Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Renaissance influence in modern architecture
Renaissance influence in modern architecture
Renaissance influence in modern architecture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Renaissance influence in modern architecture
During the Byzantine period, early Christians had established that art could design
images, that represented Christ, Mary and the Saints. All these images were considered icons.
From the Greek word eikon, this means image. These are seen throughout the Romanesque and
the Gothic style. This essay will attempt to describe how symbols were used and the meanings
they had from the eleven century, throughout the Renaissance era.
Art had evolved and the usage was found inside and out of buildings, on paintings,
sculptures and others. The only issue that they found is that these images were becoming
worshiped and the issue of idolatry was condemned by the Eastern Church. Therefore, they
declared that these images could only be used if they where as means of intermediaries between
whom were worshiping and the personages in it.
During the Romanesque era, many buildings, such as churches and monasteries were
edified, increasing in number exponentially. The main reason was a desire to create monumental
places for worship and call them the house of the Lord, which also included his saints. These
structures where completely covered with religious motifs. Scholars claim that these serve as a
purpose to inspire and instruct believers to follow a certain Christian message and/or purpose.
These buildings, basically churches were built using a main pattern. They had to proceed from
the east to the west and as complex as they where it was a series of simple geometric forms.
They included inside locations that were rearranged for the purpose of their use. These locations
were the chapels, ambulatories, apse and the choir, as well as a tall crossing tower and an
entrance porch.
The term Gothic, was used by the Italians to call the...
... middle of paper ...
...sh meaning on the symbols used. These symbols are style used today and they are
recognized as they were during their period.
REFERENCES
Stokstad, M. (2009). Art history. Portable Edition. (3rd Ed.). Upper Saddle River, NJ:
Pearson.
Figure 1, Cathedral of Saint-Pierre, Beauvais, choir, begun 1225, restored 1284 after collapse
Retrieved from http://www.metmuseum.org/toah/hd/mgot/hd_mgot.htm
Figure 2, Amiens Cathedral (Cathedral of Notre-Dame), 1220, view into the choir. Retrieved
from http://www.metmuseum.org/toah/hd/mgot/hd_mgot.htm
Figure 3, Pieta [Tempera on Wood] Retrieved from http://www.sandrobotticelli.org/painting-
Sandro%20Botticelli-Pieta-33391.htm
Figure 4, Giving of the Keys to St. Peter. [Photograph]. In Encyclopedia Britannica. Retrieved
from http://www.britannica.com/EBchecked/media/107131/Giving-of-the-Keys-to-St-
Peter-fresco-by-Perugino
Gothic Literature was a natural progression from romanticism, which had existed in the 18th Century. Initially, such a ‘unique’ style of literature was met with a somewhat mixed response; although it was greeted with enthusiasm from members of the public, literary critics were much more dubious and sceptical.
a way to express how they were feeling so they put their words into paintings and sculptures.
Romanesque art was influenced by Byzantine icons, and featured designs unheard of before. The designs were somewhat curvilinear and depressing. Figures during this era were m...
.... Early on in the years of exploration, diggers were fascinated by the mural paintings in particular. Those about known myths and Greek Gods were especially favored. After being torn out of the wall, After being torn out of the wall, these masterpieces were transported the Naples Archeological Museum. Archeologists no longer continued this practice and gave each painting a serious thought. As the 19th century came to a close, August Mau, a German art historian, divided the paintings into four so-called Pompeian styles. (Berry, 168) Similar techniques used in these wall paintings were also popular in Renaissance murals.
...entrance door and archway, that had and overwhelming impact on me, these over exaggerated entrance doors, were built to awe and act as the gateway to salvation, they succeeded. Upon entering the church, the saints were lined up and down either side of the church and were lustrously painted and adorned, the cathedral with its stained glass also elumeminated the church with bright sunlight that gave the church a peaceful and serene atmosphere. While viewing the church from the outside, you tend to fixate on the towers, and you tend to divert your view skyway. The massive Gothic church, really humbles you, the enormity and size are truly overwhelming. The ornamental gargoyle sculptures placed around and throughout the rooftops of the church, really feel as if they were alive and guarding the church.
The fall of the Roman Empire in 410 CE was seen as a light going out in Europe and the world being plunged into darkness. Beginning in 700 CE, architecture in Europe began to change dramatically in order “to recreate the glory of the past.” (Tripathi) This influx of support led leaders of churches to build structures that reflected the new prosperity and holiness of the Christian religion. Much grander buildings were required instead of the poorer quality shacks made of inferior stone, mortar, and rubble. Churches were seen as the most sacred of places as they were supposed to hold religious relics.
where people decided to reproduce art as a picture of what was going on. Instead, this artistic
Beginning in the eleventh century churches started to employ relief carving on the exterior especially around doors and large entrances. These were used to send a message about the important religious ideas and messages associated with that church. After this development took place the architecture and relief sculpture surrounding these areas grew to become increasingly elaborate in order to communicate more with a growing body of viewers. Medieval people realized the potential of these doorways to reach an audience and send a dramatic message and by the 1130’s portal sculpture was a commonly used method of communication for Churches primary message. The west portal at Chartres is an example of this development in architectural style as its monumental doors make a very strong statement concerning Church values that were intended to give a strong first impression about the message of the Church. In 1137 the western façade of Chartres was destroyed by what some art historians have pointed out to be a very convenient fire. This opportunity for reconstruction was jumped upon by the church and the west end of Chartres was built in the new style that many other old Romanesque churches were being redone in, St. Dennis being one of these examples. The west front was...
Camille, Michael. Gothic Art: Glorious Visions. Upper Saddle River (NJ): Prentice Hall, 1996. 12. Print.
The Middle Ages, contrary to its name, was a dynamic period of innovations. Throughout this period, visual arts were employed to communicate important messages to the public as well as private wealthy patrons. A variety of mediums were used to disseminate ideas. Though, the sense of decorum shifted, the purpose of these moralizing images of religious figures remained the same. Art was, as it still is an extremely useful and powerful tool for both religious and political advancements. The two pieces to be considered in this paper were created using scenes from the life of Christ. Themes from the old and new testaments were frequently used in art of the Middle Ages to convey important messages to a largely illiterate populous, display the wealth of few individuals, and create feelings of patriotism and support for the Monarch by relating them to divinity. Both pieces are from different mediums and likely different forms of patronage. To be analyzed in this paper is an illuminated manuscript page (fig 1) and an ivory diptych (fig 2). There are several similarities, as well as differences throughout the works. I will describe each piece then continue to compare and contrast them, this will work to facilitate a greater understanding of the Middle Ages through works of art.
The end of the Geometric period resulted in the beginning of the Orientalizing Period, dated between 700-600 BC. Within this time frame, Greek introduced a new innovation, the Peripteral Temple. For many years prior, a row of colonnade was used on the interior primarily to hold up the roof of the building. In contrast, columns are seen being used on the outside, creating a visual wall around the building exposing parts of the interior. With in the temple existed the megaron style, carried forward from Bronze Age homes. It was also in eastern influenced period, the first real stone temples, and terra cotta roof tiles came to exist to hold the weight on these new stone temples. The population grew drastically, introducing new techniques and styles, which blended to form designs with balance and symmetry. It was during this period, two major Greek designs were developed, the Ionic and Doric order. (Pedley, 2012: pg. 180) The Doric order, being the first and most simple, consisted of baseless columns placed closely together as the Greeks did not know how much weight the shortened columns could hold. Reason behind this was the lack of length in the columns were believed to hold less weight and therefore forced into being placed closer together. This closely set arrangement created a very bold statement in the Doric temple. The Capital, which sat on top of the concaved shaped shaft, was left plain but when grouped alongside others, suggested a bold harmony. In contrast, the Ionic order was less bulky and more delicate than the Doric order. The top of the capital is decorated with two scrolls, also known as volutes, which could have resembled a shell or animal horns. Above the capital, held room for a surrounding frieze depictin...
Another aspect of Gothic architecture, that was heavily influenced by religion, is the implementation and utilization of the rose window. It depicts the final judgement of man and is part of the Gothic tradition in which biblical and historical stories were portrayed in stained glass and sculpture. At a time when most of the population was illiterate, these embellishments made biblical scripture available to everyone. [Pevsner, Nikolaus. 1963. An Outline of European Architecture. Harmondsworth, Middlesex: Penguin Books.]
element of the Flamboyant Gothic style is the strength in stone window tracery of a flamelike S- molded
In Ancient Greece, religion dominated their life, so it is understandable that their architecture would be dominated by their religion. Before Greece became many different city-states, they had kings, and they would build a room called a megaron to show they King’s authority. A typical megaron is a single chamber with a fire pit in the middle with a throne off to the side. This room opened up into a porch (portico) that had four columns in the front. After there were no more kings these megarons turned into temples. The fire pit, which turned into some type of altar or a place to show a sacrifice for that god, was now outside in front of the temple. The altar was now outside so people could see you make these sacrifices to their gods. The first Greek temples were made out of wood and were long rectangular buildings with a porch all the way around which was supported by columns made from tree trunks. A Greek temple consists of five basic parts: the pediment, entablature, columns, base, and the cella, or the inner sanctum. The pediment is triangular and would have a type of sculpture or ornament known as acreteria on each corner. An entablature consists of three parts: the cornice, frieze, and architrave, which holds up the pediment. The columns are the support between the entablature and the base. The base usually consists of three steps. The cella is the inner sanctum, which has different rooms with more columns for support. Each temple would have a cella but they were not identical.
... also used as a new form of expression. Since this new form of art dealt with the dream world and the fantasy world, it allowed others to see new and never seen before works of art.