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Essays about history of dance
History of dance
Essays about history of dance
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The DJ About fifteen years ago a culture was born. In Europe a new type of music was being created. Something new, something fresh. A music fueled by throbbing beats over rattling bass. This is electronic music. The mastermind behind this whole up and coming culture was and is the DJ. In the past five years have become more and more popular everyday. Some people who are not aware of this music or this culture might argue that being a DJ is not a serious profession for various reasons. Throughout this paper I will prove these notions false. As support I will provide the history of the DJ, what exactly it is, insight from various DJ's and much more. It all began about fifteen years ago. In towns in Europe people started throwing secret parties, small parties more of a social event to party and have fun. At these parties there would DJ's spinning early electronic sounds and dancing. Not too long after that word started to spread and more and more people wanted to "party". So the people throwing these parties sought out bigger places to have these parties that could accommodate more people. It grew so fast that secret information phone lines were created to prevent problems with the authorities. Over the next few years more and more people grew to love these parties for the music and the overall atmosphere. Also more and more electronic artists started to surface. As popular as these events were the truth is without the DJ none of it would have been possible. In the early nineties this growing underground movement started to form slowly in the United States and other countries. These parties soon took on the name of "raves". In Europe these raves grew constantly. Soon there were raves being thrown with five to ten t... ... middle of paper ... ...to work and their job is their passion. Not that many! If you asked me or any other DJ they could say yes. Bibliography: Works Cited Brewster, Bill. Last night a DJ saved my life: New York: Headline Book Publishing, 1999. Fikentscher, Kai. "You Better Work!" Underground Dance Music In New York City: Hanover: Wesleyan University Press, 2000 House, Tim. DJ, Midwest Area. Personal Interview. 15 Mar 2001. Prendergast, Mark. The Ambient Century: New York: Bloomsbury Publishing, 2000 Reiss, Jon, dir. Better Living Through Circuitry. DVD A Cleopatra Picture 2000. http://www.clubdance.nl/english/index_frame.html http://www.loveparade.de/ http://www.wmcon.com/mn_abtus.htm http://www.dir.yahoo.com/entertainment/music/artists/by_genre/electronical/disc_jockeys/ http://www.gatecrasher.com/gc3flash/welcome.htm
Noyer, Paul Du, ed. The Story of Rock ‘N’ Roll. New York: Schirmer Books, 1995.
Ferguson focuses on the importance of creativity and how much we can build off of each others ideas. Remixing is using tools already invented to build new products, it opens a door to an on going process of new inventions and ideas. Ferguson shows the importance and the huge effect remixing has on our music industry and even technology on today’s market. Remixing gives
The early dubstep movement started out in the United Kingdom in late 1998. The early dubstep releases were all experimental and garage produced. The early dubstep releases were trying to incorporate drum and bass into the popular 2 step electronic dance music which was extremely popular. Early artists who worked in dubstep were El-B, Steve Gurley, Oris Jay, and Zed Bias. Initially dubstep started out as the “B-Side” on a record. The B-side was the flipside of a record and the artist usually placed the music they wanted to become “a hit” on the A-side. The term dubstep was not even coined until around 2002 when Ammunition Promotions began to use the term to promote their club Forward >> in London. Forward >> was crucial in the development of the dubstep genre as it was the first club to devote the venue to the sound and the environment in which dubstep artists could release their new songs. Dubstep was initially marketed for its huge base lines. Electronic dance music in London at the time were not incorporating the huge baselines into their music and this helped to distinguish the dubstep category from electronic dance music. Forward also ran its own underground radio station Rinse FM which helped promote new dubstep artists airing their music were the conventional radio stations were not yet airi...
Tytell, John. 1976. Naked Angels: the Lives and Literature of the Beat Generation. McGraw-Hill, New York.
Djs were the central focuses in the early phases of Hip jump filled in as the establishment and binding together components of hip bounce culture. In rap music Djs were essential for recognizing rapping from verse recitation. Djs utilized different procedures to consolidate vitality and feel of a live execution.
Before we go any further, I think I should first dispel some rumors and ease your mind of the negative thoughts that must be sweeping through it. What do you think of when you hear the word rave? Drugs? Hoodlum kids running amuck? Loud music that interferes with the whole community’s sleeping habits? Violence? The dictionary defines the word “rave” as a numerous amount of things, such as “an act or instance” or the verb “to talk with extreme enthusiasm,” but this is one case where Webster has got it all wrong. What is the true definition of a rave? In most cases, a rave is simply a dance party where guests experience a sense of camaraderie and elevated consciousness through the presence of music. This means there is an abundance of dance expression, interaction with other such ravers, and a positive mood change. And while there are sometimes drugs involved, there is absolutely no deliberate disturbance of the peace and zero tolerance for violence. But I’m getting ahead of myself. Let’s divulge into the history of this invigorating phenomenon.
For example, music is becoming more widely available to the general public with the introduction of mp3 players and the growth of the online music industry. The essay is concluded with my personal feelings towards the use of electronic technology within the live music industry, as well as the recording studio environment. This conclusion reveals that while the use of electronic technology has become crucial in the modern music market, it should not detract from the quality of live music produced. In this way, I feel that the use of electronic technology – namely drum machines and computerised backing tracks – have had a negative effect on the live music industry, because the majority of artists within the ‘pop’ genre now use computer-generated backing for live performances.
Hip hop culture has been around since the 1970s. Multiple sources all come down to the South Bronx in New York City, as the origin of hip hop culture. The culture began to take its shape within the African American, Afro-Caribbean, and Latino communities. The father of the start of this culture was a Jamaican-born DJ named Clive Campbell but also known as DJ Kool Herc. He brought forth a new sound system and the Jamaican style of “toasting.” Toasting was when Jamaicans would talk or rap over the music they played. This whole new style soon brought what is now known as DJs, B-Boys, MC’s, and graffiti artists (Kaminski).
So began my two-year ethnography on the American rave subculture. The scene described above was my initiation into the underground subculture where rave kids, typically under twenty-one years old, are given secret invitations to attend private warehouse parties with dancing, drugs, and thousands of their closest friends. Because of my youthful and unorthodox appearance, I was invited to join the then-highly-exclusive underground scene and attended numerous raves in several major cities in North Carolina. Although my chosen subculture was not typically examined by academia, I conducted an academic ethnography of what Maton (1993) describes as a "group whose world views, values and practices diverge from mainstream North American and social science cultures" (747). As a result, I received three graduate credit hours for "supervised research in ethnography" and conducted what may be the only academic ethnography on raves.
New York: Vintage Books, 1991. Print.
Music and the relationships of music have changed drastically in our society. The course of studies and the evaluations of the applications of the technology of music, the making and the listening of music have changed in the way we listen to music, the styles of music in our society and in the media. The importance of the technology in music today, has, over the past century been charted through the study of musical examples and through viewing how human values are reflected in this century's timely music. There are very many different types of music that are listened to. There are readings, writings, lectures and discussions on all the different types of music.
Electronic Dance Music, also known as EDM, has increased in popularity over the past few years. The spike in popularity has helped create a bigger industry for EDM event planners. For example, the founder and CEO of Insomniac (a popular EDM event planning company), Pasquale Rotella is worth ten million dollars alone. In the 2014 Electric Daisy Carnival trailer, Rotella said, “Finally, I’ve felt like we’re getting somewhere,” in regards to the popularity and impact of these festivals. Because thousands upon thousands of people attend these festivals and the fact that industry has grown immensely over the past few years, this musicking experience is very significant. Experiencing electronic dance music at the festivals is nothing like listening to it at home.
All three shares the common goal of providing an entertainment for a wide variety of people through various means, mostly however, through music. A DJ's job is to combine all the...
Disco, the music that everyone loves to "joke" about or "snigger" about had already been going on for 10 years when the first electronic drum tracks began to appear out of Chicago, Usa. A great Description of Disco can be explain to us like this.
What disco did that had never been done before was provide a place where any person, regardless of race, culture, or ethics, could join with other people and have a good time without fear of ridicule or discrimination. For the first time, differences were celebrated instead of tolerated. This idea is well shown by the song Y.M.C.A. by Village People, where a cop, a cowboy, a biker, and a Native American sing together and hang out without anybody caring about their differences. Disco opened up music to themes and ideas that had been previously considered unacceptable, such as sexual permissiveness and homosexuality. These days those themes are more than considered acceptable in music. Also, many parts of disco style didn’t ever disappear. They merely developed into parts of newer music styles. House, hip-hop, and techno music are all strains of developing music style that have roots in disco. Not only is disco still alive, but its influence is thriving in today’s