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Journal an analysis of the lottery
Journal an analysis of the lottery
The lottery research paper thesis
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Written in 1941 by Jorge Luis Borges, The Lottery in Babylon expresses the writer's agnostic and anti-Nazi beliefs through the use of science fiction. Argentina, the home of Borges, supported the Axis powers during World War II. The symbolism Borges uses in the story, not a one-to-one representation, interprets several ways. This paper will focus on Borges' anti-Nazi perspective. The Lottery in Babylon takes place in a mythical city, with a historical name. The lottery began as a game initiated by merchants and enjoyed by the upper class of Babylon. As the Babylonian culture became bored with the game the entrepreneurs of the lottery could not afford to continue. A new clandestine entrepreneur took over the lottery and became known as the Company. A negative aspect was instituted into the lottery; a fine was imposed on the owners of certain tickets. If the unfortunate ticket holder refuses to pay the fine he or she faces imprisonment. This increased the popularity and the power of the lottery. The lottery became so popular that it became mandatory as a cultural norm and the Company became the all-powerful ruler of Babylon. All of society participates and accepts its rewards and consequences. The Company, by enticing the public to believe in a chaotic world and at the mercy of chance, grows into an empire. Borges, known for his philosophical writing rather than political writing (2); uses this science fiction short story, The Lottery in Babylon, to depict the manipulation of religion for use as a tool by the Nazi empire to gain support for the political party.
The evidence that the Company metaphorically rrepresents the Nazi Party begins with the title. Babylon, according to Dr. David Laraway a Professor at BYU, “. . . . i...
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Citations
(1) Borges, Jorge L. "The Babylon Lottery."(also translated as “The Lottery in Babylon.”) 1941. The Road to Science Fiction. Clarkston, GA: White Wolf Pub., 1998. 502-07. Print.
(2) Laraway, D. (2011). Borges and Company: The Corporate Body in 'La lotería en Babilonia'. Bulletin Of Spanish Studies: Hispanic Studies And Researches On Spain, Portugal, And Latin America, 88(4), 563-585. doi:10.1080/14753820.2011.583131
(3) Wagner, R. (2012). Afterword: The Lottery of Babylon, or, the Logic of Happenstance in Melanesia and Beyond. Social Analysis, 56(1), 165-175. doi:10.3167/sa.2012.560111
(4) Goodwin, B. (1984). Justice and the Lottery. Political Studies, 32(2), 190-202.
(5) Kurlander, E. (2012). Hitler’s Monsters: The Occult Roots of Nazism and the Emergence of the Nazi ‘Supernatural Imaginary’*. German History, 30(4), 528-549.
Freedom is one of the many great qualities of life, but when it is taken away, life could turn out to be anything but great. Freedom to think, repent, and refuse should be incorporated in ones daily routine, but under an authoritarian dystopian society, these freedoms are only dreamt of. When society draws such attitudes and lifestyles upon its citizens, one adapts and accepts these requests, but not without a compromise. In Shirley Jackson’s masterpiece ‘The Lottery’ and Kurt Vonnegut’s exceptional story ‘Harrison Bergeron’, human life is so often sacrificed and withdrawn that is becomes a norm in society. Forcing people to agree with someone else’s ideology of harmony and success cannot be achieved without discarding the non-believers. Both dystopian societies possess excessive force on their civilians, with harsh consequences resulting in death. Traditional values and dictatorship laws forcefully overcome the mass population’s beliefs, resulting in obedience and respect to the laws of society. By comparing and contrasting the short story ‘The Lottery’ and ‘Harrison Bergeron’, it can be derived that these societies have strict rules and regulations, citizens of the society have become so adapted that they are afraid of change, and there is a severe lack of freedom.
Shirer, William L. The Rise and Fall of the Third Reich: a History of Nazi Germany. New York:
Norton, James. The Holocaust: Jews, Germany, and the National Socialists. New York: The Rosen Publishing Group, Inc., 2009. Print.
To this day it remains incomprehensible to justify a sensible account for the uprising of the Nazi Movement. It goes without saying that the unexpectedness of a mass genocide carried out for that long must have advanced through brilliant tactics implemented by a strategic leader, with a promising policy. Adolf Hitler, a soldier in the First World War himself represents the intolerant dictator of the Nazi movement, and gains his triumph by arousing Germany from its devastated state following the negative ramifications of the war. Germany, “foolishly gambled away” by communists and Jews according to Hitler in his chronicle Mein Kampf, praises the Nazi Party due to its pact to provide order, racial purity, education, economic stability, and further benefits for the state (Hitler, 2.6). Albert Speer, who worked closely under Hitler reveals in his memoir Inside the Third Reich that the Führer “was tempestuously hailed by his numerous followers,” highlighting the appreciation from the German population in response to his project of rejuvenating their state (Speer, 15). The effectiveness of Hitler’s propaganda clearly served its purpose in distracting the public from suspecting the genuine intentions behind his plan, supported by Albert Camus’ insight in The Plague that the “townsfolk were like everybody else, wrapped up in themselves; in other words, they were humanists: they disbelieved in pestilences”(Camus, 37). In this sense “humanists” represent those who perceive all people with virtue and pureness, but the anti-humanist expression in the metaphor shows the blind-sidedness of such German citizens in identifying cruel things in the world, or Hitler. When the corruption within Nazism does receive notice, Hitler at that point given h...
- Jarman, T. L. The Rise and Fall of Nazi Germany. New York: New York University
“The History Place- Rise of Hitler: Hitler’s Book “Mein Kampf”” Hitler’s Book “Mein Kampf” The History Place, 1996. Web. 18 May 2014
Goldhagen, Daniel Jonah. Hitler's Willing Executioners: Ordinary Germans and the Holocaust. New York: Vintage, 1997. Print.
Fischer, klaus P. Nazi Germany: A New History, New York, New York, The Continaum Publishing
The theme in “The Lottery” is violence and cruelty. Violence and cruelty is a major theme because there is a lot of violence and cruelty in the world. The Lottery has been read as addressing such issues as the public's fascination with salacious and scandalizing journalism, McCarthyism, and the complicity of the general public in the victimization of minority groups, epitomized by the Holocaust of World War II. The Holocaust was very cruel and violent cause other people didn’t like certain people so they just kill them and their children and still now we have violence and cruelty with wars and people that hate each other.
The short story “ The Lottery ” the author Shirley Jackson uses symbolism and imagery to develop a theme the brings forth the evil and inhumane nature of tradition and the danger of when it’s carried out with ignorance.
Vat, Dan, and Albert Speer. The good Nazi: the life and lies of Albert Speer. Boston: Houghton Mifflin, 1997.
Jackson, Shirley. "The Lottery." The Harper Anthology of Fiction. Ed. Sylvan Barnet. New York: HarperCollins, 989.
Farmer, Alan. "Hitler And The Holocaust." History Review 58 (2007): 4-9. History Reference Center. Web. 23 Jan. 2014
Shmoop Editorial Team.” Adolf Hitler in World War 2.” Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 26 Feb. 2014
Jackson, Shirley. "The Lottery." Perrine's Literature: Structure Sound & Sense. 11th ed. Belmont: Wadsworth, 2010. 282. Print.