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The Creature vs Frankenstein
frankenstein vs the monster
Frankenstein vs
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James Whale's Frankenstein is a VERY loose adaptation of Mary Shelley's 1818 novel. The spirit of the film is preserved in its most basic sense, but the vast majority of the story has been entirely left out, which is unfortunate. The monster, for example, who possesses tremendous intellect in the novel and who goes on an epic quest seeking acceptance into the world in which he was created, has been reduced to little more than a lumbering klutz whose communication is limited to unearthly shrieks and grunts. Boris Karloff was understandably branded with the performance after the film was released, because it was undeniably a spectacular performance, but the monster's character was severely diminished from the novel.
James Whale's adaptation of the story of Frankenstein, while it is clearly and deservedly a horror classic, is tremendously less than it could have and SHOULD have been. There are unexplainable deviations from the novel, such as the fact that Dr. Frankenstein's name was, for some reason, changed from Victor in the novel to Henry in the film, and the film itself really only covers about a quarter to a third of one chapter in the book - that's how much has been left out. There was probably only about 5% or 6% of the full story included in this film, and I am willing to guess that the sheer magnitude of ignored material in the original story is at least as much of a reason that there were so many subsequent Frankenstein films (and Re-Animators and whatnot) as was the film's commercial success. This may, in fact, be one of those rare cases where the imitators may have just wanted to do it right, or at least tell the REST of the story.
Despite the fact that there was such a huge amount of material that was sadly left ...
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... difficult to avoid. At any rate, the whole movie has already begun to wind down at this point, and a death for the monster at the hands of the angry mob is invented for the film at the expense of the story. It is tragic that the amazing ending of Shelley's novel was left entirely out of the film, but it is also easy to understand because of budget and production limitations.
This is an ironic and unfortunate example of a film that would have really been considered a lot better than it is if it were not for the book upon which it is based. It is clear that the film is strong and that it is well made, but when compared to Shelley's novel, it's really a pretty sad mess. The film by itself is more than able to captivate and impress, but to someone who knows the original story, it is a weak attempt to bring the story of Frankenstein and his monster to the big screen.
Anyone who has had the chance to read Mary Shelly’s original Frankenstein and watch the movie Young Frankenstein is aware that there is quite a difference when it comes to the two of them. For one it is easy to point out that Young Frankenstein is set out to be a comedy while the original version of Frankenstein is made to be serious. Young Frankenstein is a 1977 film that tells the story of Victor Frankenstein’s grandson. The film adaptation is essentially a parody of the classic tale along with other versions of Frankenstein. It pointed out from the start of the movie that it would run directly parallel with the original tale when Fredrick Frankenstein was mentioned to be the grandson of the infamous Victor
Frankenstein is a horror movie that tells the story of Dr. Henry Frankenstein’s experiment. In search for the fame and glory of playing to be god, he reaches a point where he is able to revive dead people. In this version of Frankenstein’s monster we see a selfish and careless scientist that created a creature with his intelligence. The way the character is shown reflects how ambitious someone can be to reach to be known in the world. This movie makes the people who are watching to feel empathy on the poor creature. This poor creature that did not want to live in a life where everyone is going to hate him for having a horrible aspect and not following rules that he has no idea about.
I can't believe that the creature killed himself. In Grus Grimly's Frankenstein, a creature was made by a man named Victor Frankenstein in a laboratory. The creature was created because Victor mother had passed, and Victor wanted to figure out the way of life and death. The creature ends up making Victor miserable since the creature was isolated from everyone and had a lot of indignation inside of him that Victor has caused. The creature didn't have a name he was just called "creature." In my opinion, Victor should have named him because of he, not a creature; if you think about it he was a human.
Since the original novel Frankenstein by Mary Shelley, to the multiple movie adaptations, the monster is almost always predicted as the monster of the story. It may be his physical appearance, from his tall, broad frame, to the signature screws in his neck. It may also be his unnatural upbringing and interpreted evil characteristics. We have grown to fear the monster, which ultimately, has masked the true monster, Dr. Frankenstein. With each coming movie, the good side of the monster is brought to light, while the real monster shows his true colors.
Many people consider The Bride of Frankenstein to be better than the original Frankenstein. This is because the sequel to Frankenstein had a musical score whereas the original Frankenstein never had one. The fact that the original lacked background music and the sequel had a wonderful music score is the biggest difference between the two movies when it came to sound. In The Bride of Frankenstein, music was used as a way of hinting things to the audience. Music would become faster and louder right before something big was about to happen and it would slow down and sound sweet in parts that were supposed to show the good, gentle side of the monster. The music also filled space in between scenes and made the film flow better.
‘Frankenstein’ did not frighten me at all, I merely found it a very tragic story demonstrating both the corruption of an innocent being by an immoral society and the dangers of playing God with science. Frankenstein was responsible for the creature and as soon as he showed signs of life, instead of deserting him due to fear and embarrassment because of the ugliness of the creature, he should have taught the creature right from wrong and accepted him as a person, not a monster. Any brutality in ‘Frankenstein’ was due to Victor Frankenstein himself and not his monster.
These movies show how the original image of Dr. Frankenstein’s creation has changed over time, and how he can be altered into many different forms. Contrary to popular belief, Frankenstein’s creation is not a huge, green, evil monster with neck bolts. The monster is a very enduring character, and his different qualities are shown in Frankenweenie and Edward Scissorhands. Both of the following films dab in the Gothic style, and portray the different qualities from the novel Frankenstein. From dogs to humans with scissor hands, Frankenstein’s monster appears in so many things in pop culture today.
Of all the film adaption, this one gives true understanding and character depth of the original novel. compared to the early adaption which are placed in the horror genre, the 1994 version brings to life the main themes of the novel that don’t seem to be meant as a horror at all. Mary Shelley may have wrote the novel as fictional piece based of imagination, or should could have more meaningful themes and idea’s disguised by fictions, we’ll never know, but the later film version leans more towards the idea of a deeper meaning than simple another monster
The movie Young Frankenstein is a 1930’s parody made as a spin off of the book Frankenstein by Mary Shelley. These two stories were created with very different purposes, Young Frankenstein for laughs, Frankenstein for fright. Despite their differences they share very similar story lines. The original story of Frankenstein shows a man in love with the thought of becoming the scientist that is able to create life from the deceased. He is able to bring a dead man back to life, but finds himself disgusted by his creation and shuns him away to face the world alone. In the novel, Frankenstein is left with the task of creating life in solitude, yet in the movie Frankenstein’s grandson has the help of many different assistants making it less
One famous line that many people associate with Frankenstein is “It’s Alive!”. Although this may be true for the films, that line is not mentioned in the book after Frankenstein’s creature comes to life. Most people hardly even know that Frankenstein was a book before it became a movie. Yet, many pieces of artwork, films, and other stories have been created with the baseline of this particular story. When thinking of Frankenstein’s creature, usually people associate it with the movies instead of the book itself. This may be because these days, movies are a more popular art form to indulge in. Yet, over the years, the names, images, and the story itself has changed. When looking at Frankenstein films
Hollywood has managed to reeducate the world of the timeless and classic literature by altering the story to the point beyond recognition. Starting back with 1931 Frankenstein, where producers took a simple strategy and altered the theme of the story in a way they thought audiences would enjoy more. An ambitious man of science that tries to play a god by creating a man of his own vision. The sequel followed in 1935 named The Bride of Frankenstein, which took off even farther form the original novel by introducing audiences to the author Mary Shelly, and her husband Percy.
There is an ‘anti-climax’ in Frankenstein on the grounds that first and foremost the creature is extremely secluded from everybody. He then requests that Victor make a female partner and Victor concurs. Tragically, Victor alters his opinion and the beast is troubled in light of the fact that his soul was raised, however, then pulverized. The creature questions again later, "why did I live?" (Shelley 182). This demonstrates all desire for the creature has gone and he should live with no significance or reason. This is unsettling for the creature and penetrates the reader’s emotions to stimulate a
In ancient Greek society, myth was used to provide explanations for natural forces, as well as to provide collective interpretation on issues for the Greeks. Morally speaking, the ancient myths of Prometheus greatly discourage rebellion. Frankenstein also displays this theme, as Victor rebels against his own advice that, “A human being in perfection ought always to preserve a calm and peaceful mind and never to allow passion or a transitory desire to disturb his tranquility” (Shelley, 37). Both Prometheus and Frankenstein were reckless in their actions. Although they did not have harmful intentions, neither asked for consent from whom the creature would affect. Prometheus causes two major punishments of men. First, he tricks Zeus with man’s
Frankenstein is a fictional story written by Mary Shelly. It was later adapted into a movie version directed by James Whales. There are more differences than similarities between the book and the movie. This is because, the movie is mainly based on the 1920’s play, other than the original Mary Shelly’s book Frankenstein. A text has to be altered in one way or the other while making a movie due to a number of obvious factors. A lot of details from the book were missing in the movie, but the changes made by Whales were effective as they made the movie interesting, and successful.
In Frankenstein, Mary Shelley combines three separate stories involving three different characters--Walton, Victor, and Frankenstein's monster. Though the reader is hearing the stories through Walton's perspective, Walton strives for accuracy in relating the details, as he says, "I have resolved every night,...to record, as nearly as possible in his [Victor's] own words, what he has related during the day" (Shelley 37). Shelley's shift in point of view allows for direct comparison and contrast between the characters, as the reader hears their stories through the use of first person. As the reader compares the monster's circumstances to those of Victor and Walton, the reader's sympathy for the monster greatly increases.