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Music concert critique essay
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The performance I attended for the concert critique was a senior recital for Teresa Norton and Tracey Barnes. They played violin and piano respectively. The concert was at Goranson Hall and I immediately felt a sense of closeness and intimacy due to the smaller size of the concert hall, which added to the sentimental value of such a special performance. They played a total of three pieces, which included Liebesleid by Fritz Kreisler, Terzetto in C Major, Op. 74 for Two Violins and Viola by Antonín Dvorák, and Sonata for Violin and Piano, No. 17 in C Major, K. 296 by Wolfgang Amadeus Mozart. Overall, I really enjoyed going to the concert and experiencing Idaho State’s music department.
The opening piece was called “Liebesleid” by Fritz Kreisler and it was a rather short composition, which made a great introductory piece. The piece followed the musical styles of the late romantic and early modern periods, and was a duet with the piano and violin. It felt very light and had a very easy melody to follow and remember. The violinist displayed multiple techniques such as vibrato, and double stop. The piece is in ternary form and follows the ABA pattern. I believe it was a homophonic texture with the piano as the accompaniment. The work began with a temp o around moderato, but once the ‘B’ section started it slowed to an andante. The ‘A’ section of the piece evokes a very light-hearted and youthful emotion, while the contrasting ‘B’ section portrays much more sorrowful feelings. The dynamics didn’t vary too much, but during the ‘B’ section the dynamics decrescendo to a piano. The composition demonstrated a similar theme with each section, and I immediately noticed the reappearance of a theme. I truly appreciated the simplicity of the Li...
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...h faster and had a tempo of allegro. The very short notes in the violin part made it feel light feeling, and more dance-like than the three. The violin and piano played in unison together several times. I found this movement to be the hardest to follow of the three because I didn’t hear a recurring theme a lot. The dynamics remained fairly constant at about a mezzo piano to a mezzo forte. Overall, I believe this composition did a fantastic job at displaying both musician’s talents and abilities without overshadowing one another.
The senior recital I had a chance to attend was absolutely wonderful, and I’m so glad I had the opportunity to experience it. I would definitely recommend attending to anyone, and supporting the other students at ISU. The musicians did an excellent job, and it made me realize how much devotion and hard work it takes to be a great musician.
The concert I attended was a Junior piano recital held at The Florida State University College of Music in the Dohnanyi Recital Hall. The pianist was Kaisar Anvar. The pieces performed were:
I chose to do my concert critique on Eric Clapton-MTV unplugged full concert-HQ January 16, 1992 at Bray Film Studios in Windsor, England. Eric Clapton is my favorite rock n roll singer which has a mixture of genres. The concert was inside and on stage. The audience was seated up close to the stage which made the atmosphere comfortable; Eric and the band showed much warmth and connected with the crowd it wasn’t like the band was untouchable.
...ast, or allegro, and at the end, became very slow, or largo. The dynamics were between mezzo piano and mezzo forte throughout. Towards the end of the piece, there was a constant repetition of the main theme, making it have a first rondo formal structure. It was evident because the musician kept running her fingers from one side of the piano to the other without lifting a finger. This piece was perfect to be played last because if had a very soft and resolving finish.
Symphony No.1 is melodic style. This work is quiet. This piece is loaded with appeal; the subject is smooth and lends itself well to fugal improvements through which the arranger has possessed the capacity to adventure it in smart and witty ways. This is splendidly created music, clear, cautious, however ailing in solid identity, chilling and at times rather little objected.
Mendelssohn’s Violin Concerto in E Minor is a staple in professional violin literature. The music starts out with the solo violin playing the main theme. It is noted that before Mendelssohn officia...
...xcited to have this experience. Part of the drama of the concert at first is felt when the musicians come in and sit down and begin tuning up their instruments. I would not be able to comment on the performance of the orchestra. During the performance, I seen the audience were moving with the music, but I felt like that everyone seems knows more music than what I learned throughout this semester. After I went home and did some of the research on these music I finally understand why these people like to attend the orchestra concerto, it was because that every piece of music has a history behind it. The Los Angeles audience seemed to me to be people who know music and who will listen to something new in a respectful way. All the same, when the more familiar sounds of the last piece were heard, I could feel a little sense of relaxation and fun coming into the room.
The first movement is in sonata form - Allegro ma non troppo, un poco maestoso. Strings and horns appear from the distance as if they had been already playing out of earshot. The music gradually intensifies in volume until the final explosion into the first subject. Then this whole process is repeated. The first movement shows a contrast of emotion that seems to return in the recapitulation befor...
It has a very nice combination of the woodwind and violin. The music goes slow for first three minutes and suddenly it goes fast with the sound of violin and slows down again with the melodious sound of the flute and violin and repeats again giving the feeling of nature and after eleven minutes it is in very high notes. And again, from the 14 minutes, begins the second movement with the melodious sound of violin followed by other instruments. This part is very sad and attractive part of the orchestra too. It feels tragedy and sad music. The music is slow and in low notes. The flute in the fourteen minute is so attaching and alluring. I felt like listening to it again and again. The third movement then begins from twenty-three minute which also feels sad music. It reminds me of the good old childhood days. After the thirty minutes comes the most powerful and weighty part that is the fourth movement. It ends comfortably in F major. Among the four symphonies by Johannes Brahms, I liked the Symphony no.3. And I would like to thank Mr. Madere for giving us with such assignments which help us relax and get free from our
On Friday, November 15, 2013, I attended a concert that I found very interesting. It took place at 7:30 pm at the First Presbyterian Church of the Covenant. The group performing was the Erie Chamber Orchestra, but as a special the Slippery Rock University Concert Choir was also there. During the performance I attended, two pieces were performed. The first was a Mozart piece by the name of Symphony No. 41.
On Tuesday, October 17, 2017, I attended a musical concert. This was the first time I had ever been to a concert and did not play. The concert was not what I expected. I assumed I was going to a symphony that featured a soloist clarinet; however, upon arrival I quickly realized that my previous assumptions were false. My experience was sort of a rollercoaster. One minute I was down and almost asleep; next I was laughing; then I was up and intrigued.
...re was very interesting transitions between the variation, for example, string section plays the variation from low to high, when they reach the highest note, the brass family takes over and continue with the scale and make it more higher. Tremolo style was used in this piece, which is a quick ups and downs stroke mode. The music were very soothing and attracted the audience. Lastly, they end the piece with the same variations that was played at the beginning.
Historical. This brilliant composition is considered as one of the two most important violin concertos of the German Romantic period, with Mendelssohn’s vi...
I believe Beethoven did an excellent job transitioning from allegro to adagio. At the end of the second movement and going into the third movement, I love how Bronfman goes from playing the piano at a slow and soft pace to a fast and loud pace. Overall, I really enjoyed listening to the first piece. Bronfman did I wonderful job playing the piano for this
Next, was the longest movement, Molto vivace. Dominated by D minor, this movement resembled the introduction of the opening theme in the first movement but with more lightheartedness. Also called a scherzo because of its “dancelike” theme, this section utilized the Flute, Oboe, Clarinet, Bassoon, French Horn, Trumpet, Trombone, Timpani, and Strings. I also noticed a downbeat around every three beats throughout the fast tempo in this section.
..., intensity, and length. The entire movement had a feeling of rising to a maximum point which could not be surpassed. In the third movement the flute and the piano played together and played nearly the same thing, with the exception of the flutes higher notes. This to had an increasing in intensity and tempo.