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Theme in the country of blind
Theme in the country of blind
Blindness in literature
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Jennifer Wells Dr. Mehta ENGL 2610.001: Assignment #1 3 November 2017 Can the People See? A Look at Blindness in J.M. Coetzee’s Waiting for the Barbarians There are varying degrees of blindness. There is complete blindness, where one is unable to see anything. There is limited blindness, where one is able to discern some things, but others may be outside of the field of vision or too blurry to distinguish at all. Also, there is selective blindness. This is where one chooses not to see things. It could be that one does not want to acknowledge what is happening around him, or it could be that one simply refuses to see things in any other way than his belief allows—meaning one is willfully choosing to ignore any other interpretation than his beliefs …show more content…
Rather than engage in a fight, the barbarians led the troops on a merry chase through the unhospitable terrain the barbarians inhabit. Joll refuses to leave his carriage as his men gather supplies and belongings before heading back to the safety of the Capitol. The magistrate peers through the windows of the carriage, examining Joll: “His face is naked, washed clean, perhaps by the blue moonlight, perhaps by physical exhaustion . . . He looks out at me, his eyes searching my face. The dark lenses are gone” (146). The exposure of Colonel Joll is so stark. For the first time, the magistrate is able to view Joll as a human instead of as an emissary of the Empire. At this point in the novel, it is clear to see that the Empire is no longer able to hide from the colonized. Joll is no longer able to limit what the magistrate sees. The magistrate is able to separate Joll the man and Joll the Empire. Additionally, the magistrate is finally able to view the Empire for what it truly is. It is not the safe, helpful place it tried to be. It is not the benevolent parent to a wayward child. The Empire is a self-serving machine looking for ways its colonies can benefit the rest of the Empire. With this exposure of the Empire, her plan to further subjugate the people fails. She can no longer hide her agenda from anyone. Incidentally, Joll is also no longer able to limit his own vision. He has been exposed to the truth he has chosen to hide from himself. He cannot continue ‘blindly’ following the Empire, and carrying out her whims. Joll must now see the effects the Empire has had on the colonized. He must see the horror he has wreaked and acknowledge his responsibility for the current
In Seeing, Annie Dillard writes about the things people do not see, and the things people choose to see. Dillard does this to make the reader aware of what is around them. People have the attitude of “what you see is what you get.” (Dillard pg. 13) Dillard believes that people do not actually want to see what is really there. That people only want to see what makes them happy. Dillard goes on to discuss all the things we see and do not see, ending by stating “if we are blinded by darkness, we are also blinded by light”. (Dillard Pg.17) Dillard is saying that if you look hard enough there is always something to see.
In all cultures, there are people struggling for survival. Some are starving, some are living in sheer poverty, some are thrown into slavery and some just cannot get their footing; but in all of these situations there seems to be a common theme that presents itself over and over again. Many of these people become so desperate to live they will give up their morals and give in to whatever they can to get by. Occasionally, there is one person stronger than the rest, one able to hold onto their morals, one that would rather die than give in to immorality. However, given certain circumstances; even these people turn to pure barbarianism in order to survive. The Pulitzer Award-Winning novel, The Road by Cormac McCarthy, details the numerous obstacles a man and his son face, in an attempt for survival, in a post-apocalyptic world. The man, the protagonist in the novel, hesitates to help any random strangers who he and his son encounter along their path. Meanwhile, Jose Saramago’s Nobel Prize-Winning novel, Blindness, deals with a mass epidemic of blindness infecting nearly everyone in an anonymous city. The doctor’s wife, who keeps her sight throughout the novel, can be identified as the protagonist. Her situation of being the only person with sight amongst the blind is both dramatic and yet classic; as it adds depth and interest to the novel. Both works emphasize the fact that the dark side of human nature becomes more pronounced once survival is threatened.
Throughout the novel there are several instances where characters, including the narrator, are physically blind or experience the loss of their sight. Such cases of physical blindness represent the unwillingness or incapability to see past the prejudices and falsities of an American society based on the superiority of Whites. An important example of this in the text is the boxing scene in which the narrator is fooled into fighting other fellow African Americans for the enjoyment of notable white folks in the community. The narrator is searching for truth behind the horror of this arranged fight, but his eyes are blindfolded by oppressive Caucasian hands:
I am invisible, understand, simply because people refuse to see me. . . . That invisibility to which I refer occurs because of a peculiar disposition of the eyes of those with whom I come in contact. A matter of the construction of their inner eyes, those eyes with which they look through their physical eyes upon reality (Ellison, 1).
Coming of age is essential to the theme of many major novels in the literary world. A characters journey through any route to self-discovery outlines a part of the readers own emotional perception of their own self-awareness. This represents a bridge between the book itself and the reader for the stimulating connection amongst the two. It is seen throughout Paradise of the Blind by Duong Thu Huong, Hang’s coming of age represents her development as a woman, her changing process of thinking, and her ability to connect to the reader on a personal level.
Although, it is obvious throughout the story, that the Narrators views of blind people has changed, -
“ To believe only in what you can see seems a peculiar form of blindness ( Wolpe
Blindness is defined as the lack of visual perception. Blindness can also be defined as not being able to see things for what they really are. One may be able to see but may not be able to see the true meaning of something. Black communities often refuse to see the way that white people treat them. In Ralph Ellison’s novel Invisible Man many events contribute to the overall theme of sight vs. blindness.
When most people think of blind people, they tend to picture a person with dark sunglasses, a seeing eye dog, and a walking stick. These are stereotypes and obviously do not remain true in the case of all blind people. In Raymond Carver’s short story “Cathedral," the main character is jealous and judgmental of his wife’s friend who happens to be a blind man. It is the combination of these attitudes that leads to his own unique “blindness." It is through this initial blindness, that the character gains his greatest vision.
J.M. Coetzee’s novel Waiting for the Barbarians presents a story with an allegorical message in regards to the human condition. The book works to challenge humanity, and imperialism by investigating the limits of human cruelty and compassion. Coetzee undertakes this from a unique perspective; the novel itself transcends any one historical framework and allows the author to deal with history on his/her own terms. This structure provides a platform to deliver a deeper, more general message to the reader that in principle applies to myriad societies throughout history, present day, and possible future civilizations as well as to the individuals within these societies. Amongst the most salient concepts Coetzee explores in his work deals
Then when the truth comes out, blindness is even emphasized more with Oedipus blinding himself physically. His hubris is caused by many things, one may be him thinking he has evaded his cursed prophecy, and even having his own townspeople pray to him as if he were one of the God’s. Blindness in Oedipus Rex is both literal and figurative. People can be physically blind as well as figuratively blinded by the truth. Oedipus was born with a terrible prophecy.
In literature, blindness serves a general significant meaning of the absence of knowledge and insight. In life, physical blindness usually represents an inability or handicap, and those people afflicted with it are pitied. The act of being blind can set limitations on the human mind, thus causing their perception of reality to dramatically change in ways that can cause fear, personal insecurities, and eternal isolation. However, “Cathedral” utilizes blindness as an opportunity to expand outside those limits and exceed boundaries that can produce a compelling, internal change within an individual’s life. Those who have the ability of sight are able to examine and interpret their surroundings differently than those who are physically unable to see. Carver suggests an idea that sight and blindness offer two different perceptions of reality that can challenge and ultimately teach an individual to appreciate the powerful significance of truly seeing without seeing. Therefore, Raymond Carver passionately emphasizes a message that introduces blindness as not a setback, but a valuable gift that can offer a lesson of appreciation and acceptance toward viewing the world in a more open-minded perspective.
Colonel Joll’s disregard for the well-being of his prisoners during interrogation displays traits of antisocial personality disorder that relates him to many other individuals with high rank in the military known for being ruthless torturers. It is seen right from the start of the novel that Colonel Joll takes his position of power very seriously, imprisoning anyone who could be a potential threat. As soon as these people become pr...
Waiting for the Barbarians by J. M. Coetzee, is a fictitious narrative constructed to illustrate the corrupt ruling and heinous crimes that were unjustifiably committed by the ruling empire. Coetzee constructs the main protagonist, the magistrate, to adhere to the laws of government while sharing the perspective that those laws are at times unjust. The author presents the audience with a self-evaluating protagonist to provoke a deeper connection with the character. This connection is further developed throughout the novel as the character questions his position in the ruling empire.
Dominic , H. (2009). The Cambridge Introduction to J. M. Coetzee. (1 ed., p. 49).