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Frankenstein: critical analysis
The evolution of the horror genre
Conclusion on women in horror films
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Recommended: Frankenstein: critical analysis
I was one of the very many die hard Freddy fans who did not condone this remake, in fact I was heavily against it, but I always try to go in with an open mind no matter what my expectations are. This remake gave me pretty much what I expected. Unfourtantley Nightmare On Elm Street suffers the same fate that many of the remakes do now a days. For starters it relies way too much on phony jump scares that just don't do the trick for me, and it made the Cardinal mistake of picking an attractive cast instead of pure acting talent. It felt like they were just thrown in there, with the only true exception being Kyle Gallner|Quentin|. I bought into his character all the way, for me he was the heart of the movie, and was one of the reasons this movie managed to make it to the level of average. The reason the original was such a big smash was due to it's creativity, and the horrifying fact that some maniac like Freddy could kill you in your dreams. Nightmare on Elm Stree doesn't know whether to go it's own route, or copy the scenes from the original, so it tries to do both to make the die hard...
The imaginative Nightmare Before Christmas is considered one of the most imaginative films in some of the most recent decades. This film masterpiece from the creative and revolutionary mind of Tim Burton has been one of my favorite movies from the time that I first saw it when I was a small child, to now. The beautiful textures and colors perfect capture both holidays of Halloween and Christmas in the film. Along with the textures comes a masterfully soundtrack that so perfectly adds mood and depth to this story. The even the beautiful textures are enough for this film to land itself in someone’s favorite list.
The stigma and negative associations that go with mental illness have been around as long as mental illness itself has been recognized. As society has advanced, little changes have been made to the deep-rooted ideas that go along with psychological disorders. It is clearly seen throughout history that people with mental illness are discriminated against, cast out of society, and deemed “damaged”. They are unable to escape the stigma that goes along with their illness, and are often left to defend themselves in a world that is not accepting of differences in people. Society needs to realize what it is doing, and how it is affecting these people who are affected with mental illness. If we continue to not help them, and to foster their illness, it will only get worse.
This is an ironic and unfortunate example of a film that would have really been considered a lot better than it is if it were not for the book upon which it is based. It is clear that the film is strong and that it is well made, but when compared to Shelley's novel, it's really a pretty sad mess. The film by itself is more than able to captivate and impress, but to someone who knows the original story, it is a weak attempt to bring the story of Frankenstein and his monster to the big screen.
Perhaps no other film changed so drastically Hollywood's perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock, a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity, bloodbaths, necrophilia, transvestism, schizophrenia, and a host of other taboos and got away with it, simply because he was Hitchcock.
Alfred Hitchcock's Psycho Alfred Hitchcock's Psycho has been commended for forming the film. archetypical basis of all horror films that followed its 1960 release. The mass appeal that Psycho has maintained for over three decades can undoubtedly be. attributed to its universality and awe. In Psycho, Hitchcock allows the audience to become a subjective character within the plot to enhance the film's psychological effects for an audience that is forced to recognise its own.
The Shining is about a white middle class dysfunctional family that suffers from natural and supernatural stresses in an isolated Rocky mountain hotel. .The father, a former teacher turned writer, is portrayed as a habitual drinker, wife- and child-abuser, with a kind of evil streak The mother is shown as a battered woman. The film suggests that due to the abuse at the hands of his father and the passivity of his mother, the child of this family developed psychological problems. He had imaginary friends and began to see frightening images.
A running theme that is presented to the audience in Psycho is the opposition that exists between good and evil. This is shown throughout the movie among the different characters. Examples can also be taken from conflicts within the characters. Certain conflicts and how the characters deal with them and each other are what shape the structure of the movie. The perception that the audience receives of the characters change throughout the movie by the different conflicts that arise. These conflicts show the audience many sides of good and evil portrayed by the different characters.
The Scary Movie trilogy is a spoof of scary and not so scary films. The first of the three movies to date was released in 2000. The movie was based on the scary movies that were released at that time. These movies included: Scream, I Know What You Did Last Summer, The Sixth Sense, and The Blair Witch Project. As the movies progressed they seemed to add parodies of not so scary movies such as Charlie's Angels and Mission Impossible II. Even though these movies did not seem to fit into the title, they were still creatively incorporated into the second movie. Then, there is the highly anticipated third movie with spoofs of all the movies that have made it big recently. So, of course this seemed to be the best of the three featuring The Ring, 8 Mile, Signs, The Matrix, and even an "appearance" by the king of pop, Michael Jackson.
In 1960 one black and white movie shocked us all. This movie attacked our minds and our hearts in one of the most vulnerable places in what is considered to be one of the greatest and most epic scenes of all time. Alfred Hitchcock’s Psycho made women and even some men afraid take a shower. This movie was the first of its kind and gave birth to a whole new genre of movies, the slasher film. Without this movie Freddie Kruger, Jason, Michael, Leatherface, and all of the other psycho killers would cease to exist. All these killers, even Ghost Face from Scream owe Norman Bates a huge debt of gratitude. If it wasn’t for him these killers would not exist Norman Bates was the first of the masked psycho killers.
Throughout Clover’s novel she never mentioned “A Nightmare on Elm Street” even though it is part of the same franchise as “Halloween”. However, I say the film followed Clover’s exact model. A link can be made from the film to Clover’s theory from a couple of standpoints. “A Nightmare on Elm Street” had a very Halloween like feel to it. Freddy Krueger acted as the male tormentor as he harmed Tina Gray and Nancy Thompson. The line here is that the base for the film “A Nightmare on Elm Street” is the same base that was used in “Halloween” as well as the base theory Carol Clover provides in her novel. In “A Nightmare on Elm Street” Tina and Nancy have a goal of becoming the “final girl(s)” because they have the same common goal of surviving Freddy Krueger’s attacks. Tina and Nancy’s stories sound exactly like Laurie’s in Halloween. The base is the same in that a male continued to attack female characters until the female(s) overcame the challenge to become the “final girl.” I really feel that most “slasher” films follow this
During the late 80’s, Phil Alden Robinson developed a sensational story that revolved around a real life account of a sport tragedy. The viewers were immersed in a touching account of how sport, a social interest, can play a powerful role in human bonding; thus becoming a very spiritual component of life. It in itself has a profound effect on the societies’ spiritual experiences; and just like religion can respectfully be considered a form of spirituality for a modern society, as exemplified in Robinson’s movie ‘Field of Dreams’. This story resonates far beyond the power of dreams, its appeal lies in a vision of a perfect sport and the love for which can inadvertently resolve issues no matter how grand. The plot at first presents itself as a complex; or maybe even a strange series of events, but somehow its scenes string themselves into a moral about redemption and deep interpersonal bonds.
The movie Silence of the Lambs is categorized as a horror movie genre, which is full of symbolic references and representations. One of the most powerful and essential symbols of the movie are the lambs, which are also mentioned in the title. Lambs symbolize purity, innocence, and in the movie it is a journey of redemption and psychological freedom.
At a time when the stalker movie had been exploited to all ends and the image of mute, staggering, vicious killers had been etched into society’s consciousness to the point of exhaustion, a new kid entered the block. The year was 1984 and it was time for a new villain to enter into the horror genre. A villain that was agile, intelligent, almost inviolable yet viscous, and by all means deadly. A Nightmare on Elm Street introduced the distinctive presence of Fred Krueger to the horror industry and to the audience. Freddy Krueger took the center stage and with him a new era of horror films began. This horribly scarred man who wore a ragged slouch hat, dirty red-and-green striped sweater, and a glove outfitted with knives at the fingers reinvented the stalker genre like no other film had. Fred Krueger breathed new life into the dying horror genre of the early 1980’s.
Entrails torn from the body with bare hands, eyes gouged out with razor blades, battery cables, rats borrowing inside the human body, power drills to the face, cannibalism, credit cards, business cards, Dorsia, Testoni, Armani, Wall Street; all of these things are Patrick Bateman’s world. The only difference between Bateman and anybody else is what is repulsive to Bateman and what is repulsive to the rest of the world. Bateman has great interest in the upper class life, fashions, and social existence, but at the same time he is, at times, sickened by the constant struggle to be one up on everybody else. On the other hand Bateman’s nightlife reveals a side of him never seen during the day. Bateman is relaxed, impulsive, and confident while torturing and killing. He doesn’t have to worry about being better than anyone else. The only competition he has is his last victim. Torture and murder are the two true loves of Patrick Bateman.
The Conjuring is a “real” Hollywood horror film based on possession of the human kind by demonic figures. There's a dog that ends up doing the usual thing dogs do in horror films (they act scared and bark constantly or end up dying unknowingly). There's a doll that end up doing what dolls usually do in horror films (taunt the human body). There's some doors banging, some ghost hunters with motion detectors and UV lights, eerie TV static, and some creepy ghosts who appear out of the blue when you expect to least expect them, and to top it off they add creepy music and the spooky makeup that all ghosts wear so you can identify them or recognize them.