Lucy Larpom: Mill Girl Poet, By Lucy Larcom

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Women of the nineteenth century had very set expectations. There were only two types of women: upper class bourgeoisie and lower class farmer’s wives or daughters. Women were considered physically weaker to men, which meant that they were best suited to the domestic sphere while the men workers and made the money. The mill girls defied all of this, and created their own class of women: wage earning middle class women. These women were not like farmers’ wives that were typically uneducated, nor like the bourgeoisie women that were educated, by mostly in domestic and “womanly” skills. The mill girls went to college if they so desired, most of the time doing that in the stead of getting married and becoming a housewife. The mill girls were a …show more content…

In Slavicek’s “Lucy Larcom: Mill Girl Poet” (2015), she discusses the life and literature of a famous poet and mill girl Lucy Larcom. Like most child mill workers, Lucy began as a bobbin doffer, Monday through Friday she spent up to fourteen hours a day at the mill, and eight hours a day on Saturdays. Lucy wrote in her autobiography: "I defied the machinery to make me its slave. Its incessant discords could not drown the music of my thoughts if I would let them fly high enough." She escaped the busy mill through her writing, a common escape for many Lowell mill girls. Lucy cut articles from newspapers and pasted them around the window 's wooden frame next to her spinning wheel. Several of Lucy 's poems appeared in the Lowell Offering, a monthly magazine for the mill girls that featured stories, songs, and poems written by the young mill girls themselves. This made them different from many of the other women of their time …show more content…

How the Factory Girls Do Rig Up!” (2010), she describes how the women of that time period defined themselves, “by what she read ... at least as much as by how she dressed, what she ate, or how she furnished her house." She goes on to talk about how the mill girls were no exception, spending their hard earned wages on clothing and adornments. Cook discusses how clothing was “the frontier between the self and the not-self”, and a classic way of middle class expression. They are similarly situated at the boundary between the solitary individual and the encompassing world and the mind and its material embodiment. Thomas Carlyle had written metaphorically in 1834 that clothes were "unspeakably significant", and the mill girls were no

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