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The Mask
By Ella Hoffmann
I woke up to her strong hands clasped tightly around my throat. My eyes shot open and there she was. Her blue eyes, wide and wild, were full of anger and resentment, burning a hole right through me. I desperately gasped for air, I didn’t bother trying to defend myself, because I knew that wouldn’t go down well. Unfortunately, this situation was all too familiar to me. Isn’t it sad that she was the one who once cuddled me when I had a bad dream, and now she is the reason I can’t sleep at night? Isn’t it sad that the person who is supposed to keep me safe is the person I fear most? “Where’d you put them!” She yelled, her familiar, liquor-scented breath hit my face. “Where’d you put my cigarettes Nina? I know you took
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She furrowed her eyebrows and tightened her grip on my neck, her acrylic nails sinking deeper into my skin “Do you think that’s funny?” She tormented “Do you really want to play those games with me?” I could hear my heartbeat in my head and my vision was cloudy, the world around me was starting to spin. I extended my arm and reached into the front pocket of her jeans, pulling out the small box and holding it between our faces. She immediately let go of my neck, snatched the cigarettes out of my hand and walked calmly out the door of my bedroom. I lay motionless on my bed until I heard the front door slam and the car drive …show more content…
When I got there I locked myself in the disabled toilet which was a small, dark room consisting of a toilet, a shower and a mirror with a sink underneath. I leant with one hand on either side of the sink and the tears fell freely down my cheeks. The anger that i felt a few moments ago was replaced with a feeling of pure hopelessness and misery. I lifted my head and was taken aback by the person in the mirror. I looked exactly like my mother. It wasn't because we shared the same nose or hair colour, but it was because we shared the same look of emptiness in our
I also don't own the idea, it was requested to me by the wonderful Amanda. Thank you so much! I hope I did this idea justice.
At the same time: Snap-Whoosh-Growl-Snap-Whoosh-Growl! Return with a fierceness, causing the rest of the men to separate into two groups with some moving to the left in search of the origin of the beastly sounds and the others moving to the right, combining their numbers with those searching for their missing brethren, while Gottlieb stays behind.
In the poem “The Double Play”, the author uses metaphors, words, and phrases to suggest turning a double play in baseball is like a dance. Some words throughout the poem could be used to connect the idea of a double play being like dancing. One word that could suggest this is, the word used “poised”, “Its flight to the running poised second baseman” (12). Poised in this sense could mean that the player knows what he is doing and has mastered the double play, while a dancer can be poised meaning light and graceful. Another word in this poem that relate to a double play and dancing is the term “pirouettes”, “Pirouettes / leaping, above the slide, to throw” (13-14). The player is described to be doing a pirouette in the double play while in the
A yellow skinned man wearing a gas mask and orange prison clothes stands in a large glass box. Another man walks in wearing a tailored suit, black tie, gasses, and a name tag. He sits down in a chair. “Now lets see what your in for... arson, tampering with lethal chemical compounds, bank robbery, and and 24 acounts of murder, and that's just in the past week, It seems like you're going to be here for a while.” He fixes his glasses.
[RILEY mutters curses under her breath, but stopped once hearing another foot of footsteps. RILEY mutters even more.
I want to write you a letter, because I know where you are. You are here. And … you are in heaven with your lovely people and no more worries, and watching me from the sky. I hope, you met with my mother, Hassan, and other people there.
Crimson Peak, released in 2015 and directed by Guillermo del Toro, opens with a monologue by the film’s protagonist, Edith Cushing. This monologue continues for four minutes, encompassing a flashback which includes events of Edith’s childhood. Her dialogue introduces ghosts into the story and establishes many of the film’s most prevalent trends. During a flashback to her childhood, Edith’s mother comes to her in the form of a ghost. The syuzhet in this opening scene presents ghosts as terrifying and unwanted antagonists that exist to terrorize the hapless Edith. The film’s primary twist is that the ghosts are actually there not to terrorize Edith, but rather to save her from doom. Horrifying sound effects and music correlate with one another
That night the neighborhood was alive with music and lights, "that party would be talked about for a while" thought Jerome. Everything was perfect, he had the best costume, didn't feel sick, and he was pretty popular that night. Then it all went downhill, he was talking to his friend and didn't notice when a stranger walked by and put a pill in his drink. The next thing he knew he woke up locked inside an asylum, still dressed in his 80's themed costume(disco pants, sneakers, Afro and rainbow leg warmers). If you thought he could just go out the window, you thought wrong, 4 stories up inside a locked room. Knowing he could get out through the the door or the window he looked for another way out, finding a piece of paper with the words "lay on the bed and
Ever wondered what it's like to feel the sharp pain of getting stabbed? I'll tell you this, it isn't too great. For starters, it feels like you are being hit by a truck, but the truck is small, and very sharp. Know why I know this? Well, that's because I decided to play hero to protect the love of my life. Now that I look back at it, I'm glad I saved her. If not, I would not be alive today. I wouldn't be standing upon this platform looking into a sold out, speaking into a microphone about how in the world I created this little ball. So yeah, here I am talking to God knows how many people about how I am now considered a "genius". Well let us begin then, shall we? ~ Kuro says with the power ball in his hands, and a big smile pasted on his face as he looks into the crowd on the podium.
Nolan narrowed his eyes at me, ready to retort but suddenly he shut his yap staring past me. I glanced over my shoulder and spotted our principal, Kay Pal, and his daughter, Janine. Next to her was a tall guy with black hair and dark blue eyes. I recognized him as Kayden Adams, Janine's boyfriend, according to Instascam--I mean Instagram.
As I crept out of the window around a quarter to midnight, I ran to the barn to saddle Chestnut. I had to be very quiet so the master would not be disturbed. My pockets were filled with potatoes and bread. Although I was hungry and could smell the aroma of the freshly cooked bread from the night before, I knew I needed to lead the horse out with food to keep him in my favor. The horse neighed softly and followed me out to the pasture. Gaining his trust, I hoisted myself on his back and off we trotted. Miles later, I stopped behind an old abandoned barn to rest for the night. As the morning sun began its journey, I noticed something familiar a patch of woods with a frozen lake. If I remembered correctly, my dad’s old master owned these woods. I spent my childhood running
“We played The Soul Game today.” Her words hit me like a wrecking ball. “What’s the soul game?” her head was like a spinning chair, for she couldn’t keep her gaze. Her amber eyes darted all over the car, and sweat beaded from her brows. “I said no thank you, but she told me we wouldn’t be friends anymore if I didn’t!” a tear ran down her cheek. “WHAT. IS. THE. SOUL. GAME. TELL. ME. CHILD.” I turned off the car. “I cant tell you, the rules are so horrible! I cant!” she screamed. “Well will Violet tell me?” the look on Alyssa’s face was pure torture towards me. No one ever wants their child to appear so angry and frustrated. “NO!!” she squealed, scaring me, and making my blood run cold. “DON’T ASK HER. PLEASE. DON’T!” I opened my car door, confused and frightened. “PROMISE ME MOM!” I shut the door, heading towards her side where she was going ballistic. She was bawling, terrified. I opened her door and took her in my arms, and rocked her the way I used to when she was little, and had a bad dream. She fell asleep there, and I calmly took her to her room and laid her in her bed. Maybe sleep would make her
Life isn't fair, it isn't kind, nor just. In my opinion, many people don't get what they deserve and many people don't deserve what they get. Like me, I don't deserve to be rotting in Azkaban for a crime I didn't commit but here I am. Wasting away, never to have a happy thought again. I'm only twenty and been here since I was 18, I had only been out of school 3 months before I was thrown in here. Sometimes I wish I had died, it's better than living here. I had no trial, no nothing they just assumed I did it and threw me in here to die. I may not notice everything, but I know something is going on. Almost every day some Aurors march past my cell and are taking someone with them. Then 2 days later they come back and return the person and they take someone else and the pattern continues. I have noticed that judging by their steps they go to the far back and are working their way towards the door. My cell is right in front of the door so, whatever they're doing I will be the last to know. Almost everyone comes back except Draco Malfoy, Lucius Malfoy and Narcissa Malfoy were never brought back. They weren't here long anyway.
Intro:“This life is yours. Take the power to choose what you want to do and do it well. Take the power to love what you want in life and love it honestly. Take the power to walk in the forest and be a part of nature. Take the power to control your own life. No one else can do it for you. Take the power to make your life happy.” Susan Polis Schutz. Power over one’s life is something everyone deserves to have, but what happens if you don’t? In the two stories “We wear the mask” Paul Laurence Dunbar and “Still I rise” by Maya Angelou.In “we wear the mask” this poem was written right after the Civil War life was somewhat better than being a slave yet but african americans did not share the same privileges.. In the poem “still I rise” by Maya Angelou
When discussing the poetic form of dramatic monologue it is rare that it is not associated with and its usage attributed to the poet Robert Browning. Robert Browning has been considered the master of the dramatic monologue. Although some critics are skeptical of his invention of the form, for dramatic monologue is evidenced in poetry preceding Browning, it is believed that his extensive and varied use of the dramatic monologue has significantly contributed to the form and has had an enormous impact on modern poetry. "The dramatic monologues of Robert Browning represent the most significant use of the form in postromantic poetry" (Preminger and Brogan 799). The dramatic monologue as we understand it today "is a lyric poem in which the speaker addresses a silent listener, revealing himself in the context of a dramatic situation" (Murfin 97). "The character is speaking to an identifiable but silent listener at a dramatic moment in the speaker's life. The circumstances surrounding the conversation, one side which we "hear" as the dramatic monologue, are made by clear implication, and an insight into the character of the speaker may result" (Holman and Harmon 152).