her poetry. This means that every Dickinson poem in print today is just a guess—an assumption of what the author wanted on the page. As a result, Dickinson maintains an aura of mystery as a writer. However, this mystery is often overshadowed by a more prevalent notion of Dickinson as an eccentric recluse or a madwoman. Of course, it is difficult to give one label to Dickinson and expect that label to summarize her entire life. Certainly she was a complex woman who could not accurately be described with one sentence or phrase. Her poems are unique and quite interestingly composed—just looking at them on the page is pleasurable—and it may very well prove useful to examine the author when reading her poems. Understanding Dickinson may lead to a better interpretation of the poems, a better appreciation of her life’s work. What is not useful, however, is reading her poems while looking back at the one sentence summary of Dickinson’s life.
Reading a poem by Emily Dickinson can often lead the reader to a rather introspective state. Dickinson writes at length about the drastically transformative effect a book may have upon its’ reader. Alternating between iambic tetrameter and iambic trimeter, Dickinson masterfully uses the ballad meter to tell a story about the ecstasy brought by reading. In poem number 1587, she writes about the changes wrought upon the reader by a book and the liberty literature brings.
No two poems are ever exactly the same. This can be shown in two of Emily Dickinson’s poems “Hope” is the Thing with Feathers and Because I could not stop for Death. If you take these two poems and compare them you will find some similarities, but overall there are a lot more differences that set them apart. She may stick to writing about topics she knows like life, nature, love, death, and religion but she makes sure that the detail in each one is different and unique. In “Hope” is the Thing with Feathers and Because I could not stop for Death there are difference in the speaker, theme, and imagery used throughout the poems.
Alliteration is a key aspect to how the reader experiences the poem; it especially gives interest toward alliteration of the letter T. This alliteration begins in the very first line “Tell all the Truth but tell it slant-” (1.1). The alliteration on the T is used three times within the first line; however, it does not stop there. Dickinson uses the “T” sound to continually draw back to the theme of truth. Dickinson, through the use of two stanzas, four lines each, uses quite a distinct rhyme scheme to organize her poem. The second and fourth lines of each stanza are clearly examples of end rhyme, by using words such as “lies” (1.2) and “surprise” (1.4). However, every single line is not an example of end rhyme. The first and third lines rhyme words such as “slant” (1.1) and “delight” (1.3); which can be described as near rhymes for they give a small sensation of rhyming. This rhyming pattern continues for the second stanza as well. The sequence of rhyming is not arbitrarily put into practice, rather, it also adds on to the truth theme. The near rhymes Dickinson stresses to not tell the truth in its entirety, but rather, convey a little bit of truth. This is being directly compared to the almost rhyming sensatio...
Both make it obvious they have experienced pain and loss, yet both use different themes in order to portray their perspectives. Dickinson portrays her experience with references to objects that represent a sense of coldness or numbness. For example she says, “The Nerves sit ceremonious, like Tombs,” (Dickinson). When reading this line one can gather a sense of numbness and darkness. Numbness because nerves are sitting, they cannot feel; darkness because once a tomb is closed no light can enter in.
Emily Dickinson’s poems, “I” and “VIII”, are both three verses long and convey the irony and anguish of the world in different ways. By paraphrasing each of Dickinson’s poems, “I” and “VIII”, similarities and differences between the two become apparent. Putting the poem into familiar language makes it easier to comprehend.
Dickinson's poetry is both thought provoking and shocking. This poem communicates many things about Dickinson, such as her cynical outlook on God, and her obsession with death. It is puzzling to me why a young lady such as Emily Dickinson would be so melancholy, since she seemed to have such a good life. Perhaps she just revealed in her poetry that dark side that most people try to keep hidden.
Porter, David T. The Art of Emily Dickinson’s Early Poetry. Cambridge: Harvard University Press, 1966. Print.
Throughout Emily Dickinson’s poetry there is a reoccurring theme of death and immortality. The theme of death is further separated into two major categories including the curiosity Dickinson held of the process of dying and the feelings accompanied with it and the reaction to the death of a loved one. Two of Dickinson’s many poems that contain a theme of death include: “Because I Could Not Stop For Death,” and “After great pain, a formal feeling comes.”