Essay about The Deconstruction Of The Sphinx

Essay about The Deconstruction Of The Sphinx

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they had a video crew to capture moments because she wanted the world to know about this event. Walker has plenty of footage of people acting inappropriately. She saw lots of people taking vulgar selfies and she likes to think that having people see her work people will realize how unsettling human behavior is. The environment that surrounded this piece was positive. It is considered unusual to see large groups and families attending an exhibit of this sort.
The deconstruction of the sphinx transpired in a one week period. Once the show closed they knocked it down with forklifts. There is only one piece of her left. Her left hand is going to be shown in November in the gallery Sikkema Jenkins. She created this video footage to be shown in the gallery. She wants people to view all the stages starting with the absence of piece through the beginning stages, people viewing it, people viewing themselves viewing it and its demise. This artwork will never be created again. The theme of deconstruction is shown in Walker’s work.
Rikrit Tiravanja is one of the most influential artists of his generation, age 55, that is best known for artwork that provides opportunities for the public to interact. Tiravanja is a conceptualist and has developed relational art. His work connects seamlessly to his life outside the studio using food as a constant source of inspiration. He draws in a crowd from across the globe. Tiravanja has spent lots of time with his grandmother, who is his biggest inspiration. His grandmother studied in France to learn how to cook. From the studies, she could teach classes on nutrition. From her success, she was able to open up her own restaurant.
People must be present in his work otherwise he feels like the project...


... middle of paper ...


...People feel very connected to her work leading such a strong reaction.
Gnaw is when Antoni chewed two 600 pound blocks of lard and chocolate showing literal consumption. This work made the public notice her and was exhibited in the Sandra Gering Gallery in 1992. The following year this work was in the Whitney Biennial. By chewing lard and chocolate into cubes she was creating the minimalist cube in a new way. She took this project to extremes by chewing until she was exhausted. Once she finished the cubes she melted down the chocolate into 40 heart- shaped packages. Using the lard and beeswax she produced 400 lipstick containers. This work is a “mouth- made ready-made.” Gnaw touches on consumer culture along with the cult of beauty and art history. Modernism is typically a male- dominated area in art. Antoni flipped this idea of modernism on its head by

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