Liszt’s interpretation into the world of Orpheus and Eurodice is very melodic and transitive. The use of the harp to represent Orpheus is clear from the start as you listen to the melodies slow crescendo. String instruments in the composition play well with the harp as it allows for some back and fourth between the two. This may represent the pain Orpheus has after loosing his beloved Eurodice. Liszt symphonic poem really outlines Orpheus’s journey into the underworld to reclaim his wife. It is a very gentle narrative told through music that is well done and conceptually successful. The orchestral poem really allows for a deep scope and rapid fluctuation. Throughout most of the piece the tempo is very slow however it gradually picks up toward …show more content…
Liszt uses the harp to represent Orpheus and the violins dive deeper into his sadness and engulf you into the theme of the story. It really allows one to dive into the phycology of Orpheus in his infinite sadness. The tragedy of the story is that he never gets Eurydice back. The piece may also represent what he felt after the leaving hades and loosing Eurydice forever. This freely structured concept really makes the imagination go wild as one can think of the struggles that Orpheus had to deal with. You can really feel Orpheus plucking the strings of his lyre which is represented by the harp.
Liszt’s poem is a portrait of the heroism and the struggle against Orpheus. This was a product complied from a specific train of thought, after listening to Gluck’s opera “Orpheus and Eurodice” which he was to conduct he found himself thinking of the Etruscan vase he had seen in the Louvre, Paris, this represented the first poet musician. Though the music does not depict specific events in the story, there are key elements within it that highlight certain aspects such as the harp for Orpheus’s lyre. The use of tone colors gave it a wonderful mixtures of
The piano is what sets the mood of the whole piece, the beginning starts off slow and gloomy sounding, then the vocalist begins to sing and confirms that this song is going to be unhappy. Although the song is gloomy sounding, I still like it, the piano has a pleasant melody and it is calming. It sounds like a song that should be played in a movie when a loved one dies and everyone’s moored at a funeral.
The words used in the song provide a tone of mystery and darkness. For example, "Come closer, famous Odysseus. Never had any sailor pass our shores in his black craft (line 15). " This demonstrates that the diction gives the audience a suspicion that it is not safe and that it is dark and mysterious.
For example, Corrigan said, “Sometimes he claimed the scar along his thigh indicated he was actually the biblical figure of Jacob. Jacob, the brother of Esau? Jacob, who wrestled God’s angel and lived” (80). Corrigan, in this excerpt from the novel, alluded to the bible story in Genesis. One who knows the story of Jacob and Esau would be able to make connections between those from that story and the characters in the book. This biblical allusion caused some readers to be able to make deeper connections in the novel but yet does not hinder the understanding of someone who does not recognize the reference. Corrigan also wrote, “You so easily remember the times I was Eurydice, when the ward’s locked door slid closed between us. Do not forget I also have been Orpheus, on my knees in the boat, asking all the devils for your face in the trees” (100). This allusion to Greek mythology aided the reader in understanding one of Corrigan’s central themes in her novel. In the story Orpheus was a poet who was able to entrance enemies with his singing and lyre playing. After his wife, Eurydice, was killed, he traveled to the underworld to rescue her. Corrigan writes that she and Danny took turns being both Eurydice and Orpheus in that one was doing the rescuing and one was being rescued. They were there for each other through their troubles and
The theme of this play is inner beauty and outer beauty. In the beginning of Cyrano de Bergerac, it seems like the theme focuses heavily on outer beauty. As you continue to read on, the play actually puts more emphasis in inner beauty. Symbolism is very important in this play. The letters written by Cyrano symbolizes Cyrano’s inner beauty because what you write comes from your soul which is shaped by your personality. Cyrano’s nose symbolizes his ugliness and his insecurity. Because Cyrano knows Roxane would never consider him because of his nose, he decides to help Christian since Cyrano believes he can help Christian win Roxane’s heart. “
The music makes the audience drawn to feel sympathy and pity when she is preaching her views on death. For instance, a solemn melody is played when Haemon’s corpse is brought to King Creon. Creon grieves by himself as he is overcome with devastation caused by his foolish actions; his emotions are intensified by the sorrowful and sombre background music. The music is able to complement the play, while accentuating the more significant events. The design of the set is the most essential element of the production because it serves as the backdrop for the entire play.
The music and sound effects are in the same pont with what the author nedded to say in that play. In the smok and sword fight on the first act we thought will be a play where every body is confusing and fight each other. The phone ringing all the time and this help the actors to play around in the hury and action come up with rehearsal process. The purposes of the phone is any time we heart that something is going to happen, so we expectin to change the sequence in the play. Ringing the phone open a problem, hanging up the phone close the problem. Opening and shoutting the door of dressing room as a slamming it create for the audience understanding the flow of the show and leaves the flexibility as we see white and black to the performance. Crying with tears make the player dramatic, but afraid of discover which it trying to keep things together laughting and
The elements in the poem work very well together to help set the theme of this poem. The tone set the overall mood of the poem, so show that it was rushed but not in a chaotic way. The imagery helps to show us little details of the setting, which are very helpful. And finally, the figures of speech, help the reader to compare the scene to things they have experienced in their lifetime to fully understand the poem.
The "Erebus I keep you in" in line 4 represents the speakers dreams in which they still see their loved ones. Similar to Orpheus, the speaker tries taking said loved ones back with them "into morning" or back into the real world. However, they open their eyes to find that their loved one is still gone.
Hope, desperation, relief, and joy were the emotional aspects that I grasped onto during the piece. While there was not a literal story, it was relatable and real. The dance was visually beautiful, because the lighting, costumes, silk, and choreography worked together to create a picture of water. Yet, the music and idea behind the dance gave the intense and emotional aspect. Each of these elements worked together to create a piece that was mesmerizing and light
Cocteau suggests that there is a higher power than even Death itself. The Princess personifies Death, but she is controlled by the Committee of the Underworld. If she were the most powerful facet of Death, then she would not be controlled by anyone or anything. Therefore, the Princess in Jean Cocteau’s Orpheus represents not Death, but one of the many faces of Death.
Writing the poem in ballad form gave a sense of mood to each paragraph. The poem starts out with an eager little girl wanting to march for freedom. The mother explains how treacherous the march could become showing her fear for her daughters life. The mood swings back and forth until finally the mother's fear overcomes the child's desire and the child is sent to church where it will be safe. The tempo seems to pick up in the last couple of paragraphs to emphasize the mothers distraught on hearing the explosion and finding her child's shoe.
The author uses symbolism as well in this story to support the theme. Firstly, the author uses a closed door as a symbol of separator. The closed door separated her from her sister and her friend. She is free from the surroundings. Although she "wept at once" (69) after her husband's unfortunate, things are changing now. "The open window, a comfortable, roomy armchair" (69) reveals that Louise's true feeling. In the following paragraph, Chopin uses "blue sky" (69) as a sign of hope; twittering "sparrows" (69) as a sign of happiness. The reader can confirm that her husband's death is only a temporary hurdle and she recovers quickly from the grief. Now she looks hopefully to the future, future of independent and well deserved freedom.
The characters in the movie, Black Orpheus, are significantly altered from the Greek myth. In the myth, Orpheus and Eurydice are together from the beginning and are completely in love. Everyone is happy for their love and the only thing that stands in their way is death. In the movie, however, this is notably changed. Orpheus begins as a streetcar conductor that was engaged to Mira, giving the idea that Orpheus was in love with another woman. We quickly see that this is not the case as Orpheus is always very curt and rude with his fiancée. They are slated to get married, but there is an eerie feeling in the air that something is about to go wrong.
The Chorus in the play Oedipus has three basic functions. Firstly, to act as bystanders throughout the play, observing what goes on, reacting and offering opinions at regular intervals throughout the play (e.g. When Oedipus accuses Croon irrationally of conspiring against him, the Chorus says "To one who fears fall, his words seem good; O king, swift counsels are not always safe". In this role they are important to the play as they often offer the voice of reason during moments of heated debate, the voice of fear and confusion during Oedipus' downfall, which seems to mirror the audience's reaction and emotion in many situations throughout the play. The Chorus are also used as a sort of receptive audience for passages of description over what has gone on behind closed doors (e.g. After Jocasta has realised the truth, the second messenger describes the scene inside the palace to the Chorus: "Within the porch, straight to the couch, she rushed, her bridal bed, and tore her hair." ... ...
The Editors of Encyclopædia Britannica. "Orpheus (Greek Mythology)." Encyclopedia Britannica Online. Encyclopedia Britannica, n.d. Web. 30 Mar. 2014.