The atmosphere entertainment program at the Paris Las Vegas should, at its base, reflect the duality of the property: the artistry and classicism of the French methods of entertaining and living with the sensual allure and thrilling vibe of the Las Vegas Strip. Orion Productions proposes three variable programs, all which can be interchanged and combined to accommodate for high and lower traffic days and special casino and hotel promotions. Both male and female dancers will be enlisted for the program, to capture the romantic ambiance of a Parisian interlude or getaway. Each one of the performers will be chosen by Paris Las Vegas’ management through a casting call, and only performers expressly selected by management will be featured in the entertainment program. To ensure the high quality of the atmosphere program, there will be a hair and makeup stylist onsite for the entertainers, as well as a costumer for daily maintenance and upkeep of costumes and props. The costumer can also incorporate body painting as a means of performance art and possible promotions with slot tournaments, casino giveaways, and other property marketing ventures. Our goal is to provide an alluring, risqué yet not bawdy, entertainment program that caters to the twenty-five to fifty year old demographic, but is still be family-friendly enough to accommodate for an extended viewing public. The following three variations are hereby proposed: Variation 1: This variation is to be set up around several different high traffic areas of the Paris Las Vegas, the first of which is the check-in and reception area of the hotel. Two dancing couples will be dressed in bellhop-themed costuming and will perform several dance numbers, including a scin... ... middle of paper ... ...and the talent of the dancing group. The goal behind the atmosphere program is to cater to the patrons that will be most apt to casino promotions and hotel amenities such as slot tournaments, entertainment and show packages, and fine dining, but to still hold appeal to family audiences, as well. By advertising the program as a “free show,” more locals and general foot traffic are likely to respond and enter the property. Involving the atmosphere program in any marketing ventures and promotional efforts will also yield immense benefits to the property in general. In short, by providing a sexy but not bawdy, risqué but not trashy program revolving around classic Parisian themes of getaways, sensual interludes, and intriguing romance, the atmosphere entertainment will not only reflect the upper tiers of the Las Vegas scene, but the classicism and style of Paris.
The need among Americans to be diverted in ever more imaginative ways -- through high-thrill parks, virtual reality arcades, and theme restaurants, plays right into the hands of Dave Corriveau and Buster Corley, co-founders and CEO’s of Dave and Busters. The duo’s 50,000 square foot complexes include pool hall, an eye popping, cutting edge midway arcade, a formal restaurant, a casual diner, a sports bar and a nightclub rolled into one sprawling complex. In business since 1990, this is a high energy, highly efficient operation that’s comparable to a Vegas extravaganza. As a matter of fact there are even “for fun” cashless blackjack tables, with fake $10,000 chips. Pricey, but not outrageous, and you get value for your money.
The first article, “The Best Night $500,000 Can Buy,” portrays the perfect night out in Las Vegas. Devin chronologically takes the reader through a night in one of the famous clubs in Las Vegas, Marquee. He describes the fundamental marketing techniques that promoters use to lure women into the venue, the prices that high-rollers pay to get a VIP access and tables, and the “shitshow” atmosphere where people are dancing as if they are on Ecstasy (some people are actually on drugs). From personal experience, Las Vegas is definitely the Disney World for adults because people can openly consume alcoholic beverages on Fremont Street while enjoying their time at the arcades, night and day clubs, pools, gambling rooms, theme park rides, shopping centers, restaurants, strip clubs, and wedding chapels. Which ultimately le...
Ten minutes after lining up, I went inside the nightclub. From the door, I could hear the song and the beat of the bass so loud that my heart could feel it. Inside the nightclub, I saw people were dancing everywhere, on dancing floor, on their own seats, everywhere. They would dance and take a big gulp of their beer. Even the bartenders were dancing too, following the rhythm of the loud funky music. The rainbow rays of light moved through the club to make the mood even more exciting and funky.
The stage performance of Chicago offered a spectacle that I expected before attending the show. I knew there was going to be scantly clad girls with dark makeup and saucy attitudes. The performers brought to life all that was raunchy in the entertainment business during the roaring twenties. The lifestyle in Chicago featured jazz, booze, sex and crime. More importantly, Chicago had beautiful, young women with the dream of having their own Vaudeville act. The two main female characters, Velma and Roxy were two such women hoping to capture the public's attention. The composition of the show is a metaphoric integration of Vaudeville type acts amongst the book scenes and diegetic musical numbers.
In today’s world of multimedia it has become extremely hard to avoid the introduction of adult themes to younger children, who lack the maturity to process and question the information. Young people are bombarded continually with unsuitable and undesirable concepts that give false images of acceptable behavior. Music, movies, television, internet and video games are accredited with the moral deterioration of present day youth. Great strides have been made to establish rating guidelines, parental controls and warning labels that assist adults in making informed choices on what their children should or should not be able to access but they are not perfect.
...s intended for adult audiences who are capable of conceiving a subtle nuance as the story was told by innocent voices.
Las Vegas has a variety of different shows to check out. One of their greatest popular shows is Cirque du Soleil. There are eight different types of the show to see. Cirque du Soleil features a group of acrobats doing shocking tricks and stunts that will have you leaving the show with your mind blown. Also, have you ever wanted to hear Celine Dion? If you come to Vegas, that remains possible. The Grammy Award-winning
The Great Transformation From A Casino City To a Resort Destination Atlantic City is the place to gamble on the East Coast. Although this may initially seem to be a positive characteristic, it is evident that this destination has the capability to be so much more than it already is. This point of interest has the world’s first boardwalk, which opened in 1881, has 4 miles of hotels, amusements, and casinos. Atlantic City was originally a resort town, until 1978, when it changed into a gaming city. This popular day-trip destination had over 34 million visitors in 1998 alone. Despite this amazing statistic, along with the revenue that gambling brings in, many steps are being taken in order to further promote the expansion of this great city. The renovations and improvements being made to the Atlantic City Convention Center are already increasing the amount of money coming in. There is a great deal of other things to focus on in the Atlantic City region. In endorsing local attractions in this scenic area, and in shifting the target market of this spot, this city would change back into a resort destination. When most people think of Atlantic City, the first thing that comes to mind is the casino attractions that are available. With the city’s constant shuffle and excitement, gamblers from all over go there dreaming of a big win. Many people consider Atlantic City to be the “Las Vegas of the East Coast”. There are over 12 casinos, with one building as magnificent as the next. At any given second of the day, these hopefuls may have their lives changed in an instant with just one win. These casino hotels gain most of their income from gamblers. Casinos employ almost 49,000 people every year. This number should actually jump when the Marina District opens. Although Atlantic City prospers as a gambler’s paradise, many would love to show others just how much more Atlantic City really has to offer its tourists. The Atlantic City Convention Center, built in 1929, was renovated with $72 million in 1997. With the world’s largest pipe organ, everyone from the Beatles to Pavarotti has played there. It was designated a historic landmark in 1987. Conventions, trade shows, meetings, and public events of the greater Atlantic City area all take place here. When the renovation is finally completed, it will seat up to 12,000 people for special events.
Intangibles—Cirque du Soleil reputation and brand name are intangibles resources. Just as the creative people who produce the shows with groundbreaking technology. Specialty equipment used by the trapeze artists when the used the “indoor evaporating lake” i...
The next work of the program, Courtly Airs and Dances, is a multi-movement work composed by Ron Nelson. The piece is split into six movements: Intrada, Basse Danse, Pavane, Saltarello, Sarabande, and Allemande. Each of these present distinct characteristics that separate it from each other movement, yet all are united by being a style of dance. The first movement, Intrada, presents a fanfare-like opening to the multi-movement work. The trumpets and brass section as a whole lead this, as they create a sense of nobility. The key is major and the tempo is one that could be described as allegretto—it is not a fast tempo, yet more brisk than an andante pace. The texture is homophonic, as there are different parts being performed by different
The Rockettes continue to shine as an American treasure; their glamorous performance style and complex routines have charmed audiences for generations. As the stars of a legendary holiday production, these immensely talented and hard-working women showcase their
I was fortunate to be able to attend the Spring Jazz Gala at the High School. Before entering the auditorium or even the school, I had high expectations that this would be like one of the concerts I used to perform in when I was in High School. We called it “Night at the Pops”. One of the highlights of our concert was the informal attire. We got to wear jeans and a different colored t shirt each year. The fun thing about the t-shirt is many people in band and choir designed a new design each year for the shirt. It was then voted on by all of us and whoever won had it plastered on the front of ALL the shirts! So, when I think about my assumptions and what I observed during this Spring Jazz Gala, they were definitely different. During this performance, I sat in the auditorium not a gym like what I had envisioned. The lights were dim like you were going to watch a play and the attire of the students were very sophisticated. You would find the gents wearing black suits with bow ties and the dames with elegant black dresses. Even though this wasn’t what I expected for this performance, I wasn’t too shocked because when I performed in high school, our attire was similar for all of our other concerts. We all wore black pants, white shirts, and
On May 29, 1913 when Diaghilev’s masterpiece debuted at the Theatre des Champs-Elysees, the response of the audience was overwhelming in their shock at the erotic and unconventional nature of the dance. What made this performance different then what anyone in Western Europe had ever seen before was its jarring and sexual nature. Rather than the music and choreography be one, flowing, coherent unit, it was instead rather choppy and dissonant which most likely caught the naive audience off guard. The nature of this ballet is described many times t...
Although the film has endured some criticism, the film’s after-after party at Kingston’s Club Mirage proved that Dancehall Queen isn’t “the invention of a perverted production team in search of celluloid satisfaction. Real-life dancehall queens stroked their crotches, winded their hips and rubbed their well-oiled buttocks” (St. Hill).
In November the 7th 2017, I had another privilege of attending a jazz performance at The School of Jazz, New York. The concert was organized primarily by graduate students who majored in music, and as a result of this, the concert had a number of blossoming musicians who provided the audience with an assortment of different music combos. Unlike in the orchestra, the performers and audience at the jazz concert where dressed casually and there was no particular dress code.