Electronic Dance Music, also known as EDM, has increased in popularity over the past few years. The spike in popularity has helped create a bigger industry for EDM event planners. For example, the founder and CEO of Insomniac (a popular EDM event planning company), Pasquale Rotella is worth ten million dollars alone. In the 2014 Electric Daisy Carnival trailer, Rotella said, “Finally, I’ve felt like we’re getting somewhere,” in regards to the popularity and impact of these festivals. Because thousands upon thousands of people attend these festivals and the fact that industry has grown immensely over the past few years, this musicking experience is very significant. Experiencing electronic dance music at the festivals is nothing like listening to it at home.
The music performed by DJs at EDM festivals consist of remixed songs and some that are original. The beats, bass, and rhythms are what people seem to really enjoy about this type of music, myself included. Because EDM is so different from conventional music, it is in some ways, breaking normal conventions that surround “typical” music. For example, some songs focus so much on the bass and sound, that there are no lyrics or singing at all. Although this aspect can be said about other genres of music, EDM is still quite different. Over the past few years, EDM has slowly started to enter mainstream music as well. Perhaps, this has helped with the surge of EDM festival popularity. Although the festivals are now quite large, one of the most popular festivals, EDC (Electric Daisy Carnival), took quite a few years to gain the popularity it has today. The popularity of these festivals has also lead to EDC festivals being held in Europe, Mexico, and other countries.
According to Ins...
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...resses of everyday life, or looking to have a fun time/experience, EDM festivals can provide a place to feel “free” and be happy.
Works Cited
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"Insomniac Events - Wide Awake Since 1993." Insomniac Events. Web. 14 May 2014.
Lewis-Kraus, Gideon. "Behind the Scenes at the Electric Daisy Carnival - GQ December 2012." GQ. Dec. 2012. Web. 12 May 2014.
Mason, Kerri. "Electric Daisy Founder Pasquale Rotella: 'We Don't Want to Book' Superstar DJs Anymore." Billboard. 08 June 2012. Web. 13 May 2014.
"Peace, Love, Unity, and Respect: The Raver's Manifesto." Peace and Loveism. 03 Sept. 2009. Web. 14 May 2014.
Small, Christopher. Music of the Common Tongue: Survival and Celebration in African American Music. Hanover, NH: U of New England, 1998. Print
...Maine. More than 80,000 fans show up to these events. These events are usually the cause of huge traffic jams and a three day party. People come from all over the world just to experience the sense of community, as well as the intriguing music.
It goes on every year. Two million (and more) go to it each year. People go to it to see/meet their favorite people. Not just for bands. Bands, Interviewers, photographers, etc.
I had been eagerly contemplating this trip to Hollywood for quite some time. Picturing the gritty world famous Roxy on Sunset complete with Hollywood decadence and history had been an ongoing fascination for me ever since New York rock and roll celebrity Bebe Buell had invited me out to the west coast to cover her debut at the room. A sort of East Coast Rocker goes west if you will. The “UN- Shoreworld.” Funny that this would be her first show at The Roxy as she pretty much ruled the Sunset strip back in the 70s, but so be it. If there’s one thing I always enjoy, it’s the adrenalin of performer that has something to prove to a whole lotta people. It always means a cutting edge show is in the works and the June 22nd performance was proof positive that Bebe Buell really never left Hollywood, she just got busy elsewhere.
The Los Angeles County Museum of Art has a website that announces its programs. Anyone can easily find and choose a concert. I chose a concert for Sunday July 25, 2010. This concert was emerging artists from Ipalpiti Festibal 2010. It included the four pieces of music that are described below. One of these was Fantasiestucke, Opus 88, both Romanze and Duet were preformed. This concerto was performed by pianist Luiza Borac, violinist Vladimir Dyo, and cellist Yves Dharamraj. The second piece was Ahnung, a new discovery piece from Kinderszenen. This piece was U.S. Premiere, played solo by the pianist Luiza Borac. The third piece was Piano Quartet in E-flat major, Opus 47. This piece was an Andante cantabile piece. This concerto was performed by pianist Luiza Borac, violinist Conrad Chow and Adelya Shagidullina, and Cellist Kian Soltani. The last piece was Piano Quintet in E-flat major, Opus 44. What I discovered about my own musical understanding by attending this concert is the following thing. I know how to appreciate and to enjoy music that is a little bit familiar, but my understanding stops when a very new type of music is performed. I made a conclusion from this experience. My conclusion is that learning about music will increase the pleasure of listening to music, but that musical learning is not, perhaps, as easy as learning subjects like Math or History.
The atmosphere entertainment program at the Paris Las Vegas should, at its base, reflect the duality of the property: the artistry and classicism of the French methods of entertaining and living with the sensual allure and thrilling vibe of the Las Vegas Strip. Orion Productions proposes three variable programs, all which can be interchanged and combined to accommodate for high and lower traffic days and special casino and hotel promotions. Both male and female dancers will be enlisted for the program, to capture the romantic ambiance of a Parisian interlude or getaway. Each one of the performers will be chosen by Paris Las Vegas’ management through a casting call, and only performers expressly selected by management will be featured in the entertainment program.
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
Punk rock often attains to individuals who are against the order and corruption of society and especially the music industry. As ticket prices for arena shows skyrocketed, the popularity of small underground venues with low entry prices increased. These venues are very willing to let local punk rock bands play if they can draw in a large crowd. This intimate experience sparks the thrill of playing on stage. As more of these club venues open, more up and coming musicians get a taste of the spotlight drug. When the audience of a punk rock show pick up on the performer’s adrenaline rush, they also receive a taste of it.
Being on the cutting edge of bizarre, alternative music is an elite privilege, complete with buzz words to exclude the mainstream. The music makes or breaks the scene. One rave deejay explains to Rosen and Flick (1992), "A great rave or techno record is like a religious experience. A bad one will give you a headache
Some could say dance events are just as fun sober as they are on something. Some could say substances enhance an individual’s festival experience. Either of these opinions could be right, but what remains a fact is that substances are indeed, in one way or another, deeply involved with music. It is not because of the music itself, however influential it may seem, but rather the choice of fans that has caused this. Everyone wants to have a great experience at a music festival. If they are offered a greater experience, then of course they will be open-minded. Although substances may be an experience for some, they may be the divider between life and death for others. From alcohol poisoning at Toby Keith shows and meth use at Metallica concerts, substance abuse has proven to be something widespread and dangerous throughout music festivals (Baca, par. 8). Society can make substances a taboo, say ...
Along with the peak of several movements music began to reach a point of climax. Rock specifically began to flourish in the 1960’s, while expressing the voice of the liberated generation. It is the power of such trends that overall lead to what is known as the greatest music festival of all time: Woodstock Music and Art Fair. The festival started on August 15, 1969 on Max Yasgur’s farm in Bethel, New York. Appealing to the time period, Woodstock was designed to be Three Days of Peace and Music. However, many argue that it was more than just a musical art fair of peace, but a historically significant event that shifted American culture. While some regard Woodstock as the beginning of a cultural advancement and the end of a naïve era, others view it as ridiculous hippy festival infested with illegal drug usage. Woodstock cost over $2.4 million and attracted over 450,000 people (Tiber, 1). Despite the debate of whether Woodstock produced a positive or negative effect, it is clear that a note worthy impact was made. When discussing the overall impact of Woodstock it is important to look at the influences and creative plan and the positive and negative effects produced from the festival.
For my book report I read Generation Ecstasy. There was so much information in the book about the rave scene and "ecstasy", I didn't know where to begin. It's been ten years since the English seized on Detroit techno, Chicago house, and New York garage as the seeds of what's generally agreed-over there, at least-to be the most significant music since punk, and they're celebrating with a slew of historical studies. Simon Reynolds attempts to bridge the gap with "Generation Ecstasy," an exhaustive compendium of almost every rave-associated sound and idea, both half-baked and momentous, that traces the digital Diaspora back and forth across Europe and America. Using the multiple perspectives of music critic, enthusiastic participant, and sociological outsider to trace the development of dance music's "rhythmic phsycadelic," Reynolds, finds two predominant, contrasting strains: the search for gnosis, or spiritual revelation, and the desire to get completely out of it at the weekend. Setting these timeless traits in the context of the up-to-the-minute technology that made rave emblematic of its era-the fragmentary, fast-forward aesthetic, the flexible production and distribution network, the avoidance of personality and narrative in favor of sensation-he comes up with a portrait of hi-tech millennium that resonates well beyond its subculture confines.
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf
In 1970 a two-hundred and thirty minute documentary was released entitled "Woodstock." This documentary has set the standard for other documentaries to come. This documentary covers a three day festival that was held in August of 1969. The festival symbolized the ideas of the late 1960’s in terms of music, politics, and society in general. The documentary depicted the event as a major love and drug fest.
Rawlinson, J. (2013). Music Festival Tourism Worldwide - International - June 2013. Retrieved 02 28, 2014, from Mintel Report: http://academic.mintel.com/display/643783/
Everyone has a favorite type of music. Many people follow music closely and have unique tastes. Some people find genres and mixes of genres that they like. People find other people who share these musical interests. People who immerse themselves in a genre or performer find the live performance particularly meaningful and seek out those artists in concert. Music concerts are some of the biggest and most attended events in our modern culture. These are venues where people come together and express themselves through movement and sound. Individuals transcend their everyday experience, connecting to the performers and each other. The experience of the performance and the energy around you is addictive. It’s almost religious. The desire to return to that “mountain top” is powerful. And for how powerful it is to the crowd, it is so much more invigorating for the performers up on stage doing what they love. What if the high just isn’t there the next time? What if a tolerance starts to build up? That’s when many begin to add narcotics into the experience, to rebirth that feeling. Music has been a vital part of culture, and drugs have always been involved in and around both music and culture, effecting the music and the youth listening to it.