The setup of the stage was very simple. It was the living room of a home in the early 1980’s. It looked like a normal household, and it had small things such as crumpled up pieces of paper lying around the wastebasket. It also had a couch, circular class table and a recliner in the living room. The dining room was to the left side of the stage and only had the dining table and surrounding chairs. There was a door in the back of the set where characters entered and exited through. Beside the door was a table and stool where Willum presumably worked on his blueprints for the hotel. The lighting design was great; it put you into the atmosphere of the
The set of the play was built decent and looked the same. The only thing I didn't like was some of color of the stones that were painted on the walls. But, that’s just my opinion. However, I did have fun splatter painting those walls and the stairs during class. I liked how there was platforms and different ground levels, that made it more interesting. Rather than just having the stage ground there were stairs you could go up or down which set it apart. Overall, I liked the set and I thought it was built well and sturdy.
Mysterious, fun, dramatic, and contemporary summarized the main genres of music played. Occasionally, pop music from China played, to put a modern twist on the performance. To me, the music resembled adding cherries to the cake, as it added theatrics to the show. I also liked the lighting component. This department used different colors that represented the emotions of the story. Such as (Blue: calm, Green/Yellow: Happiness, Red: War, White: Peace and freedom). This enhanced the background scenery of the stage as well as the props. I had undergone quite a few emotions during this performance. Such as fear for the performers safety, shock for the stunts, and even anger for the show being too
Some other points that I thought about before going into the play was the stage set-up. I was able to hear from the producer of the show and see a model of what the Mabie Theater looked like. I was surprised how small the stage looked. It was of course a model but making judgments of the size by looking at the door frames that were stationed at the edges of the stage in comparison to the rest of the model. The steal structure, giving no walls to hide the actors behind the stage or waiting to enter, I was skeptical about. I was visioning some dancers in black leotards doing some interpretive dance because of the degree of modernized stage.
The next effective thing i think that they used in the play was facial expression.Because if you couldn't tell because of their expression in their voice and the body language you could look at their facial expression to help you understand their feel.Another good thing is conrad birdie facial expression was always so confident and he always thought he was the best.these are the few reasons I think that facial expressions are useful in this play.Finally the next effective theatrical element that was used was lighting.When they were changing the set they would dim the lights so it wouldn't distract you from the play.Apart from that when they wanted to focus one person talking they would be on the side of the stage with the lights low and the spotlight facing on them, while they would change he set.These are the effective performance techniques and theatrical elements that I observed in the
The production had many elements which for the most part formed a coalition to further the plot. The characters, the three part scenery and costumes represented well the period of time these people were going through. As far as the performers entering and exiting the stage, it could have been more organized. There were a few times when the performers exited at the wrong times or it seemed so due to the echo of the music. At certain moments the music was slightly loud and drowned the performers. Many of the songs dragged on, so the pacing could have been more effectively executed. Though the music was off at times, the director's decision to have most of the songs performed center sage was a wise one. Also the implementation of actual white characters that were competent in their roles came as a great surprise to the audience and heightened the realism.
Based on an actual incident in 1853, Ivan Doig’s The Sea Runners chronicles about the escape of four Swedish indentured servants from a fur trade fort in 1850’s Russian-America. As the story unfolds and in order to seek opportunity in the new world, many Europeans, including four Swedes sign on to an indenture with the Russian-American Company (RAC) in New Archangel located in what is modern-day Sitka, Alaska. After two years, the four Swedes have enough of it and plot their escape. After stealing supplies and a native canoe, they set off for the U.S. city of Astoria, 1000 uncharted miles south. They face many adversaries, including storms, rocks, angry Russians and Koloshes (name given by the Russians to the indigenous people along the coast).
The play Almost Maine is a comedic story about the citizens of Almost, Maine and their experiences with love. From the small discoveries to the bitter ending, the story explores many different depths of love and the trials that people overcome to feel it. The cheesy
However, the clever and deliberate use of props, costumes, and the stage helps it establish its themes and context and set it apart from other plays. In the beginning, the props are set to evoke the setting of a slave ship. The chains surrounding the pedestal in the middle of the stage invoke the idea of being imprisoned, the images on the side depict slaves being shackled, and the basic idea how the living conditions were on the boat. In addition, the screens often depict vivid imagery of the time period, or historical figures of the time. The images along with the sound effects add to the atmosphere, as it makes a stronger statement than words alone. The costume choice is well-done, and they serve well to differentiate the actors from each other or the different characters. The man in shackles that was hidden underneath the cloth in the moving dolly gives off the appearance of the stereotypical slave. Considering Malik Proctor also portrayed the kid, the waiter, and Flo’rance, the audience does not focus on the actor but the character he is playing. The characters portrayed are differentiable as the costumes set them apart, aided by the tone and inflection in the way the characters speak and act. Having the characters being able to be told apart gives the play immersion, as it allows the audience to focus on what is happening, not why the actors are playing
As I sat in my seat I was amazed at how well put together the stage was. The props were used effectively, as they gave the illusion of what Memphis would look like in that time period during an evening setting; There was a water tower in the back with “MEMPHIS” on the
The most successful aspect of the performance for me were the scene changes. I found that the rotation of the blackboard, center stage, where the actors were able to stoop beneath it in order to enter and exit the stage, was an effective touch to this non naturalistic performance. When this was first used, at the end of the first scene, when the characters Ruth and Al left the stage, I thought it didn't quite fit as at the beginning the style was leaning towards realism. But as the play progressed and the acting style became more and more non naturalistic, and this rotation of the black board technique was used more frequently it fitted in really well and became really effective.
When you read this play, take special care to remember the difference between the work of a playwright and that of a novelist. Novelists may imagine their audience as an individual with book in band, but a playwright writes with a theater full of people in mind. Playwrights know that the script is just the blueprint from which actors, producers, stagehands, musicians, scenic designers, make-up artists, and costumers begin. You will need to use an extra measure of imagination to evaluate this play before you see the Goodman production.
In the tragic contest that is the inspiring soul of the play “ Riders to the sea”, the sea is a party ranged against the weak, inoffensive inmates of the peasant family of Maurya.