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The Creature vs Frankenstein
Frankenstein vs the monster
Frankenstein vs
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James Whale's Frankenstein is a VERY loose adaptation of Mary Shelley's 1818 novel. The spirit of the film is preserved in its most basic sense, but the vast majority of the story has been entirely left out, which is unfortunate. The monster, for example, who possesses tremendous intellect in the novel and who goes on an epic quest seeking acceptance into the world in which he was created, has been reduced to little more than a lumbering klutz whose communication is limited to unearthly shrieks and grunts. Boris Karloff was understandably branded with the performance after the film was released, because it was undeniably a spectacular performance, but the monster's character was severely diminished from the novel.
James Whale's adaptation of the story of Frankenstein, while it is clearly and deservedly a horror classic, is tremendously less than it could have and SHOULD have been. There are unexplainable deviations from the novel, such as the fact that Dr. Frankenstein's name was, for some reason, changed from Victor in the novel to Henry in the film, and the film itself really only covers about a quarter to a third of one chapter in the book - that's how much has been left out. There was probably only about 5% or 6% of the full story included in this film, and I am willing to guess that the sheer magnitude of ignored material in the original story is at least as much of a reason that there were so many subsequent Frankenstein films (and Re-Animators and whatnot) as was the film's commercial success. This may, in fact, be one of those rare cases where the imitators may have just wanted to do it right, or at least tell the REST of the story.
Despite the fact that there was such a huge amount of material that was sadly left ...
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... difficult to avoid. At any rate, the whole movie has already begun to wind down at this point, and a death for the monster at the hands of the angry mob is invented for the film at the expense of the story. It is tragic that the amazing ending of Shelley's novel was left entirely out of the film, but it is also easy to understand because of budget and production limitations.
This is an ironic and unfortunate example of a film that would have really been considered a lot better than it is if it were not for the book upon which it is based. It is clear that the film is strong and that it is well made, but when compared to Shelley's novel, it's really a pretty sad mess. The film by itself is more than able to captivate and impress, but to someone who knows the original story, it is a weak attempt to bring the story of Frankenstein and his monster to the big screen.
In most novel and movies monsters are known to be evil, committing numerous crimes against humanity and are normally the ones that we don’t sympathize with. However, this novel carefully shows the reader that monsters can be good creatures, with a decent heart and act based on the actions of others. The novel shows how the monster should be pitied, rather than criticised. Mary Shelley's “Frankenstein” manages to create sympathy for the creature through speech, actions and mistreatment the creature suffers.
In her novel Frankenstein, Mary Shelley and the film Edward Scissorhands by Tim Burton their creations have a desire to be loved. Which leads them on a journey of acceptance for themselves and others. Everyone has felt the need to find why they are here on earth; we all search for answers we are no different from them.
The first ever adaptation of the famous novel is the iconic Frankenstein, directed by James Whale. We may owe our thanks to this film for bringing the story, and unique characters, to life, and setting the stage for newer adaptations to come. Out of all the Frankenstein’s, I personally believe the
First, to illustrate the events of the story a writer uses particularly well thought out and descriptive vocabulary. This is done to help the reader visualize the image in the author's mind. But in Mary Shelly's, "Frankenstein", she has gone far beyond this, she not only paints a picture in the mind of the reader, but the words written actually place them in a state of mind. A great example of this is when she wrote, "I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs." As a result of passages like this, "Frankenstein" has captivated it's readers for roughly two centuries. In addition it has not only taken hold of the literary minds of the world, the story has also found itself on to the big screen. Mary Shelly's crowning achievement has inspired about fifty movies. Unfortunately, a vast quantity of the motion picture created does not follow the theme of the original story. They branched out from it and portrayed the creation as an inarticulate, rampaging monster when initially he was a confused and vengeful genius. What ever the form "Frankenstein has taken root in our society and its here to stay.
The movie Young Frankenstein is a 1930’s parody made as a spin off of the book Frankenstein by Mary Shelley. These two stories were created with very different purposes, Young Frankenstein for laughs, Frankenstein for fright. Despite their differences they share very similar story lines. The original story of Frankenstein shows a man in love with the thought of becoming the scientist that is able to create life from the deceased. He is able to bring a dead man back to life, but finds himself disgusted by his creation and shuns him away to face the world alone. In the novel, Frankenstein is left with the task of creating life in solitude, yet in the movie Frankenstein’s grandson has the help of many different assistants making it less
I can't believe that the creature killed himself. In Grus Grimly's Frankenstein, a creature was made by a man named Victor Frankenstein in a laboratory. The creature was created because Victor mother had passed, and Victor wanted to figure out the way of life and death. The creature ends up making Victor miserable since the creature was isolated from everyone and had a lot of indignation inside of him that Victor has caused. The creature didn't have a name he was just called "creature." In my opinion, Victor should have named him because of he, not a creature; if you think about it he was a human.
Frankenstein is a fictional story written by Mary Shelly. It was later adapted into a movie version directed by James Whales. There are more differences than similarities between the book and the movie. This is because, the movie is mainly based on the 1920’s play, other than the original Mary Shelly’s book Frankenstein. A text has to be altered in one way or the other while making a movie due to a number of obvious factors. A lot of details from the book were missing in the movie, but the changes made by Whales were effective as they made the movie interesting, and successful.
The most recent film which reflects the novel, was directed by Kenneth Branagh in 1994, Mary Shelley’s Frankenstein. The character remains one of most recognized icons in horror fiction today. Written almost 200 years ago about a man obsessed with creating artificial life continues to be a topic in the 21st century. Such as today’s controversy in stem cell research or human cloning which reflects the basic theme of Mary Shelley’s novel.
Many people consider The Bride of Frankenstein to be better than the original Frankenstein. This is because the sequel to Frankenstein had a musical score whereas the original Frankenstein never had one. The fact that the original lacked background music and the sequel had a wonderful music score is the biggest difference between the two movies when it came to sound. In The Bride of Frankenstein, music was used as a way of hinting things to the audience. Music would become faster and louder right before something big was about to happen and it would slow down and sound sweet in parts that were supposed to show the good, gentle side of the monster. The music also filled space in between scenes and made the film flow better.
In the book Frankenstein Virtue is found at the margins of society more often than at its center. If this is so, Victor Frankenstein's Monster is a real find! His creature is an isolate of great sensitivity, kindness, and insight. In reality the Monster was not a bad person. He is quite distress and asks Victor, "What was I? Of my creation I was absolutely ignorant: but I knew that I possessed no money, no friends, no kind of property.... Was I then a monster, a blot upon the earth from which all men fled, and whom all men disowned?" (Shelley 89). Finally the creature makes clear his great need: he is lonely, one of a kind, and unloved. He has learned the importance of position, family, and property. It also seems that the Monster was quite lonely and did not have any friends. He is unaccepted even by his own creator. No offence that the creature was ugly but it was not his fault because he did not created him. There are things to enjoy in the movie "Mary Shelley's Frankenstein", directed by the Kenneth Branagh. Branagh has used film techniques in such a way that it shows the sadness and loneliness of the monster. Yet the director interested in technical effects could highlight key ideas. For example, the excitement of opening in the frozen north, with one figure moving across the ice and receding into the distance while another suddenly appears hundreds of miles from land, could hold the attention of the audience. The relationship between isolated figures on a vast expanse of ice could serve as a poetic leit-motif in the film and retain a significant element of the novel. The cold and sterile elements assume greater meaning than a senselessly rampaging creature engulfed by fire. The monster wanted love from his creator and from the world. He did not have any friend in the world to share his sorrow. When the monster meets the blind father De Lacey, he realized his chance for friendship relied more on hearing than sight. The old man's blindness surely overcome human prejudice against physical ugliness, De Lacey commiserated with the Monster and graciously offered him help and friendship. But the reaction of the old man's sighted family upon seeing the Monster desperately clinging to their father deemed him a fiendish threat and the creature found himself drive out of the society of cottagers.
In Mary Shelley’s Frankenstein, Victor Frankenstein and the monster that he creates are very similar. For example, Victor creates the monster to be like himself. Another similarity is that the anger of both Victor and the monster is brought about by society. One more parallel between Victor and the monster is that they both became recluses. These traits that Victor and the monster possess show that they are very similar.
Of all the film adaption, this one gives true understanding and character depth of the original novel. compared to the early adaption which are placed in the horror genre, the 1994 version brings to life the main themes of the novel that don’t seem to be meant as a horror at all. Mary Shelley may have wrote the novel as fictional piece based of imagination, or should could have more meaningful themes and idea’s disguised by fictions, we’ll never know, but the later film version leans more towards the idea of a deeper meaning than simple another monster
The greater detail about the monster’s experiences provided by the book is the first thing that allows a reader to sympathize with the monster better than an audience member. When the Frankenstein monster is retelling the story of the hardships he has endured, he mentions events that were overlooked in the play. One example of this is when the monster saved a young girl’s life. An act such as this would be praised with the greatest heroism if it was done by a human, but as a reward he is shot, receiving only “the miserable pain of a wound which shattered the flesh and bone.” (Shelley 135) The book also examines the months of hard work the creature put into learning about human nature and language in order to be fully accepted when he chose to reveal himself. The monster hid by the cottage for around a year, never leaving during the day and working to help the cottager’s at night in order to learn from them. The monster went ...
There is an ‘anti-climax’ in Frankenstein on the grounds that first and foremost the creature is extremely secluded from everybody. He then requests that Victor make a female partner and Victor concurs. Tragically, Victor alters his opinion and the beast is troubled in light of the fact that his soul was raised, however, then pulverized. The creature questions again later, "why did I live?" (Shelley 182). This demonstrates all desire for the creature has gone and he should live with no significance or reason. This is unsettling for the creature and penetrates the reader’s emotions to stimulate a
One famous line that many people associate with Frankenstein is “It’s Alive!”. Although this may be true for the films, that line is not mentioned in the book after Frankenstein’s creature comes to life. Most people hardly even know that Frankenstein was a book before it became a movie. Yet, many pieces of artwork, films, and other stories have been created with the baseline of this particular story. When thinking of Frankenstein’s creature, usually people associate it with the movies instead of the book itself. This may be because these days, movies are a more popular art form to indulge in. Yet, over the years, the names, images, and the story itself has changed. When looking at Frankenstein films