Romeo And Juliet Film Analysis Essay

Romeo And Juliet Film Analysis Essay

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As portrayed throughout both Romeo and Juliet films, love is an affectionate feeling, which can be powerful and influential in some cases, and sacrificial in other cases. In both Baz Luhrmann, and Franco Zeffirelli’s own takes on Romeo and Juliet, they review the various types of love shown by the characters, these being familial love, romantic love, friendship, and others. This allows for the audience to analyse the disparate film techniques used by both directors in order to depict the love shown between both the Montague house, and the Capulet house.

Evidently, Zeffirelli uses a diverse range of film techniques to emphasise the friendship between Romeo and Mercutio, and the familial love shown from both Tybalt from the Capulet house, and Mercutio from the Montague house. Zeffirelli uses camera angles such as close-ups when fighting, mid-range shots, with the crowd in the background, and long shots when the director is showing the crowds of people in the streets of Verona. These are very effective because they allow for the audience to see and highlight the revulsion shown by both Tybalt and Mercutio upon the opposing houses. The director also uses costuming in order to show the differentiating colours. Tybalt and his fellow companions wear a bright orange/red cloak-type dress, which is complimented by a red beret. These colours were used strategically by the director as the dark colours of red and orange are used to symbolise evil and antagonism. This persuades the audience to believe that Tybalt is in fact the antagonist, compared the the protagonist Mercutio, who wears lighter, blue/green coloured clothes. This costuming is used by the director for Mercutio as these colours insist that he is the good guy in this particular...


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...hats happening, and uses many long shots showing Romeo looking down upon Juliet in the cemetery setting. This profound style of music not only set the scene for the audience, but also ties in with whats is occuring. This is because the music started to dramatise when Romeo sees Juliet, and starts to confront her on her bed, further emphasising the compassion Romeo has for Juliet. The long shots used by the director show the church-type setting in which this scene is situated. We, as viewers, see the surroundings of Romeo and Juliet through these shots, showing Juliet laying on her ‘death’ bed with many candles surrounding her. Also, these long shots are directed to inform the audience that both Romeo and Juliet are by themselves, and alone. We are again enticed by this as it highlights the romantic setting, and the romantic love where Romeo and Juliet are placed into.

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