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Ways the media influences public perception
The "American Democracy
Ways the media influences public perception
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In his commencement address “What is Your Culture to Me?”, Charles Dudley Warner argues that the educated have an inextricable burden to shape culture and “to guide the blind instincts of the mass of men who are struggling for a freer place and a breath of fresh air” (Warner 10). As a democracy, Americans have always been married to the majority, and though this is a reason for pride, this is also a reason that inevitably filters out the voices and the stories of minorities from the deafening drone of culture and history. Democracy has often led the majority throughout history to glance at other groups with a deeply rooted skepticism and ask, “What is your culture to me? I am American, but you are not.” While the majority may think that an understanding of American culture runs through the blood, the truth is quite the opposite. …show more content…
Bringing this truth into the light for all is undoubtedly a formidable and often times a seemingly unrewarding task, but W.E.B. DuBois, Anzia Yezierska, and Marcel Duchamp all respond to Warner’s call to action through their works. From Anzia Yezierska’s poignant Bread Givers, to DuBois’s emotionally raw The Souls of Black Folk, to Duchamp’s controversial piece of art Fountain, these works all speak not only to educate those outside of a certain minority culture about the “mass of men” who are dying to breathe in a world in which their culture is understood, but also to define American culture in full, in all of its glory and more importantly, in all of its flaws, struggles, and failures (Warner
Fiorina, Morris P., and Samuel J. Abrams. Culture war?: The Myth of a Polarized America. 2nd ed. New York: Pearson Education, 2006. Print.
The city is best known for its large size, population, and diversity of businesses, ideas, and peoples. Various factors, such as the impact of industrialization and the emergence of new technologies, as well as the impact of various social and political movements throughout US history have augmented these three factors, with the scale, population, and diversity of the American city even larger than before. In their respective works The Souls of Black Folk and The Cosmopolitan Canopy, W.E.B. DuBois and Elijah Anderson address the issue of interracial interactions in the city, and their implications on the development of equity and civility. In both The Souls of Black Folk and The Cosmopolitan Canopy, DuBois and Anderson agree that the creation
Ever since Christopher Columbus arrived in America in 1492, white people have constantly oppressed and discriminated against minority races. In my original essay, I addressed how leaders of the Black Arts Movement believed that the establishment of a separate Black culture provided the best opportunity for change to occur. During the time period of the Black Arts Movement, many thought that two separate spirits divided American society—a Black spirit and a White spirit. In the minds of African-Americans, the White spirit unfairly dominated and controlled America, leaving the Black spirit with little impact or voice in society. According to Larry Neal, “Western aesthetic has run its course: it is impossible to construct anything meaningful within
“Rituals and Traditions; It Takes a Tribe,” written by David Berreby and “Indians: Textualism, Morality, and the Problem of History” written by Jane Tompkins, both exemplify a typical controversial topic in the United States of America today. The US prides there self on the basis of freedom, and how Americans are made up of individuals with backgrounds from all around the world. Many consider the US to be a “melting pot”, a society where cultures are just blended together and not recognized fully on their own, where as others consider the US to be a “salad bowl”, where people of international cultures hold fast to their traditions and practices and coexist with the cultures around them. Both authors of the readings propose that generally speaking,
W.E.B. Dubois was one of the most prolific and pioneering leaders during the early Civil Rights era. Throughout his life, he produced numerous works as a commentary on the social construct that existed between whites and blacks, including the groundbreaking collection of essays The Souls of Black Folk published in 1903. These essays detailed the historical, political and sociological plight of African Americans in society after the Civil War. In addition, the essays introduced the concept of double consciousness which referred to the challenge blacks faced in reconciling an African heritage with an American identity, a theory that would disseminate into his later works. Accordingly, his poem “The Song of the Smoke” published in 1907 is an extension of his earlier work in double consciousness, but with an emphasis on the celebration of black heritage. Embedded in these affirmations of blackness; however, is a sense of longing for the unity and equality of all races. In the poem, “The Song of the Smoke”, DuBois reflects on the past, finding grief and courage in the legacy of his slave ancestry and toward the future, hoping a new strength and dignity is formed amongst all Americans.
Shortly after Rachel was written in 1916, the New Negro Movement began to gain traction in the African American community. This broad cultural movement focused on promoting a public image of African Americans as industrious, urban, independent, and distinct from the subservient and illiterate “Old Negro” of the rural South. Unlike his predecessor, the New Negro was self-sufficient, intellectually sophisticated, creative, knowledgeable and proud of his racial heritage (Krasner, Beautiful Pageant 140). While these concepts had been promoted since the turn of the century, it was not until 1917-1918 that they began to crystalize as a concerted effort among African American intellectuals. These men actively supported the creation of black drama because they recognized that “At a time when African Americans had virtually no political recourse, their voice could best be heard through…a creative and humanistic effort to achieve the goal of civil rights by producing positive images of African Americans and promoting activism through art” (“New Negro Movement” 926). The New Negros therefore shared the same overall goal as black intellectuals such as DuBois, but believed that black artists should focus on presenting the reality and beauty of the “black human experience” instead of an idealized vision of what life should be. Ultimately, the transition from “political” art to that which held creativity in high esteem was complex and divisive. Fortunately, just as Dubois emerged as the primary advocate of the former Political Theatre, so too would Alain Locke help guide the New Negros to support the idea of Art Theatre.
Since the birth of America many cultures came to find freedom and opportunity to accomplish the American Dream. The American Dream is the idea that anyone who comes to America possesses the opportunity to succeed based on their merit. Through this different cultures diffused what America came to be. The influences of immigrant cultures gave America the name the land of the free. Cultural diffusion, migration, immigration, and transnationalism is important in relation to global economy based on the fact that through these countries we are granted many ideas, styles, religions, technologies, and languages from these different cultures. America became a melting pot of various cultures bringing their individuality in a country of many customs. The struggle between culture and identity is conveyed through the writings of Richard Rodriquez and Armstrong Williams to break stereotypes and be proud of who you are. People need to identify with their own culture first before identifying with America because a key American value is individualism and maintaining one’s own culture. America is a melting pot of different cultures making it necessary to remember one’s own culture in the flood of ideas and traditions within America. Through maintaining culture they are simultaneously upholding American beliefs and identifying with America.
Black art forms have historically always been an avenue for the voice; from spirituals to work songs to ballads, pieces of literature are one way that the black community has consistently been able to express their opinions and communicate to society at large. One was this has been achieved is through civil disobedience meeting civil manners. In this case, it would be just acknowledging an issue through art and literature. On the other hand, there is art with a direct purpose - literature meant to spur action; to convey anger and shock; or to prompt empathy, based on a discontent with the status quo. That is, protest literature. Through the marriage of the personal and political voices in black poetry and music, the genre functions as a form
The Souls of Black Folk by W.E.B Dubois is a influential work in African American literature and is an American classic. In this book Dubois proposes that "the problem of the Twentieth Century is the problem of the color-line." His concepts of life behind the veil of race and the resulting "double-consciousness, this sense of always looking at one's self through the eyes of others," have become touchstones for thinking about race in America. In addition to these lasting concepts, Souls offers an evaluation of the progress of the races and the possibilities for future progress as the nation entered the twentieth century.
Artists associated with the Black Arts Movement promoted the notion that art should serve the needs of the African American community, while challenging white hegemony and the oppression of African Americans (Wofford). Despite having similar, yet thoughtful views on black supremacy, much like that of authors from the New Negro Movement, the “Black Power Concept” of the Black Arts Movement had ...
In order to understand this immense country that we call America, we need to study the culture. More specifically, we need to study the form of society in America. Is this society changing, or does it remain fixed throughout time? There are many aspects of our society, some of which are: traditions, values, and religion. The many realms of society contribute to a conglomerate culture, which cannot be described simply.
Culture defines people’s values, beliefs, and personal interests. Culture is important because it allows people to maintain a unique identity society. Many cultures have common interests, while others may have customs that differ greatly from that of another. Technology has had a huge impact on present day cultures. Many culture have been altered including my own, and some have been created due to the rise of technology. Cultures differ so greatly that someone belonging to one culture may not agree with the values of another, which then causes social and ethical issues. My culture shares many similarities with others around the world; most of which have connected more people in recent years than ever before. Cultural gaps, and lack of understanding for peoples’ values and beliefs are significant reasons why cultures fail to understand one another.
Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.
What made me into the person I am today? I have asked myself this question many times before, yet it all leads back to the same concept. In fact, I came to the conclusion that it is simply a summarization of our developing years. For example, some of our biggest influences, especially in those years, are our parents and friends. Our parents help shape us into the people we are today and, in most cases, we share the same values as them. In addition, our friends are also part of the reason we are who we are. They are the first group of people we interact with and whether we mean to or not, we try to imitate them as much as we can. As a result, the three values of my personal culture that make me into who I am are respect, work ethic, and joy.
Anthropologists define the term culture in a variety of ways, but there are certain shared features of the definition that virtually all anthropologists agree on. Culture is a shared, socially transmitted knowledge and behavior. The key features of this definition of culture are as follows. 1) Culture is shared among the members of that particular society or group. Thus, people share a common cultural identity, meaning that they recognize themselves and their culture's traditions as distinct from other people and other traditions. 2) Culture is socially transmitted from others while growing up in a certain environment, group, or society. The transmission of cultural knowledge to the next generation by means of social learning is referred to as enculturation or socialization. 3) Culture profoundly affects the knowledge, actions, and feelings of the people in that particular society or group. This concept is often referred to as cultural knowledge that leads to behavior that is meaningful to others and adaptive to the natural and social environment of that particular culture.