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Assess the achievements and legacy of hatshepsut
Egyptian art forms
AP Art History Outline Ancient Egypt
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Sphinx of Hatshepsut
The first form of art that I will talk about that the ancient Egyptians are known for are sculptures. An example of this is the Sphinx of Hatshepsut. I just want to say a few things about King Hatshepsut since we all know a bit more about her from the lectures. Hatshepsut is known to be a successful female Pharaoh. She declared herself as the king when Thutmose III, the one next in line, was too young to rule. She ruled for about 20 years. Her reign was full of building projects and the most recognized building under her rule was the Deir el-Bahari. Like most Pharaohs, her tomb contained statues of her as well as gods to honour them and help her transcend into the afterlife.
Now, more about sculptures and the Egyptians. Sculptures in Ancient Egypt often depict powerful individuals, such as Pharaohs and Gods. The use of granite, alabaster, limestone and even mud were popular. This particular statue of Hatshepsut used granite and paint. Hatshepsut is depicted here having a lions body and a head with a nemes headdress as well as a beard. Despite the masculinity the statue depicts her, with the beard and headdress, her face still has the facial features of a female.
Wooden Chest of Tutankhamun
Another form of art that the Egyptians used back then was painting. The Wooden Chest of Tutankhamun is a great example. Again,
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The carving of Akhenaten Worshipping Aten is a perfect example. The king began his rule with the name of Amenhotep IV. The city of Akhetaten was build under his reign, named after Aten. After a decade of his rule, he declares Aten as the ultimate god, and it was only through him that Aten would be connected to the Egyptian people. He then changed his name from Amenhotep IV to Akhenaten. Unfortunately for the new religion, the period of Aten as the ultimate god did not last long and died shortly after the king
Today what they viewed back then could be depicted the same or different. Both representing either a god or king of their time. Both pieces made with easy material that the Egyptians had at their disposal. Carved limestone and carved wood was an easy access to make these divine pieces of art. The time to make for these pieces were drastically different. The Great Sphinx obviously took longer to build with how big it is and with the material they had to carve. Many had to work to construct and finish this monument to their king. This construction took many years and with plenty of workers the Egyptians had it will stand around for hundreds of years. Just as they felt their gods and kings would
In “Hatshepsut: His Majesty, Herself”, by Catherine Andronik, she informs the reader about Hatshepsut and her role as an effective female pharaoh in ancient Egypt. One supporting detail proving her leadership was when she acted as a regent, an adult who can take control of the country. Another detail that supports the fact that Hatshepsut was an effective leader is in paragraph 11 where the text states, “ She appointed officials and advisors, dealt with the priests; appeared in public ceremonies first behind, then beside, and eventually in front of her nephew.” this quote explains that because Hatshepsut’s nephew, Tuthmosis III, was too young to be a powerful ruler, Hatshepsut, who was second in command, ended up doing everything for him. Hatshepsut
The statue of King Khafre Seated , from the fourth dynasty of the Old Kingdom, 2520 - 2492 BCE, was created by an unknown artist in the smooth permanence of graywacke stone. Although the statue is currently at the Metropolitan Museum of Art as number 56 in the Special Egyptian Exhibition, its true home is at the Egyptian Museum, in Cairo. The man being portrayed, King Khafre, ruled Egypt for approximately thirty years, during which he commissioned the single most recognizable monuments of Egypt, the a fore mentioned Pyramids at Giza and the Sphinx. These monuments of symmetry and solidity characterize the focus of popular architecture and sculpture from the Old Kingdom in Egypt.
The Great Sphinx of Egypt has represented the spirit and the presence of the Egyptians. The head is of a god or king and it has the body of a lion. It has become a symbol of strength and wisdom, since it was mostly built to protect the Giza Pyramids in the belief of their lion goddess, Sekhmet. When a pharaoh marched into battle, a tamed lion was at his side. This was believed that this was a living representation of the goddess. Sekhmet was worshiped as a hunter with a head of a lion and the body of a woman. She was regarded as a fierce hunter with no equal. The Sphinx itself has been carved from the Giza plateau. The Great Sphinx is proof of the Egyptians Spirit and heart. It symbolizes Egypt in the modern world. There is no equal to the Sphinx.
...ent, it was purposely done so to create a clear image of the person(s) it presented with their rank plainly illustrated. More detail and beauty was bestowed upon the art representing the upper classes and royal figures while any element that showed consideration for the lower classes was simply there to play a part for the rich owner of the tomb it was created for. It is a sad reality but one that must be faced in order to really appreciate the approaches chosen by the artists of ancient Egypt. Regardless of the disparity, each work is incredibly successful in showing the subjects exactly how they would or should be viewed in real life during the time it was created. It is this remarkable accuracy that breaks the barrier of the stiff figures and reaches out to the viewer with a marvelous reality that creates just the sort of image in one’s mind it was meant to form.
Ancient Egypt is home to one of the greatest female pharaoh. Queen Hatshepsut. She was the first female pharaoh and did great things.
Artwork is a key to know about the cultures and civilizations of the past just like fossils are the key to the past life. In the Egyptian artwork statues of Isis and Horus have cultural and religious significance. The statue of Isis and Horus belongs to the Ptolemaic period which is in between 304 to 30 B.C.
...nt through the women. The power to rule was passed from wife to husband. Kha-merer-nebty II is shown here presenting her husband, Mycerinus, as the pharaoh. Unlike the sculpture of Augustus, this sculpture also has a religious purpose. The Egyptians believed that in order for the “ka” (spirit) to live forever, the body had to be preserved which is why they mummified their bodies. As an extra precaution, sculptures like these were made to serve as a “replacement body” for the ka should something happen to their body.
Figure paintings and sculptures from the thirteenth century BC were all created to appear generally the same with hardly any distinct features. It was not important to the Egyptians to record exactly what the Pharaoh looked like, but to declare their god-like power through their faultless appearance. The early images of royalty
Another defining element for the New Kingdom is religious turmoil. The reformation that takes place in Egypt can be likened to the protestant reformation, in that it is highly politically motivated. Just as the Catholic church was thought too powerful, so are the temple priests who worship the god Amun-Re. Amenhotep IV forbids the worship of Amun-Re, and names a new god Aten. He renames himself Akhnaten, creates a new capital city, and marries Nefertiti, who is thought to play a large role in what is known as the Armana reform. However after Akhnaten’s death
“Egyptian art comes almost exclusively from tombs and temples. Such art was not intended as decoration; rather, it was created to replicate the living world, to benefit or honor the dead. Perhaps for that reason, the Egyptians found a unique
The Egyptians had many different varieties of art. They made statues mostly with stone, but they used many different materials, from lapiz lazuli, to schist (calvert). The Egyptians used harder rock to carve, such as bronze and copper, and they made them to tools like saws and picks (Sanders, 2017). To polish, they used abrasive sand and a smooth rubbing stone. Even though you may not see it anymore, many of the egyptian statues were actually painted life like (calvert).
Egyptian art has come a long way and will continue for the rest of modern civilization. It cannot be denied, ignored, or forgotten, for it is too precious and too important to let go. Egyptian art must therefore be embraced and continued.
Seemingly static in appearance, to the untrained eye, Egyptian Art is somewhat formal and blocky, with very little to no naturalism; in opposition to ancient western art such as Greek and Roman artistic traditions. (Neer, 2012) However, Egyptian Art serves a purpose that celebrates the afterlife as well as appreciating life. Egyptian visual imagery expressed animals not in the typically assumed static and rigid form, but in naturalistic dynamism that is largely ignored in general Egyptian Art scholarship. Ancient Egyptian art endures a steady artistic tradition and despite various changes and modification in style occurred during the 3,000 years pharaohs ruled; they are recognizably Egyptian in origin. What was wholly unique was the artistic
Art played a significant role in almost everything the Egyptians did, from the worship of their gods to the funeral of their dead. Symmtry, patterns, colors and symbolism were significant aspects of their art and many cultures learned to adapt these to their own forms of creative work. Through these various art forms they were able to adapt their cultural view that their religious beliefs were central to their existence, which brought them unity and prosperity. Ancient Egypt brought the world many wonders whose impact on history can still be seen today and those that best represent their cultural ideas are found in the art of their jewelry, sarcophagi and paintings.