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Cinematic techniques example
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Camera angles are used in the film to guide the audience’s focus. Zeffirelli uses limited camera movement, disengaging the audience’s attention, while Luhrmann uses a variety of camera angles to great effect. Close-ups are commonly used throughout the scene to emphasise the character’s emotion. When Romeo attempts to make peace with Tybalt, close up shots are used to emphasise the significance of Romeo’s words. Tybalt rejects his proposal and beats him to the ground. A close up shot is combined with a high angle to further emphasise Romeo’s
her. Romeo is in disguise as he is wearing a mask. The scene gives a
Romeo and Juliet's kissing scenes in the elevator, the alterations of the famous balcony scene in ACT II, scene ii, and Juliet pointing her gun at Friar Lawrence after threatening to commit suicide if she does not get what she wants are minor discrepancies that occur in Baz Luhrmann's production which are not as serious inconsistencies. The discrepancies that take place in Luhrmann's portrayal of the Shakespearean classic are quite different to the play format, primarily because of the modern influence, but all of these discrepancies build up to what is the now the famous "The Tragedy of Romeo and Juliet."
Zeffirelli and Luhbrmann, both had the task of displaying the story of Romeo and Juliet in a cinematic form. Their adaptations of a stage play to a film, allowed them to interpret the story differently. In comparing these films, one must first look at the chorus, (the first character introduced in Shakespeare's Romeo and Juliet.) Zeffirelli use of the chorus, is subtle (when compared to Luhbrmann's chorus), he employs a series of shot of Verona accompanied by a voiceover. Easing the viewer into the story as a spectator and nothing more. The music he chooses is classical, but calm and soothing. While Luhbrmann use of the chorus is an in your face type technique. Luhbrmann's chorus is more complex, he choose two repeat the chorus twice. Once as a news report, framed within a TV, the other is presented as an advertisement that tells the viewer to stay tuned for more. Luhbrmann uses a montage of shots consisting of Verona, scenes coming up in the film and special effects, which places the viewer within the film. Luhbrmann intertwines the montage with a voiceover of the chorus, in addition to the voiceover he place the Chorus's sc...
Analysis of a Scene from Luhrmann's Production of Romeo and Juliet. It seems interesting at first that Baz Luhrmann should choose to rework Shakespeare's Romeo and Juliet into a modern movie. However, the snares are still a bit snare. when you think about the aims of a modern filmmaker such as wanting to really affect the audience and create a series of moving and powerful images shot through with dialogue, then it is less surprising.
Moreover, the very different uses of camera angles and lighting in both Zeffirelli and Luhrmann film versions portray Romeo and Juliet in dissimilar ways. In the beginning of the balcony scene Romeo recites that “Juliet is the sun” and she shall “kill the envious moon”(2.2.3-4) which represents his previous love, Rosaline, which conveys more of his love towards her. In Luhrmann’s film version the bottom lighting creates Romeo to be mysterious and secretive in the beginning of the scene. The rear lighting in Zeffirelli’s version was soft and delicate which portrayed Romeo as
day. But because it is quite quiet when it is being read out it seems
Analysis of Baz Luhrmann's Use of Cinematic Devices in the Opening Scenes of William Shakespeare's Romeo and Juliet
Is love at first sight really true? Have you ever been in a situation in which, you loved someone but their families would never accept you? Well this is the case in Shakespeare’s Romeo and Juliet. In class we were told to analyze Act 1 Scene 5 of three film versions of Romeo and Juliet. Out of all the renditions of Shakespeare’s Romeo and Juliet, the film produced by Franco Zefirelli outlined the first meeting of Romeo and Juliet magnificently from the directors choice of cinematography which introduced Juliet to Romeo beautifully, the costumes which almost looked original and lastly the choice of soundtrack when Romeo saw Juliet for the first time.
The light and dark imagery that Shakespeare uses in this passage describes Juliet as a young and eager lover. Romeo associates Juliet with light meaning goodness. Then Romeo says that Juliet looks like the excellent night. The night that Romeo speaks of represents Rosaline. Romeo basically says through with light and dark imagery, that Juliet is as good as Rosaline to love. Romeo then compares Juliet to a "winged messenger of heaven" who filled with lightness and goodness. He says that all humans look upon this kindness as the messenger "bestrides the lazy puffing clouds" while doing his errands. Romeo explains using this imagery that everyone looks at Juliet because she gives off a stunning and intricate outlook.
In conclusion, Lurhmann uses a lot of modern filming techniques to make Romeo and Juliet appeal to a contemporary audience. By relating certain aspects to situations in modern society, it makes the audience understand the ideas behind the original play and he simplifies the complicated old English of Shakespeare by adding exciting and dynamic visuals. Lurhmann tried to create a modern version of Romeo and Juliet and he was completely successful in his aims. Lurhmann defied all odds by making his film appeal to a modern audience and not only is this film very clever, it is a must see for any film lovers.
In the play Romeo and Juliet, Mercutio’s death functions as a major turning point that establishes the major concerns of tragedy. In this scene, Shakespeare uses techniques to juxtapose the central themes of hatred, violence and love to establish a sense of tragic loss, which also foreshadows the inevitable, devastating finale that is awaiting the two lovers.
The movie, “Romeo Must Die”, is an action packed drama that adapts William Shakespeare’s “Romeo and Juliet” into a more modern perspective with a twist that deviates from the original plot. Han Sing, played by the actor Jet Li, resembles Romeo, where as Trish O’Day, played by the actress Aaliyah, resembles Juliet. Fate causes them to meet when Trish jumps into the taxi Han hi-jacks. As Han is in search of the person that killed his brother, he learns that Trish may have a connection and begins to pursue her.
Contrasting with Zeffirelli’s melancholy death scene of Romeo, Luhrmann’s scene focuses rather on the disastrous effects his love for Juliet causes in a more tragic and crushing manner. Through the use of quick fast camera movements to extreme close-ups of Romeo’s eyes, emphasises his second too late realization of Juliet’s consciousness, thus making the audience feel even more miserable for Romeo, knowing he died without Juliet. Both Luhrmann and Zeffirelli reveal from the ending death scene of their interpretations of Romeo and Juliet and the strictness of the houses forcing them to result to death to be together. Consequently, illustrating Shakespeare’s message that providing risks are forcing them to be secretive, impulsive love can often lead to tragedies.
omeo and Juliet, the classic play by William Shakespeare, displays two children of opposing households falling in love yet ends with disaster. As one of the most popular plays in history, it has been translated to the movie screen multiple times. One of these movies is directed by Baz Luhrmann where he transformed the play to a modernized standpoint for Romeo and Juliet. In his 1996 production, Luhrmann added his own components of Romeo and Juliet to accentuate the story line. One of his additions is water, which is placed in almost every scene. In the movie, water symbolizes the emotion of the characters through its course. The water embodies the emotions that are not always noticed by one’s eye.
How Baz Luhrmann Uses Props, Iconography, Costumes, and Settings to Create His Own Version of William Shakespeare's Romeo and Juliet William Shakespeare’s best loved tragedy, Romeo and Juliet, has been portrayed in theatres and on film in many different ways. But none have been quite like Baz Luhrmann’s imaginative and unconventional adaptation. He has brought aspects of the plays Elizabethan origins and transfused them with a modern day background and created, what can only be described as a masterpiece. I believe that his use of Props, iconography costumes and the settings he has chosen has helped him to make this film such a great success. The settings of each scene have been specifically chosen to create a desired affect.