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Essays on science vs pseudoscience
Essays on science vs pseudoscience
Form of pseudoscience
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Bram Stoker uses a pseudoscience, but a controversial science in his time period that was theoretical. Stoker believed in this science and added it to Dracula. He added Physiognomy to his novel, which is the ability to determine a person’s personality through their facial features. Even though this is considered pseudoscience, we still do this today. Even though we cannot be entirely accurate while determining this, but we will have different impressions based on how someone looks.
own will, which embodies the fear of Stoker. The corruption of science can be view in many parts in the novel, such as the scene when Dracula forces Mina to drink his blood as an act of rape, “Her face was ghastly, with a pallor… eyes were mad of terror.”(Stoker 301). Nevertheless, one can view it as an act of technological creation and is a characteristic of a scientist. In this act Mina Harker is turned into a medium of connection for his sound and enables him to extend his manipulation. Stoker represents the corruption of science through human experimentation since it is seen as a taboo. One can say she was converted into a telephone, which is how Dr. Seward describes her functions, “same power that compels her silence may compel her speech”
Firstly, Stoker describes Dracula’s physical appearance in Chapter two, ‘a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck
Do you ever wonder what advanced biological sciences? The Visible Human Project is a form of studying anatomy and the human body in all aspects. It is a practice that still goes on today. It is a form of sciences that advanced other discoveries, through it’s process of cross sectioning the human body and putting the information together. The Visible Human Project is a form of biotechnological science that is used to study human anatomy. Frankenstein uses a process much like this; One is fictional, the other real, but they both work toward a similar cause: understanding human life.
Florescu, Radu R., and McNally, Raymond T., Dracula, Prince of Many Faces: His Life and Times (1989)
Bram Stoker’s Dracula includes themes of death, love, and sex. Stoker’s use of empiricism utilizes the idea that everything is happening “now”. The book offers clear insight into who is evil without explicitly saying it. Stoker’s interest in empiricism uses British womanhood as a way to distinguish between good and evil.
Folly of Science Exposed in Shelley’s Frankenstein and E.T.A. Hoffman’s Sandman In Mary Shelley’s Frankenstein and E.T.A. Hoffman’s Sandman, elements of science are portrayed in a negative light, warning the reader of the dangers of the unknown. Many aspects of science and technology are portrayed, from alchemy and robotics in the Sandman to biology and chemistry in Frankenstein. The stories feature similar main characters that break the boundaries of conventional society in order to investigate their desires. Each story features a "living doll", or a creation of man that, while first made for good, results in evil.
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
In Bram Stoker's "Dracula", Dracula is portrayed as a monster made evident by his gruesome actions. An analysis of Dracula shows that: shows his evil nature in his planning, brutally killing Lucy Westrenstra causing a violent response from Dr. Seward and others, and how his evil ways lead to his downfall. To characterize Dracula in one way, he is a ruthless, cunning monster who uses tricks, torture, and wits to manipulate people to his will. However when he trifled with some courageous people, he had no knowledge that it would be his undoing.
show the audience that the film is in this style, such as the mise en
Bram Stoker wrote his infamous novel, Dracula, during the turn of the century in 1897, and the Victorian era novel is heavily influenced by the time in which it was written. Francis Ford Coppola’s Dracula is influenced by the period in which it was produced, and it diverges from the novel in the sexualisation of women, the humanization of Dracula, the representation of friendship, and the depiction of science. Dracula is a classic story that can represent the current era’s fears and desires. Although the story changes in Coppola’s Dracula, in comparison to the original, it is not the first time Dracula has been adapted according to the era, and it will not be the last.
In today’s world, where every person has an outlet to voice their opinion, the public often falls prey to a practice that is known as pseudoscience. Pseudoscience can be defined as a belief or process which masquerades as science in an attempt to claim a legitimacy which it would not otherwise be able to achieve on its own terms. Another thought that comes alongside of the belief in pseudoscience is naïve realism which is the belief that we see the world exactly as it is (CITE BOOK) If a person believes in a scientific product or belief not proven true by science, then they have become subject to naïve realism. These two work together to endeavor to convince the consumer of their false hypothesis. Many people fall into
Gothic imagery and themes include castles, coffins, monsters and strange lands and pose the background of the classic Gothic novel. The Gothic element is synonymous with the horror and uncanny- a feeling rather than form, in which transgression is the central topic (Wisker 7). The vampire is a figure that transgresses society’s limits to form the central dynamic of the Gothic. “We enjoy seeing the limit transgressed- it horrifies us and reinforces our sense of boundaries and normalcy” (Halberstam 13). Assuming that Bram Stoker’s Dracula sets the archetype of the vampire, it is clear that modern vampires have demonstrated a decrease in the Gothic horror despite similarities in the Gothic imagery
After reading and watching The Strange Case of Dr. Jekyll and Mr. Hyde, By Robert Louis Stevenson, Characterization played an important role on Dr. Jekyll and Mr. Hyde. In terms of physical appearance these two characters are seen to look different and even have different physical characteristics.
Hypnosis can be dated back to the ancient Chinese and Egyptians, who used it in religious rituals and as a medical treatment. However, in the late 18th century, it was Franz Anton Mesmer who believed that he could cure through “animal magnetism” and soothing words and gestures. In order not to be tied to Mesmer, physicians in France and England introduced the terms hypnosis and hypnotherapy. “In the 1890’s, the British Medical Association approved hypnotherapy as an appropriate adjunct therapy for several conditions” (Hypnotherapy). Considering hypnosis was approved by the British around the time that Dracula was written and published, it is easy to see how Stoker was influenced by the extensive talk about hypnotism and why he decided to incorporate it into his book.
Dracula, by Bram Stoker, is a classic tale of Gothicism. Traditionally, gothic tales only carried single theme of horror. Through Dracula, Stoker breaks this single theme barrier. The theme throughout Dracula is clearly displayed through the characters as they step from ignorance to realization in this tale of horror.