Antonio Vivaldi is an Italian composer and violinist who left a decisive mark on the form of the concerto and the style of late Baroque instrumental music. Vivaldi's music, although written almost 300 years ago, has inspired the majority of the songs we hear today. He achieved great success with his sacred vocal music. Born on March 4, 1678, the Venetian composer and violinist Vivaldi considered as one of the big and best composers throughout the Baroque period. During
It is clear that Haydn had a strong influence on the composition of these works. In fact, Mozart once claimed: "I have learned from Haydn how to write quartets" (Berger, 286). Nonetheless, Mozart's unique personality and technical mastery are also apparent in these works. This paper will discuss the ways in which Mozart's "Haydn Quartets" are similar to the string quartets of Haydn. Haydn and Mozart represent the classical style in music, which was popular during the late eighteenth century.
One composer that stood out during this period was Johannes Brahms, a traditionalist who wanted to honor German musical customs while creating innovative romantic symphonies. Brahms continued the eighteenth century classical traditions of Beethoven in the four symphonies he composed in the nineteenth century by making them classical in structure but romantic in tone. Composed in 1883, Brahms' Third symphony in F major, stands out as one of his significant pieces, composed at a time when he was growing into musical maturity. The first movement of this piece had a special place within 19th century symphonic tradition. it opens with an uplifting theme, which recurs all the way up to the coda with careful restraint that is characteristic of Brahms' classical approach within romantic contexts.
The Beethoven Companion. New York: Doubleday & Company, Inc., 1972. Book. Schonberg, Harold C. The Lives of The Great Composers. New York: W.W. Norton & Company, 1997.
Both of these men had the more reserved style of the Classical era before it even began, and they influenced three of the biggest names of this era: Beethoven, Haydn, and Mozart. Johann personally met Mozart in London, and greatly influenced his concertos for piano. Meanwhile, Haydn and Beethoven were both influenced by the sonatas of Carl Bach. All three of these musicians, at some point in their life, studied in the city of... ... middle of paper ... ...ions as the modern string quartet, or the standardized mode of the symphony instantly recognized today? Where would the world be without the innovations of Haydn or the towering, monstrously expressive emotion of Beethoven?