Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Romeo and juliet play contrast baz luhrmann
Why are romeo and juliet of luhrmann more successful
Romeo and juliet zeffirelli and luhrmann comparison
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Romeo and juliet play contrast baz luhrmann
English ATB 3 Romeo and Juliet is a play about two lovers who have to risk their lives in order to demonstrate their love and will to stay together, regardless the feud between their families. By the end, the death of Romeo and Juliet finally bring the reconciliation to these two families. It is fate that the two most shall-not meet people fall in love and it love that eventually won against hatred. Since then, there have been many different versions of Romeo and Juliet, whether it was for film, stage, musicals. These different recontextualised adaptions change the original play by many ways, some modernise the language, environment, props as well as changing the original characteristics of some characters. Out of all the different adaptions of Romeo and Juliet, two stood out the most. One was the Romeo and Juliet (1996) and directed by Baz Luhrmann and the other one was Romeo and Juliet Broadway (2013) play version, …show more content…
However, the largest thing changed was the fate. In the end, when Romeo was about to die, Juliet wakes up but doesn’t have time to stop Romeo from taking the poison; whereas the King production, Romeo dies before Juliet wakes up. The purpose of Juliet to wake up before Romeo dies is to engage the audience and leave the audience with a sense of pity for the two lovers. In this scene, Romeo, crying, says “The doors of breath, seal with a righteous kiss…” From the quote, fate was highlighted due to the reason that Romeo says that he will seal the doors of breath, meaning that he will kill himself; yet, after he has said this, Juliet’s hand moves, but Romeo did not see. What engages the audience more is the dramatic irony, when the audience knows that Juliet is alive but Romeo doesn’t. This is the major method that the Luhrmann production recontextualises the
A Comparison of the Two Film Versions of Romeo and Juliet I have been studying the prologue to 'Romeo and Juliet' written by the
Romeo on the other hand, starts off being peaceful and when Mercutio is killed, he turns into an animal like person and flies off in a rage to go kill Tybalt, who earlier he wanted to make peace with. The film really brings out the characters vulnerability, when about to die or staring death in the face. By watching the film, it brings out the characters expression, and showing the viewer the actions and facial expressions of the character. I feel the main point which echoes through out the play, is the war between the Montague's and the Capulets. Also you get the sense, that if there were no division between the two families, no one would have been killed and maybe you may have not seen the characters being so aggressive and arrogant towards one another.
The astounding perils of young love has been eloquently captured in the story of Romeo and Juliet. Franco Zefferelli and Baz Luhrmann are the creators of the two most renowned film adaptations of William Shakespeare's Romeo and Juliet. Zefferelli, the more traditional director, created his Oscar winning version in 1968. Baz Luhrmann put an abstract, modern twist on Shakespeare's classic and created the 1996 version that raised millions of dollars in box office sales. Being that these two films are so different, I have chosen to compare them to one another, using the famed balcony scene as my focus.
music changes to show that she is sad. We then get a close up of
Paramount aspect of the movie and the play, the theme, were the same, and the overall messages in both were the same. For example, one main message in the stories was that love conquers all. This was demonstrated in both the play and the film when Romeo and Juliet kept secretly meeting each other even though they knew it was against their families’ wishes. In one scene of both the movie and the play Romeo and Juliet even got married and died together so that even if they could not be together on earth they would be together in death. Another message you learn from watching the movie and the play was that fighting solves nothing. In the play, when the two feuding families, the Montague’s and the Caplets, find their children dead they resolve their differences and agree to build a gold statue of Romeo and Juliet made out of gold after they state that their fighting only brought suffering. In the movie, although the families didn’t make up, you can infer that it was if the families and not been fighting that Romeo and Juliet would not have killed themselves, because they would not have to meet in secret and have Friar Lawrence devise a complicated plan so they could be together without their parents knowledge .
in the way he speaks in a sly voice. He is the perfect actor to play
...ended. While Zeferelli’s version held true to the way the play has been written, only to take liberties with some of the dialogue, Luhrmann set the play in modern times. With his updated version Luhrmann was able to bring Romeo and Juliet to an entirely new, and younger audience. He directed the film so that today’s teenagers could relate to it. While the language may have confused some of today’s teenagers the majority understood the story. The Tragedy of Romeo and Juliet is a timeless, and romantic story that everyone at some point can relate to. This is not a fairytale it doesn’t have a happy ending, but it is a love story. Romeo and Juliet is a play that can be updated time and time again without ever loosing its original luster, and brilliance. I can only hope that when my children are teenagers another inspired director will bring this love story to life again.
The environment surrounding the star-crossed lovers in the tragedy of Romeo and Juliet can influence audiences who may interpret the scenes in different ways. The audience can be greatly affected in their interpretation of the story by the mise-en-scene, costuming, and the hidden symbolic meaning. This great piece of literature was edited in two unique and intriguing forms, one Zeferelli directed which was filmed in 1968, and the modern version produced in 1996. The different scenes throughout the length of the party were the most influential to me in that I saw how different these movies were directed, and the different meaning I experienced from watching these movies. Focusing on the environment of the scenes and the costuming helped me in my interpretation, because I found hidden symbolism in these two qualities.
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
Romeo and Juliet, written by William Shakespeare, is a tragic love story about two young lovers who are forced to be estranged as a result of their feuding families. The play is about their struggle to contravene fate and create a future together. As such, it was only a matter of time before Hollywood would try to emulate Shakespeare’s masterpiece. This had been done before in many films. Prominent among them were, Franco Zeffirelli’s 1968 “Romeo and Juliet” and Baz Luhrmann’s 1996 “William Shakespeare’s Romeo & Juliet.” Both films stay true to the themes of Shakespeare’s original play. However, the modernised Luhrmann film not only maintains the essence of Shakespeare’s writings, Luhrmann makes it relevant to a teenage audience. This is done through upgrading of the setting, the renewal of props and costumes, the use of water symbolism and the reconstruction of the prologue, whilst preserving the original Shakespearean language. Out of the two, it is Luhrmann who targets Romeo & Juliet to a younger audience to a much larger extent than Zeffirelli.
Dryness, the opposite of this, gives the feeling of being restricted and starved of an important substance. Luhrmann does not appear to have fashioned this film with the elitist Shakespeare 'Purist' in mind. Instead by using lively modern imagery, mixed with a rock sound track, Lurmann has made 'Romeo and Juliet' come alive again, except this time with an appeal to a much wider audience than would have been expected. I believe that Luhrmann has achieved what he set out to do, which is re-create the classic story in the way he thinks that Shakespeare might, was he alive today.
One of the characteristics of Elizabethan and also Jacobean drama is the low number of stage directions and the lack of details they contain. As a logical consequence theatrical representations or film versions of these ages may allow an important quantity of freedom in the performance. In other instances stage directions and other important theatrical elements are consciously left aside in order to create totally different visions of the original idea. That is not the case of Baz Luhrman´s version of Romeo and Juliet filmed in 1996, which despite the numerous alterations of the original play still retains Shakespeare's initial conception.
Zeffirelli’s ultimate goal for his version of Romeo and Juliet was to capture Shakespeare’s original intentions for the play while targeting the teenage audience of his generation. Luhrmann’s intentions were different however; he changed the way an audience looks at Shakespeare’s masterpiece by modernising the props, costumes, and sets. Obviously, to match film time quotas Zefirelli and Luhrmann has both cut many lines out of the play.
How Baz Luhrmann Uses Props, Iconography, Costumes, and Settings to Create His Own Version of William Shakespeare's Romeo and Juliet William Shakespeare’s best loved tragedy, Romeo and Juliet, has been portrayed in theatres and on film in many different ways. But none have been quite like Baz Luhrmann’s imaginative and unconventional adaptation. He has brought aspects of the plays Elizabethan origins and transfused them with a modern day background and created, what can only be described as a masterpiece. I believe that his use of Props, iconography costumes and the settings he has chosen has helped him to make this film such a great success. The settings of each scene have been specifically chosen to create a desired affect.
William Shakespeare has provided some of the most brilliant plays to ever be performed on the stage. He is also the author of numerous sonnets and poems, but he is best known for his plays such as Hamlet, Macbeth, A Midsummer Night's Dream, and Romeo and Juliet. In this essay I would like to discuss the play and movie, "Romeo and Juliet", and also the movie, Shakespeare in Love. The play Romeo and Juliet by William Shakespeare is set in the fictional city of Verona. Within the city lives two families, the Capulets and the Montegues, who have been feuding for generations.